Naviar Lab Contributions 2019

not much to say, found a suitable middle eastern percussion set, a synth sound and added a couple of effects. 

More on this 108th Disquiet Junto project (“Create a soundscape for the ancient Syrian city of Palmyra.”) at:

http://disquiet.com/2014/01/23/disquiet0108-freebassel/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More on the campaign to free Bassel at

http://freebassel.org/


Palmyra Palmyra [disquiet0108-freebassel]

the bracing east wind
cold as a nordic summer;
kicking up white sand

Colin Myles is the author of three haiku poetry collections on Amazon: Scarlet Skyline, Haiku Moments and The Barren Wind. You can find out more about him on his website, Twitter and Instagram pages.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 12th October 2022

haiku by Colin Myles https://twitter.com/colinmyles

picture by Mihail Macri https://unsplash.com/@macrimihail

Wind with Braces [naviarhaiku457 - the bracing east wind]

naviarhaiku476 – Birds in a bare tree
Birds in a bare tree
Dance on windswept branches
Their waiting ballet…

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in three improvising duos: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland) and ‘Light Fragments‘ (with Steve Escott).

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 22nd February 2023

haiku by John Hinks https://soundcloud.com/flownblue

picture by Robbin Huang https://unsplash.com/@ikarishinjigao

Barely a Bird [naviarhaiku476 - Birds in a bare tree]

Jennifer Doty was born and raised in the beautiful wilds of the Ozarks in southern Missouri. She was taught to value literature, music, the arts and spirituality. Her upbringing encouraged creativity, open mindedness and self-expression.

Always attracted to the outdoors, she draws much inspiration for her poetry from nature, as well as human nature. Her interest in poetry and writing as a form of self-expression began in her early teens, only recently is she beginning to publicly share her work.

Jennifer obtained a B.S. in Child, Adult and Family Services and an M.S. in Health Sciences. She has always had a passion for helping others. She raised 2 children and currently spends time helping with her four grandchildren. She enjoys family, writing, travel, photography, painting and working on improving her guitar skills.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 22nd March 2023

haiku by Jennifer Doty https://twitter.com/jenncord

picture by Elton Sa https://unsplash.com/@bigeruta

Shadow filler [naviarhaiku480 - filling my shadows]

naviarhaiku491 – morning glow
morning glow
buttercups flutter
at the forest’s edge

Catherine LoFrumento lives in Connecticut with her husband and fur babies. Her poetry has been featured or is forthcoming in various journals and anthologies including: Cattails, Modern Haiku, Frogpond, bottle rockets, Chrysanthemum, Hedgerow Journal, Three Line Poetry, and Poetry Quarterly. You can find more of her work on Twitter: @Catherin03 and on Instagram: @Poetrycatt

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 7th June 2023

Haiku by Catherine LoFrumento https://twitter.com/Catherin03

Picture by Alessandro Capuzzi https://unsplash.com/@aleeecap

Morning, sunshine [naviarhaiku491 - morning glow]

A contemporary of Basho, Den Sutejo was the eldest daughter of a distinguished samurai family living in the mountainous area northwest of Kyoto. After her husband’s death, she became a nun and spent the final years of her life as a Zen devotee.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 15th November 2023

Haiku by: Den Sutejo [Translated by Makoto Ueda] https://wkdhaikutopics.blogspot.com/2007/03/den-sutejo.html

Picture by Gariele Wright https://unsplash.com/photos/closeup-photo-of-pink-petaled-flower-uSkJ0rk9OBE

Mountain of Wind [naviarhaiku514 - gale in the mountains]

HAIKU MUSIC CHALLENGE

naviarhaiku537

Deep in the mountains -
falling into my heart
autumn streams

Shinkei (1406-75) was a renowned renga poet and critic, best known for his two-part work "Sasamegoto" (Murmured Conversations). To find out more about this interesting and largely unknown poet-priest, I recommend reading Heart's Flower - The Life and Poetry of Shinkei by Esperanza Ramirez-Christensen.

Haiku by Shinkei
Picture by Zoe

Submission deadline: 24th April 2024

TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku536)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

Falling Into My Heart

Falling Into My Heart (naviarhaiku537)

HAIKU MUSIC CHALLENGE

naviarhaiku539

The cormorant in the forest;
The cherry blossoms
Along the evening path.

Tan Taigi was a haiku poet of the Edo period. He was a wanderer for most of his life and admired by Yosa Buson for his ability to transcend his eclectic and unconventional lifestyle with sublime poetry.

haiku by Tan Taigi

picture by Redd F

Submission deadline: 8th May 2024
 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku539)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

The Cherry Blossoms

The Cherry Blossoms (naviarhaiku539)

HAIKU MUSIC CHALLENGE

Naviarhaiku 540

Face of the winter pond
doesn't reflect
even a leaf...

