This Brazilian-born has been making waves in the music world since he was just a young gun. In 2005, he made his mark, pioneering the first raves in his hometown and quickly gaining space music scene. GUILLEN is a dynamic musician, DJ and producer with a diverse musical background that spans everything from Bossa Nova to Funk Soul, reflecting this eclectic mix of sounds in his sets.
In 2015, he moved to Australia where he played for big brands such as S.A.S.H and Blueprint in Sydney to Melbourne's The Breakfast Club. He also released music on the WeLove Rec and Frost Plates Rec.
 Guillen is also recognized for his vast musical range, whether in clubs and festivals with energetic sets and his ability to combine elements of House, Techno and experimental music or even in more refined environments such as art exhibitions and restaurants bringing rhythms that go from rap with samba to house with jazz, delivering unique performances and a selection full of groove.
In season in Brazil, he is ready to return to the music scene in his country before taking on new challenges around the world.
Whether you're passionate about Bossa Nova or electronic music, it's worth checking out what GUILLEN carries on the tray.


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George Fotiadis is a multifaceted creative music producer under the alias Basement Freaks. Born in Greece, Fotiadis has established himself as a versatile artist with a rich portfolio spanning audio storytelling and funk-infused electronic music.

Under the Basement Freaks pseudonym, George Fotiadis has carved out a notable presence in the music world, particularly within the funk, soul, and breakbeat genres. He is recognized as a producer whose work pays homage to the golden age of funk, merging the 1970s and 1980s vibes with a modern twist. 

He also contributes to the music production community by releasing live-recorded sample packs through Black Octopus Sound, enhancing his influence among producers and DJs.

Fotiadis’s approach to music is marked by creativity and a refusal to adhere strictly to convention.

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