Calling home is an Alternative/Pop/Rock band from Louisiana.

When bass notes are played in a musical ensemble such an orchestra, they are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music, the bass part, which is called the "bassline", typically provides harmonic and rhythmic support to the band

It's been a long road filled with good and bad, success and failure, falling down and getting up," Ben Labat says of the winding path that's led to Homeward, the compelling forth album by Ben Labat & the Happy Devil.  

Indeed, the Louisiana-bred singer-songwriter has already led a dramatic and eventful existence, and the ten-song set reflects the influence of the journey that's brought him to this point in his life and career. The experience gained in his travels is reflected in Labat's distinctive, emotionally resonant body of work, which already encompasses four albums, and throughout Homeward.

Labat received his first national exposure after joining the Baton Rouge-based combo The Terms, which built a committed nationwide fan base through diligent roadwork. The Terms' 2006 indie album Small Town Computer Crash generated considerable excitement, performing on national TV and placing at #11 in Billboard Magazine's Heatseekers chart, before a car accident on the way to a gig abruptly ended the band's career. In the wake of the accident, Labat moved to New York, spending a year writing and recording new songs before returning home to Louisiana, where he got married and started a family. Tragedy struck again in 2009 when Greg Ladanyi, the legendary Grammy-winning producer/engineer who'd served as Ben's manager, producer, label head and mentor, died in a freak on-stage accident in Greece.

Labat put the sadness behind him and focused on moving forward musically, launching Ben Labat & the Happy Devil as his creative outlet. The new band released three acclaimed albums, A Face for Radio, Soapbox Anthems and The Revival, between 2010 and 2014. All three sets showcased Labat's rapidly maturing songwriting and increasingly expansive musical vision, while the band earned a reputation as a first-rate live act whose upbeat, uplifting shows offered a potent mix of powerful originals and artfully rendered cover material.

Ben has performed all over the U.S. in some of the country's most prestigious venues including New York's Cutting Room, Los Angeles' Viper Room, The Exit/In in Nashville, and the House of Blues and more recently with Ben Labat & The Happy Devil at The Parish in Austin and Tipitina's in New Orleans. Several of Ben's songs have been featured on such TV shows as The Ghost Whisperer, The Real World and Jersey Shore, as well as the Kevin Spacey-produced film Mini's First Time and Middle of Nowhere starring Susan Sarandon. 

Homeward features Labat's longtime bandmates Jerry Martin (guitar) and David Guidry (bass) and recent addition Travis Lovell (drums), along with an assortment of talented guest players, including keyboardist Travis Thibodaux, who is also a touring member of Journey; female vocalist Ansley Rimmer, a member of the band Hydrogen Child, which also includes former members of The Terms; and noted New Orleans blues guitarist Colin Lake.

"From the beginning, Ben Labat & the Happy Devil have been a group of musicians, audio engineers and songwriters working to create songs that we want to play," says Labat. "While I write all the lyrics and do a good bit of the arranging, the songs would not have the same depth and richness without the incredible group of people working on them. I even consider Brett Grossman and Rob Smith, the two gentlemen that helped mix Homeward, as members."

"The bottom line," Labat concludes, "is that everyone involved in the creation of our albums believes in what we are doing. We want to get back to the place that music brought us when we were young, frustrated with ourselves and oblivious to the real world.  Music was an escape and it was fucking fun! I never want to lose that, so we don’t set deadlines or quotas or budgets, we make the music we want to make, how we want to make it and we keep it fun. We sincerely strive to write the best damn songs you have never heard of...yet.”

Followers of Calling Home