Uber riding

Garden party

Jazz

Playable

cannonball

Get it !

Wet Dreams

Solos - Juan Cruz de Urquiza, Daniel Kovacich, Gustavo Musso & Ezequiel "Chino" Piazza.

Boris Big Band Live - "Better git it in your soul" (Charles Mingus)

Relaxing  Jazz Instrumental Mood | Soothing Fireplace Sounds

This piece is part of Jamey Aebersold's Millennium Blues book.  Recently I have been trying to learn how to play jazz and improvise.  

Achin' And Breakin' (Composed by Jamey Aebersold)

Joe Cool Band - Promotional Audio covering original artist material

Who Can It Be Now?

A1	The Sidewinder	
A2	Totem Pole	
B1	Gary's Notebook	
B2	Boy, What A Night	
B3	Hocus-Pocus

Produced by Alfred Lion
Produced for release by Michael Cuscuna
Recording by Rudy Van Gelder
Recording at the Van Gelder Studio, Englewood, New Jersey on December 21, 1963

Some of the Liner Notes:
The title number might best be described as a long-meter blues (24 measures to the chorus). "The tune kind of put me in mind of the sidewinder - you know, the 'bad guy' on television," says Lee. "There's a snake called the sidewinder, but I was thinking of the bad guy." If the character and mood seems a little different from that of the average blues, you can attribute it to the unexpected change at bars 17-18 of each chorus, when a minor chord is introduced. The fascinating rhythm section figure established during the opening ensembles is sustained throughout the solos, giving the performance a deep blue tinge as well as a Latin touch. Lee's solo, fluent and sensitively constructed, never becomes grandstandy and relies at times on essentially simple devices, such as the repeated B Flat in the last of his three choruses. Henderson's solo is rich in melodic variety (note the contrast between the busy opening and simple continuation in his second chorus). Harris' piano picks up in intensity as it goes along, aided on his third chorus by the horns' backing. Cranshaw bears out Lee's complimentary observations in a fine solo that owes part of its success to the continued pulsing of Billy Higgins' percussion figures. 

Totem Pole, named for the effect of Lee's alternation with Joe, is a group of six notes they play going into and coming out of the release. The E Flat Minor theme is strengthened by the effective contrast of Latin rhythm on the main passage and a straight 4/4 in the release. 

Boy, What A Night is also a blues waltz, but this time with more of a funky feeling and a 12/8 meter, with a very basic character to both melody and changes. "Remember the old Avery Parrish blues After Hours?" says Lee. "You'll notice that during the main figure, the bass and the piano are playing the rhythm out of that. We tried this a lot of different ways - first as a straight blues, then double-up time, then with the three four feeling - until it finally came out the way it is here." On his solo here, it seems to me Lee reflects some of the Gillespie influence in his phrasing and in the ability to string ideas together at considerable length. Note Harris' sly fills in the closing reprise of the theme, and the old-timey blues ending. 

Hocus-Pocus is, as Lee comments, "Just a simple tune, a nice easy blowing thing with the standard chorus length. I wanted to get away from straight blues. After I'd written it Barry Harris pointed out that the changes are the same as Mean To Me, except for a slight difference in the channel." 

Joe Henderson and Lee are both displayed to advantage in the straight-ahead swinging groove of this performance. Barry, in his choruses, shows not only a wealth of ideas but a sturdy technique, often kept latent but occasionally made more openly evident in a flurry of sixteenth notes. The theme is repeated twice at the end, once to feature Billy Higgins and then with regular ensemble. 

- LEONARD FEATHER 

Lee Morgan - The Sidewinder (Full LP on Original Vinyl)

Piano Jam

1. The Man I love w-Milt Jackson & Thelonious Monk - 2. Swing Spring w-Milt Jackson & Thelonious Monk - 3. Bemsha Swing w-Milt Jackson & Thelonious Monk

MILES DAVIS & THE JAZZ GIANTS

https://iwamizu.bandcamp.com/album/w-jamey-aebersold

download

Autumn Leaves - Jamey Aebersold & iwamizu

WXTFX #002

A record by @RealDmusic, @Interstate98, @StripSteve and DJ Storch .
Available only on vinyl all over the internet starting from July.

