Oversky

Step into a world of timeless wonder with "Ancient Legacy," a captivating collection of 10 soft piano tracks, masterfully composed for role-playing games. This album is a sonic masterpiece, tailored specifically for game developers and content creators aiming to infuse their narratives with a sense of historical depth and emotional resonance.

Each track in "Ancient Legacy" is a delicate tapestry of piano melodies, intricately designed to transport players to the heart of their adventure. The music evokes the mysteries of ancient worlds, the solemnity of forgotten temples, and the poignant tales of heroes and legends. These compositions provide a perfect backdrop for epic quests and intimate character moments alike, enhancing the player's immersion in the game's story.

This collection is more than just a set of background tracks; it is an essential tool for storytelling. Whether your game explores the ruins of bygone civilizations, the intrigue of medieval courts, or the personal journeys of your characters, these piano pieces adapt to fit a variety of settings and emotional tones.

Available for an accessible price of $19.99, "Ancient Legacy" is an invaluable resource for any game developer or content creator looking to elevate their game's auditory experience. Bring your game's narrative to life with the profound and moving sounds of "Ancient Legacy."

8 - Phat Phrog Studio - Ancient Legacy - Through the Wildwood

Taken from the album (For Now We See) Through A Glass Dimly, Delicate Power also forms part of a remix EP, Delicate Power (In The Hands Of Others), which will be released digitally on 31st May 2016. The EP features remixes by Marconi Union, Markus Mehr, Lvmark and Antonymes.

antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others
https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly

Delicate Power

Light

'Four' is a song by Ólafur Arnalds and Nils Frahm from the album 'Loon' originally released on Erased Tapes Records.

Reworked and performed by CEEYS (Brueder Selke).
Recorded and mixed by Francesco Donadello and Antonio Pulli at Vox-Ton Studio, Berlin. 
Mastered by Sebastian and Daniel Selke at Klingenthal Studio, Potsdam.

This rework is part of a collection of pieces by contemporary composers,
reworked and performed by CEEYS (Brueder Selke).

Ólafur Arnalds & Nils Frahm - Four (CEEYS Rework)

3.32.39 is the 4th track in preview of Plume, my album on vinyl, that will be released October 16th.
The title is the exact hour in which, on April 6th 2009, an earthquake occured in L'Aquila, destroying  part of the city and changing its very soul forever.
The track is meant to be an homage to the victims memory and, at the same time, a hymn to life for whom has survived and found the strength to react.

http://luca-longobardi.bandcamp.com/track/33239

3.32.39

So… this is slightly awkward… When it comes to promoting my very own music, I seem to be at loss for words. And yet, I accept that self-promotion is part of every composer’s journey, at the end of each release. This album has been in the making for a very long time. In fact, it was complete before I even left New York, and I’ve been “sitting on it”, afraid to let it out, too weak to let it breathe. And yet here it is, fulfilling the unavoidable and at times desirable closure to something I meant to leave behind.

Beneath the dark veil of the night, covered in an intoxicating somber solitude, somewhat sorrow and slightly sweet, ‘Dislodged’ is a place of isolation, melancholy, and a bit of heartache. Composed and intended to be listened to as the second half to the ‘Unhinged’ mini-album, this intimate recording of my beloved instrument explores the outer reaches of spatial and reductionist pianism, occasionally echoed by the song of a lonely cello, contributing to the detachment, displacement, and dislocation of a damper pedal, controlling the felt rail which muffles the hammers against the strings. This is where my music lives…

The ten-piece mini-album, beginning with the same-titled “Dislodged” track, which is being premiered exclusively today on Headphone Commute, is out on November 10th, on 1631 Recordings. Recommended for fans of solo piano music, and my all-time favorite composers who inspire me, such as Nils Frahm, Otto A. Totland, Julien Marchal, Goldmund, Dustin O’Halloran, Fabrizio Paterlini, and Sophie Hutchings, and many, many more…

Dislodged

TRACK PREMIERE : Mike Lazarev - Dislodged

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

Fragile Window

Listen / Purchase: https://lnk.to/mnem

For a ton more info see our FAQ section on the website series home page.  Ala carte orders for 'Mnemosyne' on vinyl/CD/DL, visit here: https://thephonometrician.bandcamp.com/album/mnemosyne

‘Mnemosyne’ is the debut album from Mexico City based multi-instrumentalist, film composer and sound preservationist Carlos Morales, who creates under the name The Phonometrician.

‘Mnemosyne’ is an album that asks what memories would sound like if they were captured through sound. At its core, ‘Mnemosyne’ is album built around finger-picked acoustic guitar, somewhat classical or folk in nature, yet it’s much more than that.  Morales deploys a very specific palette of instrumentation to realize his musical vision, it’s as if a classical guitar is slowly being worn away and devoured by an onslaught of looping, ever-shifting analog sound creatures, scattering for cover when the light hits them too directly and continuously eat away at the strings. Much like rifling through the pages of an aged and tattered diary, warm shuffles of vinyl and airy waves tape saturation emerge only to retreat once more into the darker recesses, leaving the pysche grasping wildly to recall the meaning of their existence.

Artwork by João Ruas (https://joaoruas.com)

Mnemosyne

Here Comes The Storm

Buy Album

The Phonometrician - Here Comes The Storm (from Mnemosyne)

Track taken from Christoph Berg's upcoming album 'Paraphrases'... 

Christoph Berg - Interlude

Scale

To Learn and Grow

Philip G Anderson & Laura Masotto - To Learn And Grow

CARLOS CIPA is a composer and pianist residing in Munich and Berlin. New album Ourselves, as we are is out 24th of February.