The construction site of the self has always been a collective matter, a matter of interference and resistance, of the distribution of competencies and the division of tasks. Marks of inferiority, sexuality, race, and class are inscribed on the self by a series of focused interventions on the part of the principle relays of power, which act in depth and leave often indelible traces. Black, French, heterosexual, attractive, Bachelors degree, above the poverty line...
All of these parameters and others, which we easily introject, result from a social negotiation to which we were not even invited. The dispossession that we thus feel with regard to our presumed identity is the same as that, which we feel when facing history, now that we no longer know how to somehow take part in it. No doubt this feeling of indigence is intensified due to the fact that we know, as Agamben writes in The Coming Community, that the hypocritical fiction of an irreplaceable singularity of being in our culture serves solely to guarantee its universal representability. 

Claire Fontaine, Ready-Made Artist and Human Strike: A few Clarifications

Mastered by Surgery Boots

OLIVER TREE AND CAPITAL KAOS DISCUSS REJECTION SENSITIVITY DYSPHORIA (HARDSTYLE HA)

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OLIVER TREE AND CAPITAL KAOS DISCUSS REJECTION SENSITIVITY DYSPHORIA (HARDSTYLE HA)

Camus Comprix