Insigna is back with his 1st commercial preset bank for SynthMaster:  162 fresh new presets for techno, trance, electro and breakbeat genres! The bank comes with Insigna's own drum kit and everything you  hear in the audio demo is produced entirely using the "Essentials 4 Clubbin" bank (Except the TR909 samples used after 00:30:24)  

Can be purchased at: http://www.synthmaster.com/purchase.aspx

Buy now!

Expansion - Insigna - Essentials 4 Clubbin - Trailer

A 5 minute burst of Psytrance energy. Perfect to dance to and forget housework/ mowing lawn.

The Misadventures of Mary

Here's NatLife's 3rd expansion for SynthMaster 2

Expansion-NatLife-Discofunk for SynthMaster 2

Here's Alonso Sound's first expansion for SynthMaster 2. 50 presets for Future Rave genre.

Expansion-Alonso Sound-Future Rave for SynthMaster 2

Recorded live at Lauderdale House London Dat Dere. Oscar Brown Jr.
Hey mama, what dat dere?
Hey, why that under dere?
And oh mama, oh hey mama, hey look at dat over dere
Hey, where'd they go in there?
Hey, what they do in there?
Hey, mama can I have that big elephant over there?

Hey, who dat in my chair?
Hey, what's she doing there?
And oh mama, oh hey mama, hey, what dat say up dere?
Hey mama, what's a square?
Hey, where do we get air?
Hey, mama can I have that big elephant over there?
My quizzical kid, she doesn't want anything hid
She's forever demanding to know
Who and what and why and where
Inquisitive child, and sometimes the questions get wild
Like mommy can I have that big elephant over there?

Don't wanna comb my hair
Hey, where my teddy bear?
And oh mama, oh hey look at the cowboy coming there
Hey, can I have a pair of boots like that to wear?
Hey, mama can I have that big elephant over there?

The time will march, the years will go
The little lady's gonna grow
I gotta tell her all she'll need to know
I'll help her along she'll know right from wrong
Gotta make her strong

As life's parade goes trudging by
She'll need to know some reasons why
I don't have all the answers but I'll try
As best as I can, gotta help her to plan so she'll make her stand

You give the kid your best and hope she'll pass the test
When you finally send her out into the world somewhere
Although she's grown up I bet I never will forget
Mama, can I have that big elephant over there?
 
What they do in dere?
Hey, where'd they go in dere?
And oh mama, oh hey mama, hey, why dat under dere?
Hey mama, what is fair? How come I've gotta share?
Hey, mama can I have that big elephant over there?
Yeah, mama can I have that big elephant over there?
Yeah, mama can I have that big elephant over there?

c.g. Oscar Brown  Jnr set 1

Dat dere

Blues for Louis. From my CD - Mother.
Inside my room, single bed, sink and gas ring  
I listened to the blues, black vinyl warm spinning heart wanting the sound in my mouth. 
Outside a window open in the summer heat, the street below the rowdy - dow of Earls Court Road. 1965. 
Saturday night down to Louis's subterranean home 
made mystic with leaves, sticks, stones, 
incense filling the air as he cooked fragrant food from Mauritius-new tastes for my tongue, his hands beating time on a drum - singing the songs I never forgotten. 
He played me ska records, Calypso and Blues. 
Seeking bohemian magic in Soho where Jazz is, 
late afternoon the sun shooting lights - dusty smoke spirals, 
setting fire to a golden brandy in my glass. My first brandy.
Sitting small in beatnik black, blue velvet,  blue jeans taking in mind seeds, drinking the juice of truth hanging on to the threads of dreams - wanting love and more...
Bottling for Paris Nat in Piccadilly one spring - his accordion, squeezing out the songs of France and the war,  lost love and more. 
Down to the big river. 
A mournful London lullaby of tugboat and train, 
the evening rain on my face. Softly.
I remained at the riverside, mesmerised by the water, the tide and the flow of it,  the comforting old of it 
A raucous chorus of seagulls - winging in on the wind from the sea in the east, 
hungry for the city’s feast. 
Castles and elephants, bridges and spires, factories, 
domes, a million little red brick homes. Back to back - - street by street.
Back to my home in The All Saints Road -
 The Grove next to The Mangrove, a Caribbean Cafe.
Now I am in a Winter mean morning wind raw in Bethnal Green,  grey London streets blood shot with buses.  
A woman catches my eye, I smile, she curses, 
her voice a sore sound in the air, howl and scowl.
 I knew her once a long lifetime ago.
He droops over his big issues, near asleep underneath a 
stooped back, outside Camden Town Tube. Heels clip clipping, cigarette tips glowing. 
Underground sulphur smell, hot breath, bodies close and 
souls apart, swaying in a metal tube, eyes avoiding eyes avoiding touch and mind the gap.  
Behind newspapers roaring the words of war once more,   I came in in War April 1944. Falklands. 1980s.
Glow burning sunset on the top of a hill, purple night inching in from the west.  In the City below the Hill Primrose Hill,  the Sirens wail, and headlights strobe flicker between the leaves on the trees; on the roadside a dog laughs... 
A man barks and the breeze lifts the hem of a skirt, flowers low bowing to the earth as I look with older eyes through tears and a once-upon-a-time song. 
I remember Louis and the drum and the song as I sing my blues............. Blues  for Louis.

Blues For Louis - Carol Grimes.﹟spoken word. A poem.

Faces like you

ELECTROAMBIENT - LOFI
------------------------------------
From the freeware <a href="http://www.playback.co.uk/spaces/" rel="nofollow" target="_blank"><b>b i g b i g s p a c e s</b></a> web CD (9 tracks)
Suitable for iDosing in BinAural
Laptop Speakers &amp; Large Spaces
<a href="http://soundcloud.com/bigbigspaces" rel="nofollow" target="_blank">bigbigspaces EXPERIMENTS</a> 


PLANETARY

Kv331 Audio and Nori Ubukata present Nori's 1st expansion for SynthMaster 2.5!  This bank is full of presets from the 1st studio album of a "global pop diva" :)

Expansion - Nori Ubukata - Pop Hits Volume 1

Carol Grimes/Dorian Ford.
with Annie Whitehead Trombone. Winston Clifford Drums. Neville Malcolm Double Bass.
recorded by jono trott mastered mark hewins
FROM THE NEW LIVE DOUBLE ALBUM <B>C.DAWN</B>
 Lyrics inspired by the Painting The Dance by Mark Chagale 

The Dance

tHE clOCK iS tICKING... tIME tO sAVE tHE uNIVERSE!

BETTER MAKE IT COUNT (BEFORE YOU LOSE IT)

Have been a guitarist since the 60’s playing in rock bands, theatre bands,. I did a stint with Joe Loss when his guitarist had appendicitis!  One theatre band had “A Windmill in Amsterdam” 6 nights a week for 12 weeks. Still gives me nightmares. 
I got the name Captain Lethargy as my solos were sparse and infrequent. I still use that name on the various songs I put out now.