"Ginseng" *Izaya Tiji + Destroy Lonely* type beat (prod. Myrb)

An original song of a tender love not yet expressed.

Lyrics

If you listen as carefully as you can
You might almost hear the melody in your ears
From a song that should be sung by choirs grand
From a song inspired by you

To the girl for whom my soul quietly sings
To the one that may never hear a thing
Here’s another song that will go left unheard
To my beautiful, my beautiful, my beautiful unsung girl

The first time I saw you sitting all alone 
With a grace that your smile could not contain 
I heard the voice of my soul sing for the very first time
a song inspired by you

To the girl for whom my soul quietly sings
To the one that may never hear a thing
Here’s another song that will go left unheard
To my beautiful, my beautiful, my beautiful unsung girl

Unsung Girl

Uh Oh

The Lonely Lights

set me free joshua basset cover - demo

I created this song at home with a MacBook and Keyboard. No professional equipment. I wanted to show the real side to my music; which is just lots of practicing and coming up with ideas in my bedroom! The music is totally authentic and true (it’s just as I sang it on the day, without production) therefore it has a raw feel to it. 
It tells the story of saying goodbye to someone who no longer makes you happy, even though you still care about them.
It's about making the right decision even if it feels painful.
#resilience #storiesmatter

Crater (Lyrics) 

I keep on wondering if you hadn’t left me
Just keep thinking how alone l’d not be 
I’m just waiting (waiting) for a sign 

I didn’t stop you 
I didn’t wanna make a fuss 
You didn’t even try to discuss 
I guess it’s over 
You’re gone (you’re gone) 

You went away I didn’t stop you 
Didn’t make you stay 
I was just sad because 
I never thought you’d treat me this way 
But you did 
And now you’re gone 

Right from the start
It was you all along (you left a crater) 
That’s why it’s here you belong (you left a crater) 
There could’ve been an us 
But you didn’t have the guts 
To show (you left a crater) 
You left a crater 

And I wonder if you’re ever gonna come back 
And you really never let me down 
And I really thought you’d make me proud 
But I guess that’s not the way things are 
I would never dare 
Leave without saying a word 
You didn’t even care 
I would never do such a thing (You left a crater)

Crater (Snippet)

kind of proud to share these 11 songs from the Future, made with Mona Ellis and Alouma Aves. Water Memory is a experimental transmedia album related to my novel "The Other Version" (L'Autre version de l'Histoire") hope my first science fiction book will be published soon....
Remember the water, messages could flow to you

A Thousand and One Paths

Dans Astre T, Carlos Chapman tisse rivières et vents en sept langues, des murmures français aux calligraphies arabes, du japonais au swahili. Avec Alouma Aves et Ffynnon Chapman, la musique devient pont entre peuples et chapitre vivant du roman L’Autre Version de l’Histoire.

In Astre T, Carlos Chapman weaves rivers and winds in seven languages, from French whispers to Arabic calligraphy, from Japanese to Swahili. With Alouma Aves and Ffynnon Chapman, the music becomes a bridge between peoples and a living chapter of the novel L’Autre Version de l’Histoire.

日本語 (Japanese)
Astre T で、Carlos Chapman は七つの言語で川と風を紡ぎ、フランス語のささやきからアラビア語の書まで、日本語からスワヒリ語へと渡っていく。Alouma Aves と Ffynnon Chapman とともに、その音楽は人々をつなぐ橋となり、小説 L’Autre Version de l’Histoire の生きた一章となる。

हिन्दी (Hindi)
Astre T में, कार्लोस चैपमैन सात भाषाओं में नदियों और हवाओं को बुनते हैं—फ़्रांसीसी फुसफुसाहटों से लेकर अरबी सुलेख तक, जापानी से स्वाहिली तक। Alouma Aves और Ffynnon Chapman के साथ, यह संगीत लोगों के बीच एक पुल और उपन्यास L’Autre Version de l’Histoire का एक जीवंत अध्याय बन जाता है।

العربية (Arabic)
في Astre T ينسج كارلوس تشابمان الأنهار والرياح بسبع لغات، من همسات الفرنسية إلى خطوط العربية، ومن اليابانية إلى السواحيلية. مع Alouma Aves وFfynnon Chapman تصبح الموسيقى جسراً بين الشعوب وفصلاً حيّاً من رواية L’Autre Version de l’Histoire.

