Hip-hop trio, The Dox, was founded by friends from Sacramento, California when they were just teens. True to the prolific nature of this fluid form, the group has literally recorded the evolution of the genre with a dozen releases in nine years. The Dox—an abbreviated form of Goondox and a reference to the 1985 cult classic, “The Goonies”—feature a sound that embraces East, West and South Coast styles, making certain that just one never defines them.   

Part beat mixing and overdubbing, part rhythmic rap and funk shout-out, The Dox’s music has a stripped down underground vibe at its core. With the group’s street-cred edge always front and center, their deft blend of both independent and mainstream hip-hop influences ensure a level of accessibility to those outside of the urban base camp. The Dox are storytellers, giving voice to fans from all backgrounds, with their uncensored and uncompromising truth of the moment.

The Dox members, Styll and Graphk first worked together professionally in III Squad. Cash the Freshman then made it a trio upon his discharge from the U.S. Army. The trio soon changed their name to The Dox and became part of Seattle’s 2006 “Bay Area Bash” and later, the 2009 “And 1: Ball 4 Real Tour” where they performed with such acts as The Jacka, Luni Coleone, T-Nutty, and Celski and Killa Keise (Rest in Peace). The Dox used these tours to establish a core following, ultimately selling 75,000 independently-produced CDs in the process. 

With an astounding 12 releases to the group’s credit (and a new one on the way), The Dox’s catalogue includes: The Money Train LP (2004); West Coast 4 Dummies (2006); I Am Sac (2008); How ‘Bout ‘Dat Vol.1: on da clock (2009); UnorthaDox (2011); Freshman LP (2011); The Stainless Project (2011); To Whom It May Concern (2012); Saclanta (2012); #RealChat Vol. 1 (2013); Ya Favorites Favorite (2013) and Outer Limits (2013). 

The group’s tracks always fuse street-smart hooks with complex wordplay that tell of life’s ‘pain and gain.’ Standouts include: “Turn It Up,” a beat-heavy everybody-get-up-and-feel-good cut with a hypnotic vocal by producer Finguz; “Evo,” a trunk-banger that puts these 4G rappers in the same league as the once “it” phone; “Land Hoe” a self-proclaimed “ghetto rules of engagement” song dedicated to their girl groupies; “Home Sweet Home,” a sobering look into The Dox’s hometown of Sacramento and its the rampant crime; ”Asapolis” a striking message of monetary urgency with its world-beat; “Come Get It,” a smooth and sexed-up anthem; “Get It On The Floor,” a double-entendre bounce track; and “Can I Hit It Like This,” a raw-sex chant that is a must-have for any serious collector of The Dox’s music. 


Management
info@iamsza.com

Publicity
Nick Dierl
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Demarco “Biggmann” Thomas
When you want explosive hip hop energy, exciting stage presence and raw talent-- you call DeMarco “Biggmann” Thomas. The San Francisco born lyricist is passionate in all aspects of his craft and has emerged with a new chart topping sound. The skilled mastermind has a story to share, one that is packed with hot new music, visuals and live performances.
As a young man he struggled with major responsibilities, although he earned a scholarship in high school, he faced the need to help provide for family and dropped out of school. Despite life challenges, he took charge of his future and returned to high school as a proud member of HJ Frat Crew, better known as “Biggmann”. He was exposed years ago to the likes of a young man who would eventually become the dynamic hip hop artist, Tupac Shakur, it would turn out that Biggmann’s fun filled night of rapping at his 13th birthday party became the spark to what later became his dream...making music.
Biggmann became active in the Sacramento community as a coach at the Oak Park Community Center and became plugged into the local music scene. He entered a weekly rap battle on Sacramento’s Radio Station FM 102.5 and lost his first battle to MC Yoshi but radio host Ebro (Now radio personality for New York’s Hot 97), told Biggmann “You’re good man, callback in two months!” Not only did Biggmann return to win the contest, he became the undefeated champion for six weeks straight. It was only a matter of time before word on the street dubbed Biggmann as the fresh new rapper with the ultimate“It” man factor.
Biggmann’s resume has grown to include a discography of 8 solo albums, 2 mixtapes and is featured on several collaborative projects including: Keak Da Sneak, Marvaless, Doey Rock and Cap Biz. His high quality performance possesses a star quality both in the studio and on stage, earning him opportunity to open for artists such as: E40, Waka Flaka, Wale and Twista.
His work ethic, street team and fans continue to reflect his brand “Positive InnerG” which has recently been extended to an exciting new clothing line. Biggmann aspires to win a Grammy as proof that with positive energy we can all overcome any obstacle put before us.


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