Nakamura Kusatao was born in Xiamen (China) in 1901 and moved to Japan in 1904.

He was influenced by contemporary Western philosophy, mostly Friedrich Nietzsche, and his poetry focused on themes of life and humanity. Together with Shuson Kato and Ishida Hakyo, Nakamura Kusatao was a member of the “Human Exploration School”, a group of poets who used haiku to explore and highlight "how human beings should live".

Nakamura Kusatao launched the magazine Banryoku in 1946, and his major collections include Chōshi, Hi no shima, Biden, and Toki.

haiku by Nakamura Kusatao

picture by Miguel Alcântara

Submission deadline: 15th May 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Reflect

Reflect (naviarhaiku540)

paperweights
on the store’s comicbooks –
spring breeze

The author of the week is Takai Kito, a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson’s most trusted disciples until the death of the great master and was the de facto coordinator of Buson’s haikai group.

haiku by Takai Kito

picture by freestocks

Weighing Paper [naviarhaiku587 - paperweights]

We continue ou colllaboration with the Haiku Foundation with a beautiful poem by Madhuri Pillai, an English (hons) graduate who studied journalism and has worked as a journalist. Madhuri discovered haiku in 2011, and since then her work has been published in major international haiku journals. Apart from her love of books and writing, she is a passionate advocate for animal and human rights. She lives a quiet life in Melbourne with her family.

About this poem, Madhuri says:

“In my twenties I lived in a little mining town called Nhulunbuy in Arnhem Land in Northern Territory of Australia, Nhulunbuy was leased by a Swiss Mining Company called Nabalco for 100 years for mining bauxite. I would drive for miles on dirt road, through the bush, thick with eucalyptus to the Aboriginal settlement called Yirrkala. Driving through the bush, through its silence and secret inhabitants was itself an experience. The aboriginals were always warm and hospitable.  I am so glad you picked this haiku, for me it’s a tribute to their wisdom and tenacity.“



Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 30th January 2019

haiku by Madhuri Pillai https://madhurip.wordpress.com

picture by Jeremy Bishop https://unsplash.com/@jeremybishop

My winds are at night [naviarhaiku264 - night wind]

Jeffrey Yamaguchi creates projects with words, photos, and video as art explorations, as well as through his work in the publishing industry. We collaborated with Jeffrey back in 2016 and I’m very happy to have the chance to publish another one of his haiku. I strongly recommend you check out his recent book about creative inspiration 52 Projects: Random Acts of Everyday Creativity.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 6th March 2019

haiku and picture by Jeffrey Yamaguchi http://jeffreyyamaguchi.com

Crossed Hairs [naviarhaiku269 - Before the crossroads]

Initially a prose writer, Masaoka Shiki dedicated most of his life to haiku and is usually credited with reviving this Japanese poetic form.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”



Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 8th May 2019

haiku by Masaoka Shiki (Translated by Janine Beichman) http://jti.lib.virginia.edu/japanese/shiki/beichman/BeiShik.utf8.html

picture by Bulb Creative https://unsplash.com/@bulbcreative

Less Than Cool [naviarhaiku278 - coolness]

Jason Richardson is a Leeton-based musician and poet who’s collaborated with Naviar many times over the last few years: in 2014 his music was part of the sound installation we made for the State of Origin exhibition in London, and in 2017 we curated together the exhibition Crossing Streams in Narrandera.

Later this year Jason will be exhibiting his haiku, photographs and music as part of an exhibition at the Griffith Regional Art Gallery.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 15th May 2019

haiku and picture by Jason Richardson http://showcasejase.blogspot.com

Water tight [naviarhaiku279 - Ripples on water]

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Takuboku Ishikawa is best remembered for his emphatic and introspective tanka: his poems were accepted by the one of the most important tanka journals of the early 20th century, “Myojo”, when he was only 16.
Takuboku Ishikawa’s two major collections of tanka, “Ichiaku no Suna” (“A Handful of Sand”) and “Kanashiki Gangu” (“Sad Toys”), came out in 1910 and 1912. “Sad Toys” was published posthumously in June 1912, two months after he died of tubercolosis at the age of 26.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th December 2019

haiku by Takuboku Ishikawa https://www.poetryfoundation.org/poets/takuboku-ishikawa

picture by Mukund Nair https://unsplash.com/@m_k_nd

Door Ajar [naviarhaiku310 - One Push of The Door, a Single Step]

A drummer and a thief

25 years of drumming experience, interested in on-line projects to collaborate.
Percussion, electronic drum programming, acoustic drums.

Crossed Hairs [naviarhaiku269 - Before the crossroads]

Carlos R

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