a beautiful journey through an Universe with tones like stars.

My new album "Phant[as]" is out via Aesthetical, the sub-label of Cyclic Law.

“Imagined as a lucid nightmare, fuelled by my various inner struggles, Phant[as] is a trip into the depths of imagination. The project is inspired by Phantasmagoria, a form of theatre that was most popular in Paris in the 18th century, in which images of skeletons, demons and ghosts were projected onto walls and/or sheets. During these performances, there was a rapid succession of lights, smoke, illusions, ghosts and spectres that deceived and amazed the audience. The album then revolves around the concept of "illusion" to be understood as a succession of images, sounds, colours, objects, actions that vividly affect the senses and imagination showing unreal and intangible figures, but still visible and paralysing, just like our fears are. In fact, each track deals with my different turmoils, negative thoughts that have conditioned the last few years of my life and describe uneasy conditions shared by most of my peers. The project is presented as a cathartic experience in which I exorcise my mental ghosts and confronts challenges with the powerful and persuasive weapon that is sound, composed of obsessive rhythms and evanescent atmospheres. Finally, the reference to the Magic Lanterns is linked to my research in the field of audiovisuals, since they were the first performances in which an attempt was made, through the combination of motion graphics, light games and sound, to obtain greater sensorial and emotional involvement with the public.”

* CD Edition of 300 copies.

* Worldwide Distribution via Southern Records Distribution

Buy on Bandcamp
aesthetical.bandcamp.com/album/phant-as

Press Page on Tailored Communication
tailored-communication.com/releases/phant-as

Also available from the Cyclic Law website
www.cycliclaw.com/aesthetical/cami…s-cd-/-dl-aes005

Album Teaser on YouTube
youtu.be/GHCgJui4e18

Phant​[​as]

ART’S BIRTHDAY PARTY 2022
Susana López uses hybrid methodologies, combining analogue and digital elements, using voices, field recordings, handmade instruments, synthesizers and drum machines. In her compositions and performances she processes all these different sound materials through the notions of exploration, repetition, distortion and duration. Her works allow the listener to enter into a form of trance, generating a mantra that makes it possible to reach other sensory experiences. The result is a ritualistic music that invites active listening.

“NachtMusik” introduces us to a dark, pulsating atmosphere that very gradually envelops the listener, creating an increasingly unstable and disturbing mass of sound. Its unstoppable evolution always develops in several layers, each of which presents great autonomy. This dynamism provokes in the listener a continuous questioning of whether we are experiencing a paradigmatic example of “drone music”, or if these apparently static sounds have attained a vitality that transcends that stylistic demarcation, and rather invites us -simply but radically- to submerge ourselves in the flow of sound and to abandon ourselves through this listening experience.

We face, indeed, a “Nachtmusik”, that is to say, a “Night Music”, in which the echoes of a pulsating and constant rhythm (not far from a heartbeat), remind us that certain compositions can (and perhaps should) be considered as something strangely similar to a living being.

Nachtmusik

Lyrics and vocals: Buan B.
Music and production: Simona Dellamorte aka Feralia Planitia

Oculate

Chase

Disarray

Misje Mal

Phant[as]

Your Rejection is my Comfort Zone

Fish Death

The Alien's Kisses Taste Like A Silent Volcano

Abrasive Euphoria

Endorphins in Oststrand

"Secret Chinese Union"

"Slepenā ķīniešu ūnija
Tavu priekšnieku slepeni piemānīja

Aiz tavas muguras
Zem tavas gultas
Nakts tumsas apmetņa segtas
Pretī debesskrāpja pēdējam stāvam

Pūķa bērnu ēnas
Nemanāmi rāpjas

Tepat, tavā datorā
Tavā modernajā putekļu sūcējā
Tavs jaunais slepenais šefs
Nemanāmi iekūņojies"

Slepenā ķīniešu ūnija

Zzyzx

ZzYzx

Various sonic phenomena gathered in the city of Ljubljana, Slovenia are channelled through a collection of mechanical and motor devices.
The project was presented as a performance and subsequent installation for Sonica Festival 2023.

Channelling Ljubljana

02 May

Camilla Pisani is an audiovisual artist based in Rome. She looks for the interaction between space, sounds and abstract graphic signs. Her music is an hybrid, moving into a set of influences: ambient, drone, soundscape, soft noise, industrial and minimal electronic. She composes field recordings, suspended atmospheres, hypnotic textures marked by concrete rhythms.

✉️ For bookings and inquiries, please send an email to pisani.camila@gmail.com

Endorphins in Oststrand

Camilla Pisani

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