I've received a number of messages in recent weeks regarding fellow SoundCloud users having their remixes of Somebody That I Used To Know removed from SoundCloud due to copyright infringement. My personal position is that I don't try to block unofficial remixes posted for online streaming providing they're posted for purely creative reasons and are not exploited commercially (eg: monetized on YouTube).

Under current laws the formal consent of the label and publisher/s is required for any use along these lines however, and as much as I would like to help everyone out to attain this consent, there are simply too many requests relating to remixes of this particular song and too many rights holders involved for me or my reps to assist with Soundcloud keeping them up.

Thanks for your understanding

Wally

As of 2025, The Bloody Beetroots remains a pioneering force in the world of electronic music, bridging the gap between electro, punk rock, and dance genres. 
Founded in late 2005 by Sir Bob Cornelius Rifo, an Italian musician and producer, the project has undergone various transformations over the years but has never wavered in its ability to captivate audiences globally.
From his breakout hit "Warp 1.9" with Steve Aoki to his critically acclaimed albums like “Romborama," “Hide," and “The Great Electronic Swindle,” The Bloody Beetroots have carved out a unique niche. 
The act gained international fame for its unique blend of electronic beats and live instruments, as well as his iconic TBB mask, which has become a symbol of his bold artistic vision.
His collaborations read like a who's-who of the music industry, spanning from Paul McCartney to Tommy Lee and Jet. 
He’s also shared the stage with big names like Snoop Dogg, Metallica, The Prodigy and Kanye West, exhibiting his genre-defying flexibility.
In recent years, The Bloody Beetroots has delved into new sonic territories while still remaining true to his roots. 
The addition of various multimedia elements into his shows has elevated his performances into full-fledged immersive experiences, earning Bob a dedicated following both in the festival circuit and in more intimate venues.
Still riding the wave of success, Sir Bob Cornelius Rifo continues to be a multi-faceted artist—DJing, producing, and even engaging in activism, particularly in environmental causes. 
Rifo shows no signs of slowing down; he's still in the race, perpetually hungry for content, knowledge, and the next opportunity to electrify audiences.
Through numerous albums, EPs, and global tours, The Bloody Beetroots remain an indomitable force in the music world, continually evolving while leaving an indelible mark on both fans and the industry at large.

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Empire of the Sun, the visionary Australian electronic duo comprising Luke Steele and Nick Littlemore, have been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade as one of Australia’s most successful musical exports.
With Steele's background in The Sleepy Jackson and Littlemore's founding role in PNAU, the duo embarked on a sonic odyssey that has captivated audiences worldwide. Since their emergence, Empire of the Sun has transcended boundaries, blending alternative electronica with mesmerizing visuals to create an immersive musical experience unlike any other.

Their seminal debut album, Walking On A Dream, which the musicians described as "a spiritual road movie" spawned iconic singles “Walking On A Dream” and “We Are The People”. The critically acclaimed second LP, disco-pop Ice On The Dune featured “Alive” and “DNA” and saw the band tour the world. Third LP "Two Vines," saw the band welcoming guests like Lindsey Buckingham, members of David Bowie's band from the Blackstar sessions, and Wendy Melvoin from Prince & the Revolution and featured singles “High And Low” and “Way To Go”.
Their chart success extends far beyond their native Australia, with their albums achieving multi-platinum certifications across the globe. In addition to their commercial triumphs, the duo has garnered an impressive array of accolades, including eight ARIA Awards, two APRA Awards, and an APRA Billions Award. With over 5.5 million albums sold globally and a staggering 7.6 billion streams, Empire of the Sun's impact on the music industry is undeniable, solidifying their status as icons of the electronic music genre. 8 years since their last LP, 2024 sees the dawn of a new era. The journey continues…this time we’re going through “Changes”.

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