Awesome!! Great sound and very nice work!!

Another great track, destroyer's kaputt is the best 2011 album

Brilliant cover! Blogged @ www.1track1day.com on January, 25th

This cover brings a grin to my lips. Thank you!!

September Girls - Ships

Pic: Maximo Pedraza (http://www.flickr.com/photos/maximopedraza)

Soko - Monster Love (feat. Ariel Pink)

I'm in this night, of purple fright 
Social enclosed, with no ones phone 
I cramp my face, and spill my drink 
The violet boy, is the missing thing…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 

My mind's a dream, coz you ain't near 
''I'm sorry babe, I ain't near'' 
My heart is tight, makes my blood go wild 
''I'm sorry babe, I am feared'' 
My eyes are queer, they keep pumping tears 
''I'm sorry babe, please don't tear'' 
A lion's game, still I love you but…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 
I cry, when I'm looking through the glass it's weird 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple''

Crying In The Discotheque

Here's the finale track from John Maus' forthcoming album 'We Must Become The Pitiless Censors Of Ourselves' released through Upset The Rhythm (and Ribbon Music in North America) this June. The image is suitably trippy visual from Jennifer Juniper Stratford's wonderful new video for 'Believer' which features John Maus for the first time alongside his hero Jack Chan. 
Enjoy!
UTR
x

JOHN MAUS - Believer

Started remixing tracks from my new favourite game
Enjoy :3

Idle Slayer - Victor Fight [Niccko Remix]

The Reverberation Appreciation Society is proud to announce the release of the fifth studio album from Ringo Deathstarr, entitled Pure Mood, out December 11 on vinyl and CD formats, and November 20 digitally. The album is being release by Club AC30 the UK and EU, and Vinyl Junkie in Japan and Asia.

Preoder links:
RVRB : http://levitation-austin.com/store/
AC30 : http://store.clubac30.com/
VINYL JUNKIE: http://vinyl-junkie.com/

The band eagerly anticipate the release of their next album; rightly so - pensive and pounding, ‘Pure Mood’ oozes all things dank, dark and dreamy. The 12 track LP, to be released in November, presents a vivid and searing collection of songs.

The aptly named opening track 'Dream Again' is sung by bassist Alex Gehring, whose delicate voice echoes eerily over the spectral, otherworldly chords that pluck underneath. 'Heavy Metal Suicide' & ‘Stare At The Sun’ contain the same cathartic droning that has been previously celebrated by genre forefathers, My Bloody Valentine and Slowdive. Tracks like 'Never' and 'Boys In Heat' plunge the band and listener alike deep into the uncharted sonic depths of unadulterated, decadent sound. Elliott Frazer's vocals accentuate the eruption of noise behind his anthemic lyrics, dipping in and out of brief moments of clarity before bursting back into the manic grit of songs like 'Big Bopper' and 'Frisbee'. There's a daring clash of fury and fragility throughout 'Pure Mood' that demonstrates Ringo Deathstarr are not just reliving a scene, they're re-inventing it with their shattering use of chaotic guitars and haunting voices.

Ringo Deathstarr - Stare At The Sun

Destroyer, Leave me alone (New Order cover)

a whirlwind of gloomy, fresh, dense and melodic, late-70’s and early-80’s influenced, post-punk with new wave

Cruel Reflections - 30 Minutes or Less

"Shake The Shackles" is Crystal Stilts' first release since "Love Is A Wave" and is a great snapshot of where the band is now and a taster for their forthcoming second album, due early 2011. Driven by echoed guitar strum and droning keys, it's a dexterous update of 60s garage pop that places it alongside late 80s Paisley Underground heroes like Green On Red and later Dream Syndicate, but the song itself is totally timeless, and impossible to place anywhere but firmly in Crystal Stilts' own unique style.

Crystal Stilts - Shake the Shackles

Tamaryn - I'm Gone

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


Destroyer, Leave me alone (New Order cover)

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