ANOTHERensemble
Silvia Berchtold, Blockflöten
Francesco Braggio, Gitarre
Viktor Varga, Kontrabass

ANOTHERensemble Konzerttrailer

Dil ka sauda huya chandi raat mein
Unki nazron ne kuch aisa jaddo kiya
loot gaye hum to pehli mulaqat mein

Dil lout liya iman lout liya
Khud Tarap kar on ke janib dil gaya
Sharab seekh pay dali kabab sheeshay main
Hum pa assa jadoo kiya Unki nazroo nay

Zindagi Doob Gai on ke Hasin ankhon main
Youn mera piyar ka afsanay ko anjam mila
Kafiyat-e-chasam oski mujha yaad hai Souda
Sagir ko mera hath sa lana ka chala main

Hum hosh bhi apne bhul gaye
Imaan bhi apna bhul gaye
Ik dil hi nahi us bas mein
Hum na jaane kiya kiya bhul gaye

Jo baat thi unko kehne ki
Wo baat hi kehna bhul gaye
Gairon ke fasane yaad rahe
Hum apna fasana bhul gaye

Wo akkay ajj samnay is shaan sa gaya
Hum dekhta he dekhtay Imaan sa gaya
Kya kya nigah e yaar me taseer ho gayi
Bijli kbhii bani kabhi shamsheer ho gayi

Bigri tu aa bani Dil-e-Ishq ke jan per
Dil mian outar gai tu nazar teer ho gayi
Mehfil mein baar baar uni par nazar gayi
Humne bachai lakh magar phir udar gayi

Unki nigah mein koi jadoo zaroor
Jis par padi usi ke jigar mein utar gayi
Wo muskar ka dekhna on tu thi adda
Hum ba taray tarap outha aur jan sa gayi

Attay he onkay bazam kuch is tarhay howa
Seesha say rind Shiekh bhi Quran sa gayi
Oun ankhoo ka liya dil pa assar jatay hain
Mainkday hath bharhatay hai jidhar jatayian hain

Bhoolte he nahi dil ko mera mastana nigha
Sath jata hai ye Mainkhana jidhar jatayian hain
On ka andaz nay mujha ko bakhuda lout liya
Dai ka majboor ko paighame-e-wafa lout liya

Samna hota he jo kuch mila lout liya
kya batoon kay nazar miltay he kya lout liya
Nargasi ankhon na Iman mera lout liya

Banke tasweer-e-ghum reh gaye hain
Khoye khoye se hum reh gaye hain
Bant li sabne aapas mein khushiyaan
Mere hisse mein ghum reh gaye hain

Ab na uthna sarhane se mere
Ab to ginti ke dum reh gaye hain
Din kata jiss tarhay katta 
lakin raat katti nazar nahi atti

Dil zindgai sa tang hai jeena say Sair hai
Pemana bhar chuka hai chalknay ke dair hai 
Qaafila chal ke maanzil pe pahuncha
Thehro thehro mein hum reh gaye hain

Dekh kar un k mangto ki ghairat
Dang ehal-e-karam reh gaye hain
Un ki sattariyan kuch na pucho
Aasiyun k bharam rah gaye hain

Ae sabaa ik zehmat zara phir
Unki zulfon mein hum reh gaye hain
Qayenaten jafaawon wafaaon mein
Eik tum eik hum reh gaye hain

Aaj saqi pila shaikh ko bhi
Ek ye mohtaram reh gaye hain
Dour-e-Mazi ke tasveer akhir
Aya naseeb ek hum raah gaya hain

Nazar mila ka meray pass akay lout liya
Khuda ka liya apni nazron ko rouko mera dil lout liya
Jis taraf uth gai he aahain hain
Chashm e baddoor kya nigahain hain

Dil ko oulat poulat ka dikhanay sa faida
Keh tou diya kay bus lout liya lout liya
Hai dosti tu janib-e-dushman na dekhna
Jadu bhara howa hai tumhari nigha main

Karon tareef kya teri nazar ke dil lout liya
Nazar mila ka meray pass akay lout liya
Nazar hati thi ka phir muskra ka lout liya
Koi ya lout tu dekho ka osnay jab chaha
Mujha main rah ker muje main saman ka lout liya

Na louta hum agar on must ankhiyun na jigar
Nazar bachatay howay doob doba ka lout liya

Saath apna wafa main na Chootay kabhi
Piyar ke dour ban kar na tootay kabhi
Chout jaya zamana koi ghum nahi
Hath tera rahay bus mera hath main

