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New private playlist

Forest

Recorded and partially mixed by MixMonsterMark.  

www.mixmonstermark.com

Arcade Fire - Sprawl II (Mountains Beyond Mountains)

Y Control - Yeah Yeah Yeahs

GRAVE118 - Whirr 'Sway' out 9/23/14 on CD/LP/Tape/Digital (pre-order here: http://www.graveface.com/graveface-catalog.html)

When Sway begins, you might at first press pause, reaching for your headphone wire or peeking behind your speaker cables to make sure nothing has come undone. The blister of distorted guitar that opens the album comes only from the right channel, howling and hanging there in irascible isolation until it seems that something must be wrong.
But be patient: After a dozen seconds, the rest of Whirr—a five-piece of blanketing rock focus and comforting pop finesse—pours in from the left channel. They meet the guitar in the middle, together racing headlong into a short section that’s heavy as metal but pliable enough to be the springboard for the galloping shoegaze beauty that soon arrives.
For the next 36 minutes, you need not worry again about lost connections, split channels or anything else, really. More than any Whirr release to date, Sway creates a definitive sense of immersion, sculpting an environment that breathes you in instantly and breathes you out only when the record snaps into silence.
That bifurcated start is an appropriate image for Whirr in 2014. Last year, the band headlined a tour with the Philadelphia group and fellow admirers of heaviness and harmony, Nothing. Not only did the crews become fast friends, but their respective founders—Whirr’s Nick Bassett and Nothing’s Dominic Palermo—decided to start a group of their own, Death of Lovers. When the shared tour was finished, Bassett headed to Philadelphia for a month of writing and recording. He’s never really left. He calls Philadelphia home now, so Whirr has become a bicoastal band.
In Philadelphia, Bassett worked on Death of Lovers’ debut for Deathwish Inc., toured as the bassist for Nothing and steadily composed new material for the next Whirr album, their first full-length for Graveface. Back in Oakland, the rest of Whirr had committed to the project full-time, too, so the West Coast contingent wrote and rehearsed new material without Bassett. Joey Bautista took the lead on two songs, Loren Rivera on three.
Indeed, against most odds, Bassett’s move made for a more democratic Whirr. In their salad days, Bassett had written most of the material and built the bulk of the arrangements, too, using the support only to enrich and enliven them. After a slew of splits and singles and EPs, Sway is the second Whirr LP, but it is only the first to be rendered by a fully functional rock band, having shaped the songs slowly and over some distance.
Before the quintet entered Oakland’s Atomic Garden to work with longtime producer and collaborator Jack Shirley, they reworked the contributions of all three writers, massaging the material into a cohesive dynamo. Rivera, for instance, rewrote the words for Bassett’s material, folding his songs into the album’s presiding sense of dusky melancholy.
“It’s not conceptual, entirely, but it’s intended to ebb and flow in a certain way—one song being aggressive, then dropping out and being pretty but devastating,” Bassett says. “We tried to create an atmosphere, where you listen and get vibed into one tone. ”
That rhythm presides over Sway, tying its distinct parts into a seamless unit. The restless “Heavy” churns somewhere between Godflesh and Gish, its lumbering beat and foreboding guitar buoyed by a melody that feels like a secret hymn for which you’ve long searched. Gorgeous and sprawling, “Sway” floats through luxuriating guitars and pillowed vocals, offering an impressionistic but intoxicating inversion of Whirr’s typical propulsion. Even here, during the record’s prettiest moment, Whirr maintains a righteous minimalism, emblematic of members who met one another as skateboarding high-school kids.
“The aesthetic of the band is more aimed at mature punk rather than alternative rock,” Bassett confirms. “There are these more aggressive punk elements—noisy feedback, a snare roll that just goes into super-punchy, driving songs.”
“Clear” brilliantly paints its lyrical quest for lucid communication—“I want words/to understand you,” runs one plaintive, surging bit—in music that takes up the same challenge. Whirr pushes past a pastel instrumental haze into a hangdog march, with near-whispered vocals bruised by Devin Nunes’ drums and Eddie Saldago’s orotund bass line. But as the end approaches, the band builds together, the riffs and the rhythm colliding into one triumphant, redemptive crest.
And that’s the victory of Sway, too, an album written by five people on two coasts but executed with the force and splendor of, at last, a fully unified Whirr.
Graveface will release Sway on CD, LP and digitally September 23.

Whirr - Mumble

from the Pional 12" " last house on the left " ep 

Pional - Into a trap

Had a play around with this Seekae jam

www.facebook.com/flumemusic
www.flumemusic.com
@seekae
www.facebook.com/seekaemusic





Seekae

Seekae - Test & Recognise (Flume Re-work)

Second mp3 single from Chastity Belt's 2015 album Time To Go Home, out 3/23/15 on Hardly Art records.

