Into Daylight

Space for Us (feat. Suad Khalifa)

I'll try to answer any id requests x


surulong@gmail.com

My people,
Into the singularity we go... Putting a finger on the black dot is like touching a needle.

This requires your full attention, though no effort to experience.
Its only an extension of our impulses and senses.

The body is too preoccupied, if not acidic. It takes an alkaline mind to comprehend its multi dimensions which are beyond genres, styles, cultures, types and fashions.

Like a secret language that is always in conversation, showing how things relate. As soon as a mind could think, an eye could blink, a mouth could speak, a heart could beat, whenever we breath, its all in sync and then repeats.

The predictability of each moment and involuntary movement can be calculated and measured by counting the spirit of rhythm and seeing the shapes and colors of tone. From the lowest brown bass to the highest yellow treble. Fast to slow.

Seeing with your ears and listening with your eyes. I'm trying to put a finger on something that is very elusive, so we must grasp the abstract and know just how interactive the psycho spiritual consciousness of rhythm and tone is.

Everything is involved, and when pin-pointing its singularity it is solved.
Say for instance, we could see how rhythm is beyond time. If you watch any pre-recorded media, pay attention to someones eyes blinking and other involuntary movements.

How does this relate to you? Just seeing the "window to the soul" shows how we are all one behind the scenes. Now tapping into the neurological map, we will get a response back, either rhythmic or tonal.

How could something pre-recorded interact with the moment of now? Even if your thought is quicker than the picture, the spirit is the watcher and listener and will consider it. Its just that playful and sensitive.

Another example is if we think of a melody internally, something externally will respond. Though, just how significant is this psychic phenomena? Its with us wherever we are. From the barking dog, to the passing car. The buzzing humming bird to the slowly growing fungus. Whether we pay attention to it or not. I have bare witness to this consciousness pervading all life forms, from the frequency of cycles per second to cycles of seasons. So, it seems, when the wind blows, Its voice speaks in syllables, delivering spiritual info.

x

Love this platform. Love the DJ’s and artists on here. God bless them. 💜

Listen for the color of the sky. Look for the sound of the hummingbird’s wings. Search the air for the perfume of ice on a hot day. If you have found these things, you will know. #onelovefidel

Phil Mison is a London based DJ, composer and music producer who releases solo work under the name of Cantoma.

Influenced by listening to legendary chill out DJ Jose Padilla, Phil started his DJ career at London’s Milk Bar in 1991, playing chilled Balearic warm up sets. A chance meeting there with Jose would lead to a two year residency at Ibiza’s Cafe Del Mar, sound tracking 
a thousand sunsets with his vast collection of sun kissed records. It was his sets there that led him to playat Full Circle, Bugged Out and to become Leftfield’s tour DJ.

His huge knowledge of the chill-out genre earned Mison a chance to put out his first compilation "Original Chill Out" in 1995. With its beatless, mood-friendly approach to mixing electronic music, it was something of a groundbreaking collection.
Since then he has gone onto release a further 15 compilations, including 5 volumes of the hugely popular "Real ibiza" series,"Soundcolors" and volume 6 of "Originals".

Phil also continues to DJ round the world from 39 hotel in Hawaii, "Green Sunset" in São Paulo, Music for Dancers in Los Angeles, Ku De Ta in Bali, Bestival and Aficionado to name but a few. 

“Cantoma”, Phil’s debut album under the Cantoma moniker was released in 2003 followed by “Out of Town” in 2010 (Leng Recordings). So far, Cantoma’s songs has been used on over 150 compilations and featured on various film and tv projects worldwide. 
Phil also records with Pete Herbert as Frontera and Reverso 68.

Cantoma new album, "Just Landed" is out now on Highwood Recordings.

Space for Us (feat. Suad Khalifa)

Cantomamusic