- upcoming gigs/live:  
15.06.24 - Restrealität-Gala party at ://about blank (https://de.ra.co/events/1927685)
04.10.24 I have the great honour of supporting Kristof Hahn (a.o. Swans) at Galiläa Kirche



- More music on Bandcamp: https://aseaoftreesnickadams.bandcamp.com; 

- Together with my old band (ca. 2010-2013): https://aseaoftrees.bandcamp.com/ 

- Instagram: https://www.instagram.com/niklassfischer/

- YouTube: https://www.youtube.com/watch?v=Rfc53rDkM_Q 
(solo together with "Fragmental"/Thomas, doing the incredible visual artwork in this video; please excuse the horrible sound/video quality as it was filmed by a very dear old friend of mine, Kirsten, live with her old mobile...btw: thank you so much Kirsten, you're THE best... that's for sure!:)

- The "ARI covers" where all recorded in one session by with my dear friend Tolga Tolun at the Abbey Road Institute (Berlin) studios.

- The "Corona Diaries": all songs recorded live at home on my old shitty mobile phone  - some tracks with overdubs - by myself. All Tracks are 1st, 2nd or 3rd takes (the "good old Blues and Jazz-style", respectively I just read the Miles Davis autobiography for the second time, so that was a huge influence regarding the live and direct recording-approach of geniuses like Parker, Monk, Gillespie, B. Holiday, Django, Satchmo, Leadbelly, Robert Johnson...), so unfortunately there also a few heavy (mis-)takes included. ;)

- Past concerts: one of the last "real concert" (except some small/private "living room gigs" at home during the pandemic) that took place in 21.04.2017 was a solo gig with    my "looper" at Griessmühle at the "Restfaktische Postrealitaet"-Party as "Hans J. Brox & The Art of the Steel" together with my dear old friend and long time-live-companion "FRAGMENTAL", with whom I played a lot of gigs in the past and who did the incredible visuals on Kirsten's mobile-vid-recording mentioned earlier on YT...;)

- Other concerts in the past at:

 Hedo-Congress (many times with different musicians and at different locations),
 Camp Tipsy (several times; different locations), 
 Ritter Butzke (RR-Party; Berlin), 
 Storkower Str. (RR-Party; Berlin),
 Zielona Gora (several times; Berlin), 
 UdK ("Rundgang" at "Universität der Künste"/University of the Arts; Berlin), 
 Ausland (Berlin), 
 TÄT (Berlin),
 Fett de la Musique (Berlin),
 Hangar (Berlin),
 Grießmühle (RR-Party; Berlin)
- etc.

I MIRIAM MELLERIN nascono a Pisa nei primi mesi del 2010.
Sono in tre per scelta, e non hanno bisogno di una seconda chitarra.
Da subito scelgono di suonare Noise e cantare l’Italiano: grazie al primo demo autoprodotto iniziano una lunga serie di live, trovandosi subito a condividere il palco con gli OVO di Bruno Dorella e i torinesi TITOR (ex Bellicosi).

Proprio in occasione di un live incontrano al mixer il fonico EDOARDO MAGONI, già produttore di un'altra delle migliori band uscite dal Granducato negli ultimi anni, ovvero i KOBAYASHI ("In Absentia"). Nasce da quella sera un’intesa che li porterà a produrre insieme il primo disco ufficiale della band, l’omonimo MIRIAM MELLERIN.
Il lavoro richiede alcuni mesi di lavorazione, durante i quali la line-up diviene definitiva in seguito al cambio di batterista. Il risultato è un disco di sette brani originali, con la partecipazione della voce di Diletta Casanova (THE CASANOVAS, PLASTIC MAN) e della tromba di Marco Calcaprina (TOM MOTO, SONALASTRANA).
La risposta del pubblico e della critica è ovunque positiva, tale da rendere possibili le aperture ai concerti de IL TEATRO DEGLI ORRORI, GIORGIO CANALI, FUZZ ORCHESTRA, GAZEBO PENGUINS, CHAMBERS, BOLOGNA VIOLENTA ed altri ancora.

Oggi i MIRIAM MELLERIN stanno attraversando l’Italia per continuare ad entusiasmare con la carica dei loro concerti dal vivo. Nuovi brani originali sono in lavorazione, ed è prevista una nuova sessione in studio nei prossimi mesi.

Aut Records is a not-for-profit, cooperative record label dedicated to experimental and research music. We are trying to describe a musical environment that cannot be inscribed into a genre category, as well as distant from a particular musical language.

Our main goal is to promote projects concerning unusual sonorities. We are convinced that any positive result derives from a research off the beaten tracks, deviations from the mainstream, which is often a sterile environment if conceived as the only possible solution.

Basically, we offer what we, actually, appreciated while listening to it; further, we really enjoy the pleasure to make our productions available to anyone appreciating our work, that is as important as games are.

Contact/booking: fieraandmacello@gmail.com

Follow our label O'clock records :
- https://www.facebook.com/pages/Oclock-Records/116022811848469
- https://soundcloud.com/oclock-records

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