The definitive souvenir of Hunter Noack’s award-winning, ground-breaking wilderness concert series, IN A LANDSCAPE: Classical Music in the Wild™. This debut album features Noack performing select favorites from the classical piano canon as well as collaborations with Native American flutist James Edmund Greeley, psychedelic electronics by Dave Friedlander, a spacious concerto with the Salem Orchestra, and an arrangement of Franz Schubert’s most beautiful song with Pink Martini’s China Forbes and Thomas Lauderdale. Be transported to the secret glens and sunny meadows that inspired the composers and performers with this contemplative collection.

In a Landscape

Waldszenen, Op. 82: Vogel als Prophet (Prophet Bird)

Classical Lullabies For Babies 34

Rimsky-Korsakov : Symphonic Suite Op.35 'Scheherazade' – II. The Tale Of The Kalendar Prince

Cello Sonata in G Minor, Op. 65 - III. Largo

Berceuse in D Flat Major, Op. 57

CAPELLA CRACOVIENSIS
Mónika Tóth

Recorded live on Feb 20th, 2014 in Krakow Philharmonic Hall during a concert with Italian baroque. With talented young cellist Agnieszka Oszańca and Capella Cracoviensis on historical instruments led by Mónika Tóth, Hungarian concertmaster and violinist.

Recorded and produced by Tomasz Lida.

Antonio VIVALDI Concerto in G minor for strings & basso continuo (RV 156) - Allegro

"Waiting Places" is a Modern Dance show by Bobbi Jene Smith and Or Schraiber, created and performed in Copenhagen in March 2024. In October 2024 it screened as a movie in San Francisco. Daskal wrote and performed the music in collaboration with Betty Nansen Theater (Copenhagen) and dancers from the Royal Danish Ballet. In August 2024 Daskal recorded the original motion picture soundtrack for the movie that became out of the show.

Daskal - PAVANE POUR UNE INFANTE DÉFUNTE M. 19 (Maurice Ravel)

Nikolai Rimsky-Korsakov - Schéhérazade, Op. 35 - I. The Sea and Sinbad's Ship

SOUND TRACK Vol.1

Concerto for Strings in G major, RV 151 (Vivaldi, Antonio)

A full-length orchestral narrative told in twenty movements, blending the architecture of early counterpoint with the tension of a crime drama. Each track unfolds like a chapter in a case file: solemn organ and strings open the investigation, harpsichord patterns tick like forensic clocks, and solo lines for cello, violin, oboe, and continuo sketch the emotional terrain of detectives, witnesses, suspects, and shifting clues.

The middle movements tighten into layered fugues, sharp dances, and atmospheric recitatives as evidence accumulates and motives collide. Elegant misdirections, analytical motifs, and shadowed harmonies push the story deeper into confrontation and revelation.

The final stretch builds toward judgment: a rising passacaglia, triumphant brass, and a canon of interlocking voices. The closing fugue gathers every motif in the album, weaving them into a towering resolution where each theme finds its place in the larger design. A full dramatic arc captured entirely through acoustic instruments, structural clarity, and noir-infused gravitas.

Evidence Fugue

Collins Classics is proud to present ‘Beethoven and Chill’.
Sit down and unwind with a collection of the great German composer’s most relaxing, reposing and renowned works in the first of our carefully curated ‘Chill Series’ - https://CollinsClassics.lnk.to/BeethovenandChill

Beethoven and Chill

"Pastorale" Symphony No.6 in F Major, Op.68: I. Allegro ma non troppo

BACH, VIVALDI. CONCERTOS
Einar Steen-Nøkleberg, piano (1–3, 7–8, 13–15)
Alexander Zagorinsky, cello (4–6, 10–12)
The Chamber Orchestra of the Vologda Philharmonic Society
Conductor – Alexander Loskutov

Johann Sebastian Bach. Harpsichord Concerto No. 1 in D minor, BWV 1052
1 I. Allegro
2 II. Adagio
3 III. Allegro
Antonio Vivaldi. Cello Concerto in A minor, RV 422
4 I. Allegro
5 II. Largo cantabile
6 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 4 in A major, BWV 1055
7 I. Allegro
8 II. Larghetto
9 III. Allegro ma non tanto
Antonio Vivaldi. Cello Concerto in G major, RV 413
10 I. Allegro
11 II. Largo
12 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 5 in F minor, BWV 1056
13 I. [Allegro]
14 II. Largo
15 III. Presto

Recorded In 2018.
Sound engineer – Alexander Volkov
Editor – Dmitry Maslyakov
Design – Anna Kim
Cover photo – "Sky Of Vologda" By Tanya Sazansky
Translation – Nikolay Kuznetsov
Digital Release: Dmitry Maslyakov, Roman Tomlyankin

MEL CD 1002592

02. Bach: Harpsichord Concerto No. 1 in D minor, BWV 1052 - II. Adagio

CAPELLA CRACOVIENSIS

Semper in altum. Capella Cracoviensis has been guided by this motto for a few years now, which makes it the most dynamically developing Polish ensemble specializing in performing period music. Owing to consistent support provided by the City of Cracow, Capella Cracoviensis may carry out uncompromising ambitious projects at the highest artistic level in collaboration with distinguished musicians of similar sensitivity and comparable courage. The list of regulars featuring in concerts with CC includes Vincent Dumestre (Le Poème Harmonique), Fabio Bonizzoni (La Risonanza), Alessandro Moccia (Orchestre des Champs-Élysées), Andrew Parrott, Paul Goodwin and Ensemble Oltremontano while Accademia Bizantina, Fretwork, Nachtmusique, Paul McCreesh, Giuliano Carmignola and Christophe Rousset (Les Talens Lyriques) come to Cracow to perform as guests. Along with concerts, CC explores the territories of baroque and classical opera successfully staging some of these works in Poland, such as Handel’s "Amadigi", Mozart’s "The Marriage of Figaro" and Gluck’s "Orfeo ed Euridice".
 
An instrumental ensemble, Capella Cracoviensis is a vocal group, too, whose technical mastery as well as flexibility enable it to diversify its repertoire, which ranges from Gesualdo’s backbreaking mannerist madrigals to the avant-garde compositions of the 20th century. The choir of Capella Cracoviensis has accompanied such eminent guests of Misteria Paschalia and Opera Rara festivals as Fabio Biondi with his ensemble Europa Galante, Marc Minkowski and Les Musiciens du Louvre-Grenoble, Le Poème Harmonique or ensemble La Venexiana under Claudo Cavina.
 
CC is often present at European festivals, including Haydn Festspiele Brühl, Bachfest Leipzig, SWR Festspiele, and in 2014 the ensemble from Cracow will perform at Händel Festspiele Halle. It gives regular concerts abroad: in Vienna’s Konzerthaus, in Versailles, Brussels, Ghent, Lviv and Kiev.  
 
Jan Tomasz Adamus, an renowned organist, harpsichordist, conductor and animator of musical life, became head and artistic director of Capella Cracoviensis in 2008. He has honed his skills as an artist collaborating with many outstanding singers while drawing on the achievements of Europe’s most important centres of art as the permanent counterpoint of all developments in music can be found in  painting, sculpture, architecture and philosophy. Inviting him to assume this position at the request of the City of Cracow has been one of the most widely discussed transfers in the world of Polish culture of the recent years. 

Antonio VIVALDI Concerto in G minor for strings & basso continuo (RV 156) - Allegro

capella cracoviensis