the devil in me

the devil in me (prod. vivokiddie x kenzee x shazy x yxellix)

Everything everyone says only means something to those who want it to. I tried to make a complex rhyme scheme describe some life experiences and ultimately realized it’s just bla bla bla.

Bla Bla Bla (2024)

On Thrax (prod.nikowiththekick)

Rocket Man (prod.mufaroj)

We’re back.
All a freestyle
#bonestypebeat
#emorap
#emotype
Emo rap
Dark type rap
Rap
Hip hop
Underground

Scattered (remastered)

Do Me(Prod.Sladerr)

First drop of the new wave. Raw cut from the vault recorded, arranged, and mixed by me. This is what it sounds like in the deep end.
Demo format. Full version may surface soon. Let me know what you hear in it.

Connect:
campbellrambo.com
IG/TikTok: @campbellrambo

DEEP END (DEMO)

Light It Up

recordet, mixed by Skaffy Greyhound
beat: Free beat by Beatstars.com

arm oder reich.mp3

the END is a front-to-back crime saga built like a stage show and mixed like a blockbuster. We open in 2030; masked performers, a smoke-eyed watcher in the wings. Then snap back to 2025 to watch a crew form the hard way: Flip Game shining, Racks counting quiet, a woman who plays sweet until the world burns, and another who moves like a general. Vegas becomes the arena. Two floods change the weather. Pride breaks into fracture, then policy: stop shooting inward, aim at the streets that feed the snitch lines.

Raids come. Rooms go dark. Interrogations knot up until no RICO can hold. Oaths are taken. A door opens on the life they might have lived, and the ring closes where it began.

Listen twice and the angle shifts: some voices shadow each other; some scenes read one way, then another. The Mary-Sue charmer and the iron-voiced madam, watch their footprints. What looks like four becomes three, then maybe two. By the curtain call, the city hasn’t changed, only your understanding of who was really on stage.

Play it in order. Windows down at night. Volume up.

the END

16 Cloud of Bullets (Flood 1)

Central Gee brings a sharp, unfiltered sound to the NY trap scene — blending street realism with smooth, calculated delivery. His music captures the hunger and discipline of coming up from section 8, turning late-night grinds into melodic statements of success. Each track balances grit with reflection, cold bars, tight flows, and a calm confidence that cuts through any beat.




SMOKE

Drummer. Producer. Writer. Certified Audio Engineer . Sonic Architect. CampbellRambo is a genre-bending artist and sound engineer whose roots trace back to playing drums at the age of three for the legendary Rev. Della Reese. Based in Los Angeles, he’s spent the last decade refining his artistry across R&B, Hip-Hop, Jazz, Gospel, and Pop—both on stage and in the studio.

As a performer and creative director, he’s shared stages and studio space with icons like Stevie Wonder, The Temptations, Judith Hill, and Korean Soul. Whether laying down drums live, sculpting vocals in Logic Pro, or developing an artist’s brand, CampbellRambo blends technical mastery with emotional depth and a fearless creative vision.

His production credits span sync-ready compositions for TV and film, major live performances, and full-spectrum artist development. From underground cuts to polished commercial work, CampbellRambo curates a unique sound with every project—merging analog soul with modern edge.