copenhagen cybercroon 

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Since their debut-EP Embrace the Future (2015) Copenhagen-duo GENTS, fronted by crooner Niels Fejrskov Juhl, has gained fans all over the world. Flanked by soft-synth aficionado Theis Vesterløkke, the two self-proclaimed spa-pop’ers have taken the journey from initial support slots to shows on SPOT Festival, Roskilde Festival and VEGA. Internationally, they have sold out shows in Paris and Berlin and been on countless tours all across Europe and Russia, including festivals such as Iceland Airwaves, By:Larm and Reeperbahn. This has turned GENTS into a seasoned touring act, playing anything from grandiose, choreographed theatre-shows to dubious bars in European commuter towns – always with the characteristic GENTS’y intensity and showmanship.

GENTS have released two albums, About Time (2017) and Human Connection (2019), both of which to critical acclaim in the national and international music press, including Politiken iByen’s front cover, reviews in The Line of Best Fit as well as plenty of airplay on Danish National Radio P3.

Korea Town Acid
Recording Artist | Live PA | DJ | Curator | Educator
koreatownacid@gmail.com
Korea Town Acid is a multidisciplinary electronic artist from South Korea, based in Toronto. Her fearless, genre-fluid sound blends experimental club, hip-hop, breakbeat, jungle, and cinematic textures — always pushing boundaries and reshaping expectations.
She was nominated for Underground Dance Single of the Year at the 2022 JUNO Awards, and contributed production to the Polaris Music Prize-winning album Parallel World by Cadence Weapon.
Her dynamic live sets and eclectic DJ performances have taken her around the globe, with appearances in Seoul, London, Berlin, New York, Athens, Bilbao, Riyadh, Lyon, and across Canada. She has performed at major festivals and institutions including Nuits Sonores, MUTEK Montreal, Pop Montreal, Boiler Room, and TIFF.
An alumna of the 2018 Red Bull Music Academy, Korea Town Acid has been featured on BBC Radio 1’s Benji B and Frank Ocean’s Homer Radio. In 2023, she performed at Louis Vuitton’s first Women’s Pre-Fall show in Seoul, and in 2025, she debuted her new concept album Glow Up with a Live PA showcase at Nuits Sonores (Lyon).
She is also the founder of Groovy Lab Records, an independent label dedicated to weird, wired, and wavy sounds — a home for boundary-pushing, future-facing electronic music.

Lubricated synth pop throbbings from two of the world's hardest dance-makers: Bert Sugar and Mr Bliss.

contact/booking: cosmicresonancerecords@gmail.com

Video Artist / Disc Jockey / Bartender / Surf Ninja
insta @ _michaelsoft

Dj. Vinyl Enthusiast.
I spin Breaks, House & Garage, and any other funkiness my steppers need to hear to move their dancing feet and make you get up out ya seat. Get to stepppin.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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