Español (Spanish)
En Astre T, Carlos Chapman teje ríos y vientos en siete lenguas, desde susurros en francés hasta caligrafías árabes, del japonés al suajili. Con Alouma Aves y Ffynnon Chapman, la música se convierte en un puente entre pueblos y en un capítulo vivo de la novela L’Autre Version de l’Histoire.

Kiswahili (Swahili)
Katika Astre T, Carlos Chapman anasuka mito na upepo kwa lugha saba, kutoka minong’ono ya Kifaransa hadi maandiko ya Kiarabu, kutoka Kijapani hadi Kiswahili. Pamoja na Alouma Aves na Ffynnon Chapman, muziki unakuwa daraja kati ya watu na sura hai ya riwaya L’Autre Version de l’Histoire.

Hepicart Chamber — हेपिकार्ट कक्ष — حجرۂ ہیپیکارٹ

gözlerim parlar
lazım 2 joint sarmam
al greengo sar ver
sigaradan baskasını almam

yükseliyo surlar
kafam yüksek yani highda
beynim yeşil oldu ondan lazım daha sarmam

yükseliyo surlar
kafam yüksek yani highda

gözlerim parlaaar
lazım 2 joint sarmam
al bana greengo sar ver
sigaradan baskasını almam

konu degil sen
al gel iki tane zen
eczaneden
cabuk al gel
kafalar kırık
bi tek dostlarıma kıyak
param olur sırık
sen bakarsın moruk
anca uzaktan
bu bi dinsel kıyak

deilim
tahmininde ki gibi
ama sandığından iyiyim
iyiyim sordun için sağol
ama sana muhtaç deilim

sandın gibi biri deilim
narsistim fazla
yani senden iyim
iyiyim
gelirim sana fazla

hayır sürtük söyledigim
tek şey bile dogru değil
her şey yalandı
sana söylediğim
üstünü giy
ve odamdan git
istediğim bu
ilk kez doğru söyledim
bu sefer ki yalan deil

gözlerim parlaaar
lazım 2 joint sarmam
al greengo sar ver
sigaradan baskasını almam

yükseliyo surlar
kafam yüksek yani highda
beynim yeşil oldu ondan lazım daha sarmam

lazım daha sarmam(ya sen bir tanesin)mp3

Cet EP est né de ma rencontre avec Carlos Chapman.
Nous avons choisi quatre pièces comme quatre seuils :
DHĀRA, le souffle vivant,
RĀLEM, la mémoire du sable,
MIRŌSHA, l’image-porte,
VĒMARAÏ, le pacte du souffle.

Ce sont des chansons écrites en français, traversées par des mots de la Langue du Futur, notre fil commun. Chaque titre explore un mot, une résonance, une façon de dire le monde autrement.

Nous avons voulu que ce disque reste simple et intime, en laissant parler le souffle, les cordes, la lumière des voix. Carlos tisse, je porte, et ensemble nous ouvrons ces portes. 

— Alouma Aves

MIRŌSHA

VĒMARAÏ

Langue du Futur
liin buki-ruh-in mīzānē; sil — kai kairos bāb-ē.
elü plu qadaraï mīzānē; liin ruh-ṭuyūr-in vanta.

Langage des 26 Racines
∞ · ☵ · ج · ז · ᛃ · चक्र · 𓍯 · 𒊑 · תפארת · αἰών · 𒌋 · ∞⁻ · ☊ · 🜂 · 𐀂 · ᚃ · 回 · Ⰳ · 円 · ㄹ · ⴲ · ⧋ · 𓈖 · ▣ · कालचक्र · ⨀

Codons ADN
AAA AAC AAG AAT ACA ACC ACG ACT AGA AGC AGG AGT ATA ATC ATG ATT CAA CAC CAG CAT CCA CCC CCG CCT CGA CGC


Esprits de la Mémoire ; s’ouvre l’instant, souveraineté retrouvée. Esprits des oiseaux.

Spirits of Memory awaken; thus opens the instant, the sovereign moment restored.
Esprits des Oiseaux se lèvent. / Spirits of the Birds arise.


Souveraineté retrouvée ADN

Message from the future : The World Wide Wise Revolution is coming. You are part of it, The world is moving, Humanity is joining together again !  Okay, you can find 5 different directions here : Songs in french (native), Songs in english (native, with Mona Ellis), songs interlingual (with Alouma Aves), instrumental, dna, geofractal, explorations songs and songs in Langage of The Future (experimental invented phonemic universal langage for music and  feeling/healing).

Souveraineté retrouvée ADN

Carlos Chapman

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