Deejay: http://bit.ly/28RLp2Q
Juno: http://bit.ly/28TAA5z
Redeye: http://bit.ly/293IyVu
Japan: http://bit.ly/28SIUPE 

More links coming soon.

FB: www.facebook.com/Waxtefacts/?fref=ts 
RA: www.residentadvisor.net/record-label.aspx?id=13419 
Instagram: www.instagram.com/waxtefacts for more news.
Discogs: https://www.discogs.com/Various-Waxtefacts-002/release/8715726


A2. Interstate - Vanice beach

Alone Together: Essential Late Night Jazz

Five Spot After Dark

Distributed by Safe Distribution - http://www.safedist.ro

Partners is proud to present the third psychical release, which is going to be the first vinyl released through Partners as well.

The album is a collaboration between Central and Soft Armour. Both artist has made some of the most interesting releases in Denmark in past years for what comes to their own musical environments. While Christian Hougaard has been creating mesmerizing techno, ambient and drone through various aliases (Soft Armour, Forvarsel, Space Program, etc.), Natal Zaks has made an enormous contribution to the danish House-scene with his own releases as Central (among several other projects).

Due to their musical differences and high standards, Partners asked the two musicians to try and collaborate on a new release. The unpredictable experiment turned out to be, in Partners own modest opinion, an amazing one-session jam. While being nothing like any of the respective artists former works, the four pieces on Partners003 still contains several of each artists 'trademark-sounds', but in a new context which sparks new life and unpredictability into the already-known.

PARTNERS003: DJ Central & Soft Armour

Plenilunio is a resume of Mystic Jungle Tribe's influences, past and present musical journeys. This record is a statement more than a selection of tracks, it tells where Mystic Jungle and his Tribe are coming from and where they're heading with their compositions, weather it is oriental flavored jazz-funk or no wave acid disco and all In between the aesthetic always remains loyal to the principle.

Tracklist:

A1: Jupiter And Callisto
A2: Mesmerize
A3: Forest Of Mysteries
B1:  Plenilunio
B2: Mass Mirage
B3: Wind Phenomena
B4: Sun Flares Ascension

PRD1005 • The Mystic Jungle Tribe - "Plenilunio"

50 Jazz Classics

Goodbye Pork Pie Hat

Somethin' Else

Cuphead - Original Soundtrack

Carnival Kerfuffle

A Night in Tunesia - Art Blakey Prime Cuts Vol. II

Moanin'

Take Five (Paul Desmond)

Miles Davis Quartet
April 9, 1960
Kurhaus, Scheveningen, The Netherlands

Miles Davis (tp); John Coltrane (ts); Wynton Kelly (p); Paul Chambers (b); Jimmy Cobb (d)

Miles Davis and John Coltrane April 9, 1960 Kurhaus, Scheveningen, The Netherlands 'Round Midnight

Production: Paul Sherban
Mixing/Mastering: Maxwell Estis

Mashaunda McBarnett [Mo] (Vocals)
Andrew Yarovenko (Percussion)
Ritchy Lamarre (Tenor Sax)
THEORY [Jordan Barros] (Rap)
Alec Rucker (Bass)
Paul Sherban (Piano)
Neal Lapolla (Bass)

Voicemails: Jesús Martinez, Marilyn Shi, John & Jeremiah Barros, Carliana Teixeira, Susan Gottlieb and Paul Sherban Sr.

Cover Art: Jordan Barros

please remember [feat. mo]

John Coltrane and Miles Davis - On Green Dolphin Street

Saxophonist John Coltrane was one of the most seminal saxophonists to emerge in the post-war years, and is still one of the central figures in history of jazz. More than forty years after his death his playing and composing continues to resonate throughout contemporary music. This collection concentrates on the excellent music he recorded as leader during the 1950’s, and has been carefully re-mastered, allowing you to hear Coltrane’s work in new and un-paralleled sound quality.

Somethin' Else

Cannonball Adderley