watergate club
falckensteinstr. 49
10997 berlin
germany

HouseTech - The Collective Sound of House & Techno

HouseTech is a growing community of dedicated House and Techno music enthusiasts, offering a promotional platform for DJ’s, Producers and Labels. 

HouseTech is not a business or a company and we have no desire to make a profit from our activities.  We wish to keep our platform completely free of charge; we do what we do for the love of music and, simply, for everyone's pleasure. 

We are a collective of like minded individuals all sharing our favourite tracks and each others mixes.  Check out our 24/7 stream and live radio show with our resident and guest DJ's every week. Visit the website and our other channels below to find out more about us...

www.house-techno.com

We are also proud to be supporting the iconic Strawberry Sundae club night, which is based in London, UK. For more info please visit...

www.facebook.com/strawberrysundaeuk/

The official account of Earl "DMX" Simmons #LongLiveX

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.
 
SAMA, meaning ‘sky’ in Arabic, started mixing in 2006 in parties around Ramallah, Palestine. Several years later she started producing her own music and expanding her interest in synthesis in 2010, with a focus on techno, house, and other deeper sub-genres of electronic music.
 
The artist graduated from the United Kingdom with a BSc in Audio Engineering and Music Production, then moved to Cairo where she worked as a sound designer for film, became a music producer and then instructor. SAMA’ now runs her own Audio Engineering & Sound Design company working across films and documentaries in the Middle East. In 2017, she was selected as a Laureate by the French Institute, and during that time attended a residency at the International City of Arts in Paris. SAMA’ also runs a publishing company called Awyav, representing independent artists from the Arab world.
 
In late 2018, SAMA’s Boiler Room performance and the associated documentary about the scene in Palestine went viral and more and more people are seeing that music has no boundaries. SAMA’ was recently listed in SheSaid.So’s Alternative Power 100 List, and plays a high-profile set at Ibiza’s World Heritage Site of Dalt Vila for the International Music Summit in late May. She is currently working on a studio album.

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Booking Inquiries:
• N/S America: jon@liaisonartists.com
• Everywhere else: leonie@nonibookings.com


Co-founder of EvilGroove Records 

Releases on: Truncate, NECHTO, Planet X, Noise Manifesto, 4trk, Conundrum, Syxt, Suara, Ärder, Blank Code, NYXII, Circuit | Breaker, E-HRZN, Northern Parallels, Concepto Hypnotico, Immaterial.Archives, Paroxysm, Gomboc, TMM, Crisis of Man, Krill, REVOLT, Virescence, Ascetic Limited, Märked, Granular Spectrum, Quaint But Extra, No Way Recs, Rave Code, KVLTÖ, Re:mission Entertainment + more

Find all my original music on Spotify <3

"Talento y carisma hacen del cantante urbano antioqueño Stiven Mesa Londoño
una de las futuras promesas de este género. Con tan solo 22 años y una carrera
que empezó hace poco, este cantante, más conocido en el medio como
BLESSD, no solo improvisa y canta, sino que también compone sus temas.
Aunque de adolescente jugó fútbol sala, la música le tenía sorpresas. A los 15
años comenzó a improvisar y ‘batallar’ en Bogotá, donde no veía al rap como algo serio, sino que lo hacía por ‘hobby’, pero todo cambió cuando regresó a Medellín y vio que todo lo que él interpretaba tenía una gran acogida.
Este paisa del barrio Antioquia, que cursa el grado once de la Institución Educativa
Pedro Estrada de Itagüí, encontró en la música no solo una oportunidad de vida,
sino una pasión, esa que lo inspiró también a componer las canciones que hoy se
corean en diferentes escenarios de Antioquia.
Su primer tema fue ‘Contigo’, pero después escribió ‘Infiel’, tema que lo dio a
conocer en su barrio y le mostró la posibilidad de conseguir sus sueños musicales,
gracias a la gran aceptación que tuvo. Luego, con más motivación, sacó ‘Genesi’,
‘No soy’, ‘Como un loco’ y ‘No va a ser tú’.
Pero, con la canción ‘Una’, se abrió paso hacia lo grande, gracias a que con más
de tres millones de reproducciones en YouTube demostró la gran acogida que
tienen sus canciones. Además, llamó la atención del label JM World Music, el
impulso que necesitaba ‘Blessd’ para lograr sus sueños.
Sus últimos temas: ‘Vuelve’ y ‘Pensando en ti’ también han tenido una gran
aceptación por parte de los seguidores del artista, que está posicionado en redes,
en especial en Instagram (@blessedzbm), gracias a sus improvisaciones y al
mostrarse tal y como es.
Su talento, sencillez, carisma, capacidad de improvisación y amor por la música, lo
tienen como una de las promesas paisas en el mundo del género urbano, el cual
le ha dado la oportunidad de presentarse en diferentes instituciones educativas de
Antioquia, donde sus seguidores corean las canciones y lo motivan a seguir
luchando por sus sueños y algún día llenar estadios en diferentes lugares del
mundo."

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