Rukh hai barsaat ki dekho zidd mat karo

Yeh Sulakti sham yeh tanhaiyan
Badlon ka sath hum bhi rou diya
Jahan ankhen barsti rahti hoon barsat se pehlay
Waha barsat main badal baras janay sa kya hoga

Yeh beghi rat aur barast ke hawain
jitna bhola raha outna yaad aa rahain hain
Yeh badal jhoom kar aya tou hain shen-e-gulstan per
Kahin pani na phar jaya kisi ke ehad-o-Painman per 

Loug Barast main sou jatain hain khush khush laikn
Mujh ko in ankhon ke barsat nay sona na diya
Rukh hai barsaat ki dekho zidd mat karo
Raat andheri hai badaal hain chhaye huye

Ruk bi jao sanam tum ko meri qasam
Ab kahan jaoge aisi barsaat mein
Jiss tarha chaya wo azma la humain
Muntazir hain bus un ka isharay pa hum

Muskara kar fanaa wo talab tou karain
Jaan bhi apni da dain ga sougat main
Ankh uthi mohabbat ne angrai li
Dil ka sauda huya chandi raat mein

Ankh Uthi Mohabbat Ne Angrai Li - Nusrat Fateh

always thought it shouldve been a garage track

Nicki Minaj – Last Time I Saw You (Garage Mix)

buy/stream: https://johnobject.bandcamp.com/album/plead
written and produced by Grischa Lichtenberger and John Object

If there was something else that felt like this, it would be bought and sold as we breathe.

My Life, The Remix

This is not me. I am not a soldier in the Ukrainian Armed Forces, wearing my father's wartime uniform, on a laptop in a basement somewhere. I am an experimental producer.
but for some reason Russians want me dead, therefore
This is not me. I did not produce these wonders of soundwave, I did not mix the remix and master the masterpiece. I am a soldier in the Ukrainian Armed Forces, wearing my father's uniform.

But a heart is a heart and there are eleven hearts here and they are S280F and Grischa Lichtenberger and Angelo Harmsworth and Galen Tipton and sv1 and trngs and Sara Persico and Hwoaranng and Ludwig Wandinger and Ross Alexander and John Object. I am a file on their drives and they are the song in my heart.

The idea for a John Object compilation would seem obvious to some, as I really do know some of the greatest Ableton Live users to ever stumble upon this plane. I never had the heart to ask!

Ludwig Wandinger and Ross Alexander are two of my friends from Berlin, and they are, to date, the only people that made it their business to bring me to play in that blessed city. I played at 8MM Bar both times (that place is fucking sweet) at Salon Oblique events. Now, at this war, in what I can only describe as a gesture of love and tender caring, they called upon the geniuses of today to work on my work and provided me with an album where there could not be one. This is a remix compilation that I found out about only when it was already release-ready.

I really only could take one night off, walked to the nearest village, and my dear friend Andrii, a soldier himself, brought me my camera, and I titled the compilation in blood. Then for a month I worked on a .pdf booklet for the digital edition, that, really, tells the whole story.

I think this is probably the wildest, most advanced music ever to be released by a soldier in active service.

I can't adequately express the crushing magnitude of tenderness, love and gratitude that I feel towards every person involved.

Thank you S280F: https://s280f.bandcamp.com
thank you Grischa: https://grischa-lichtenberger.com
thank you Angelo: https://angeloharmsworth.bandcamp.com
thank you Galen: https://o0o0o0o0.bandcamp.com
thank you sv1: https://sv-1.bandcamp.com
thank you trngs: https://trngs.bandcamp.com
thank you Sara: https://sarapersico.com
thank you Hwoarang: fantasyfictionrecords.bandcamp.com/album/won-for-the-heart
thank you Ludwig: www.ludwigwandinger.com
thank you Ross: https://rossalexanderpayne.com
thank you Andrii for being the best friend in peace and in war.

This all happened only because Ross brought me to Berlin for Salon Oblique at 8MM Bar www.salonoblique.net, and then Ludwig brought me to Berlin to record with him and play at Salon Oblique again, and then because they cared about me, and because my friend Andrii brought me the camera and helped me find the right way to call this.

So much never happened, and so much never will, because of Russians and their deep-seated hatred of me, of everyone I love, and everyone Ukrainian. I am still at war and I am still under threat of violent death every day. Many people I knew and served with have already been murdered by Russians. I am just lucky.

Coming soon:
Limited edition engraved USB carabiner drive with Plead, .pdf booklet, and a recording of a John Object live set at Salon Oblique on October 18th, 2021, when the war seemed so very, very unlikely, and this existence was not imaginable at all. Ships starting November 1st.

