With a rich sound drawn primarily from his love of 60s and 70s music, New Yorker Scott Krokoff (pron: Crow-Cough) weaves elements of folk rock & country pop into confessional and compelling Americana.  He is an evocative and introspective songwriter, and a deft finger-picker in the vein of James Taylor and Paul Simon with “an edge of Replacements styled alt rock to his strum” (Hiplanta).  Scott has opened for Elle King and Grace Weber, toured from Vermont to Nashville, played live in Belgium for his biggest fan, and received radio airplay throughout the US, Canada and Europe.

Leading independent publisher, Music-news.com (which has retained the top "music news" Google search position for 16 years), calls Scott a "favourite" and his latest single, My Own Terms, "inspiring and powerful," noting that "[t]he second that kick drum comes in to start the song, you can't help but immediately want to hop in a convertible, put your arms out and ride off into the next chapter of your life."  Music-News.com was also a fan of Scott's last single in 2019, Groundhog, remarking that Scott's music "has a compelling way of instantly drawing the listener in."  Medium.com called Scott's first 2019 single, Cubicle, "a sublimely gorgeous song." 

Scott’s last record, 2015’s Realizations & Declarations, Vol. 2, also received rave reviews praising Scott’s “graceful tales of morality and perseverance” (The Vinyl District) and "music in the vein of 1960s and ’70s songsmiths, but also recalling hot up-and-comers like Father John Misty” (PopDose).

Check out Scott's site at http://scottkrokoff.com/ for more info.

Publicity:
4x4 Artist Management

Take some tele-twang spiced up with Ludwig bang. Pretty close harmony on a sundown driven shuffle drum. But the backbeat is ready to explode. Les Pauls and singlecoils and tweed Fender amps and a Big Bass pumpin’ through a white Marshall head. It’s beautiful, but ugly enough. It’s boomville’s finest: it’s The Sore Losers.



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