Purchase Time To Go Home:
Hardly Art: www.hardlyart.com/shop/chastitybelt.html
iTunes: https://itunes.apple.com/us/album/time-to-go-home/id951967954
Amazon: amzn.com/B00R8P1036

hardlyart.com/chastitybelt.html

Follow Chastity Belt on Twitter: twitter.com/CHAST1TYBELT
Like Chastity Belt on Facebook: www.facebook.com/chastitybeltmusic
Follow Chastity Belt on Instagram: instagram.com/chazzybelt

Follow Hardly Art on Twitter: twitter.com/hardlyart
Like Hardly Art on Facebook: facebook.com/hardlyarttrecords      
Follow Hardly Art on Instagram: instagram.com/hardlyartrecords


Time to Go Home

Joke

Chastity Belt - "Joke"

Started with a 135bpm simple kick-snare beat of a track I liked, hoping to make something similar.    

Meant To Be (the best song in the Album)

OUT NOW, ON LOLIPOP RECORDS!!!
Billy Changer - "s/t" (LP/CASS/CD)
the long awaited self titled album from one of our favorite dudes, is finally here!!! mutant-pop synth-wave analog 4-track masterpiece!!! out now, on lolipop records!!!
GET IT ALL: www.lolipoprecords.com

BILLY CHANGER - "Island Fever"

Released on February 5th, 2016.

Digital: smarturl.it/istheisare
Physical: http://www.omnianmusicgroup.com/products/is-the-is-are


DIIV // Dopamine

Released on February 5th, 2016.

Digital: smarturl.it/istheisare
Physical: www.omnianmusicgroup.com/products/is-the-is-are


DIIV // Under The Sun

Juliana Hatfield covers "Needle In The Hay" for "Say Yes! A Tribute To Elliott Smith" out now on CD, LP, Cassette, and Digitally. Order today from Amazon, iTunes and everywhere fine records are sold.

Say Yes! A Tribute to Elliott Smith

Needle In The Hay (Elliott Smith Cover) by Juliana Hatfield

If you're not yet aware of  Michael Mayer , we suggest you read up.  Kompakt  co-owner, DJ, producer and don of collaborations has teamed up with French electronic heavyweight  Agoria  for five minutes of reflective bliss. Centred around 'taking all the time on the world', “Blackbird has Spoken” works up an unquenchable thirst  – regardless of however many rewinds it gets. 

DOWNLOAD & TRACKLIST: http://blrrm.tv/2hdxCB

Michael Mayer & Agoria "Blackbird Has Spoken" - Boiler Room Debuts

Ariel Pink sets a serene but complicated scene for the next chapter in his curious career with “Another Weekend,” the first solo material heard since the prog-pop opus pom pom. Contrary to the lyrics of “Another Weekend” (and fortunately for both fanatics and the newly initiated), Pink is neither too shy or humble to have brought his singular style of pop music beyond the bedroom for the befuddled masses over the past two decades, but returned to the formative, familiar setting to craft what will surely live as another shimmering moment in an unrivaled canon.  Encapsulating the lingering euphoria of a regrettable weekend over the edge, “Another Weekend” speaks in morose volumes while whispering sweetly, the dichotomy of Pink’s pathos once again on display. Backed with “Ode To The Goat (Thank You)”, “Another Weekend” will be shared as a 7” single and through conventional music serving mechanisms on Wednesday, June 7.

Mexican Summer: smarturl.it/AnotherWeekendxOutp
Bandcamp: smarturl.it/AnotherWeekendxBC
iTunes: smarturl.it/AnotherWeekendiTunes
Amazon: smarturl.it/AnotherWeekendAmazon
Apple Music: smarturl.it/AnotherWeekendAppleM
Spotify: smarturl.it/AnotherWeekendxSptfy

Ariel Pink - Another Weekend

"A Great Design" from Black Marble's 2012 album A Different Arrangement
http://www.hardlyart.com/shop/blackma...

Order the album
iTunes: https://itunes.apple.com/us/album/a-d...
Amazon: http://amzn.com/B008XJM7GK 
Hardly Art: http://www.hardlyart.com/shop/blackma...
Sub Pop: http://www.subpop.com/releases/black_...

Black Marble Website: http://www.blackmarblenyc.com
Follow Black Marble on Twitter: https://twitter.com/blackmarblenyc
Like Black Marble on Facebook: http://www.facebook.com/blackmarblenyc
Black Marble on tour: http://www.hardlyart.com/tour.html

A Different Arrangement

A Great Design

Black Marble - A Great Design

fake lights in the sky(DEMO)

Why do people keep asking me if am emo or goth
Can’t they understand I’m both

DIIV // Under The Sun

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