And, lastly, https://alightineverydarkness.com

Cum/Blood (Grischa Lichtenberger Remix)

Obliteration Special

Free Download

Artists: @prozac_wav

Prozac - Mechanical Ritual † Obliteration Special † FREE DOWNLOAD

LIVE @ Kombüse 29 September 2023
Graz, Austria

Chek out our Video from Na.Gua.Ue

https://www.youtube.com/watch?v=HkQarPqeWgg

Na.Gua.Ue

“POLYXENE is a dynamic DJ, based in Vienna but hailing from Athens.
With a sound engineering background, an insatiable digging habit and a sublime dancing energy, she knows how to raise eyebrows and to ignite the dancefloors.
POLYXENE is early influenced by Drum n’ Bass/Jungle and later on Detroit Techno which deeply shaped her electronic music path.
With a robust and heavily eclectic record collection her dj sets oscillate from Electro, Breakbeat, Broken Techno, heavy Bass, mindbending IDM to Ghetto and House. But she also loves to go straight forward with her Big Room Techno and Ravey Breakcore weapons. She shared the DJ booth with Dj Bone, OBJEKT, Ellen Alien, Marcel Dettmann, Vladimir Ivkovic, Nite Fleit, DJ Assault, Madam X, Deena Abdelwahed, Call Super, Teki Latex, Nene H..
Some of the festivals she has performed are Elevate Festival (Graz), Hyppereality (Vienna), Ars Electronica (Linz, Austria), The Lighthouse Festival (Porec, Croatia). Last, she is a proud to have her monthly residency on Stegi Radio (former Movement Radio) of Athens where she explores variable music journeys along with her favourite artists.“

#pyteca #pytecaselecta #roughradio #polyxene

POLYXENE - PYTECA SELECTA 011 - ROUHGRADIO.LIVE

3.5 / 100

enetic Code was a Georgian Electro-Alternative band. It was formed in Tbilisi in early 90s by SERGI GVARJALADZE
Their hit song is Artificial Love (Es un amor artificial).
It was disbanded in the end of 90s.

Genetic Code - Artificial Love

"The message, instructions for how to enjoy the message, and all the medicine you need to cope with the side effects of both, are all here. This is the music of everything, which is always arranged but never complete."
-- from Timothy Morton's liner notes for "The Golden Cassette"


Irish outsider artist Caoimhín Breathnach (1934-2009) lived as a recluse in Knockvicar, Co. Roscommon. Breathnach’s artistic practice focussed on the creation of “subliminal” tapes & films, which he believed possessed the capacity to heal & shift consciousness. 

Breathnach was deeply moved by the Golden Records included on the Voyager spacecraft in 1977. He became obsessed with sending “blooms of healing sonics” into the universe, and began work on his own Golden Cassette. Because Breathnach subjected his tapes to a wide variety of physical processes - burying, burning or encasing them in moss, submerging them in water from various holy wells - most of the recordings were destroyed. 

This cassette brings together the surviving recordings Breathnach planned to include on the Golden Cassette, offering a unique view into Irish outsider electronic music. The cassette is in a limited edition of 50, and includes liner notes by philosopher Timothy Morton. 

The Golden Cassette was commissioned by the Galway Arts Centre, and is currently on display there as part of the Galway International Arts Festival. It can be purchased at Galway Arts Centre or by e-mailing caoimhinaisteach@gmail.com 

Read more about Caoimhín here:
http://www.aisteach.org/?p=145

B2: An Garda Síoraí

Ulysses Ensemble + Orchestre Philharmonique de Radio France
for FKA twigs, kite splash and devotional footwork
2018

SLOW.BURN.FOOTWORK (L'Orchestre Philharmonique de Radio France)

camerongraham1@gmail.com
↖ here for instrumental / chamber / concert

here for performance, intermedia and other work ⬇︎
www.camerongrahammusic.com


releases on Phantom Limb Label
https://camerongraham1.bandcamp.com/

VIDEOS_
thirty-three confessions: 
https://youtu.be/48YF0sdDYXQ
The Noise and Hardware Caravan Club 1.0:
https://youtu.be/FHoBDCDcWYA
the thing about shoegaze:
https://youtu.be/DwYVTUT-LXo
Symphony of Red Bubbles
https://www.youtube.com/watch?v=kvJ36aQb6GY
abide within plenitude:
https://vimeo.com/380260341

https://opensea.io/Cameron_Graham

SLOW.BURN.FOOTWORK (L'Orchestre Philharmonique de Radio France)

Cameron Graham