Naviar Lab Contributions 2019

All submissions to Haiku 278:

http://www.naviarrecords.com/2019/05/01/naviarhaiku278-coolness/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #278: coolness— / a mountain stream splashes out / between houses

Novedades: Ambiente

Ambiente

We continue ou colllaboration with the Haiku Foundation with a beautiful poem by Madhuri Pillai, an English (hons) graduate who studied journalism and has worked as a journalist. Madhuri discovered haiku in 2011, and since then her work has been published in major international haiku journals. Apart from her love of books and writing, she is a passionate advocate for animal and human rights. She lives a quiet life in Melbourne with her family.

About this poem, Madhuri says:

“In my twenties I lived in a little mining town called Nhulunbuy in Arnhem Land in Northern Territory of Australia, Nhulunbuy was leased by a Swiss Mining Company called Nabalco for 100 years for mining bauxite. I would drive for miles on dirt road, through the bush, thick with eucalyptus to the Aboriginal settlement called Yirrkala. Driving through the bush, through its silence and secret inhabitants was itself an experience. The aboriginals were always warm and hospitable.  I am so glad you picked this haiku, for me it’s a tribute to their wisdom and tenacity.“



Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 30th January 2019

haiku by Madhuri Pillai https://madhurip.wordpress.com

picture by Jeremy Bishop https://unsplash.com/@jeremybishop

My winds are at night [naviarhaiku264 - night wind]

Jeffrey Yamaguchi creates projects with words, photos, and video as art explorations, as well as through his work in the publishing industry. We collaborated with Jeffrey back in 2016 and I’m very happy to have the chance to publish another one of his haiku. I strongly recommend you check out his recent book about creative inspiration 52 Projects: Random Acts of Everyday Creativity.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 6th March 2019

haiku and picture by Jeffrey Yamaguchi http://jeffreyyamaguchi.com

Crossed Hairs [naviarhaiku269 - Before the crossroads]

My dear Ozorians, this is a month of rain where I live. In Portugal we say “in april, a thousands rains…”, so it’s on a wet vibe I do my selection this month. Shades of gray that perspire a hope for the sun to come out. Hope guides us toward a better day, just around the corner.

My guest mix comes from a very special lady across the ocean. From Argentina, we have Barda, part of the Shika Shika family, and a true believer in connecting the dots between organic and electronic. I can not forget a beautiful afternoon spent at my place in Lisbon exchanging vibes and music. So here are her words for the guest mix of this month…

Hypnagogia comes from the Greek words for “sleep” and “guide,” describing the transition period between wakefulness and sleep. I’ve been having a lot of hypnagogic experiences lately, due to a bad habit of sleeping, and when that happens there is music and random sounds that comes to my mind. I believe that our creativity is a synthesis of reminiscences and landscapes that we do and don’t remember in full wakefulness. Sounds from different places and sources from our lives come to be part of a unique salad dish to paint our memory, generating a whole new idea. I also think of samples, chants and timbres as memes that passes from one person to another in form of tracks, mantras or cellphone ringtones.

Mike Stellar‘s, promoter, DJ and a man of many artistic tastes and musical flavors is presenting his Stellar Regions showcase series on the Chill Channel: “Stellar Regions represents every month the diversity of my music taste and discoveries. The second hour is always given to a guest mix to showcase talents I come across.

Listen to the Mike Stellar mix here:
https://soundcloud.com/radiozora/mike-stellar-presents-stellar-regions-27-guest-mix-by-barda-24042019

Mike Stellar on Mixcloud | Soundcloud
https://mixcloud.com/mikestellar
https://soundcloud.com/mike-stellar

BARDA | Guest Mix for MIKE STELLAR presents Stellar Regions #27 | 24/04/2019

Perdido en el bosque de las más antiguas y simples especies

This track was created for the Naviar Haiku group.
278 week haiku
naviarlab.tumblr.com/

2019-05-02

coolness (Naviarhaiku 278 )

A.K. Lovelacee

Spotify

naviarhaiku278: coolness

naviarhaiku278:
http://www.naviarrecords.com/2019/05/01/naviarhaiku278-coolness/

naviarhaiku

mountain stream [naviarhaiku278-coolness]

Seres místicos y mandarinas contemplan el atardecer

This track was created for the Naviar Haiku group.
278 week haiku.
naviarlab.tumbir.com/

Coolness (Naviarhaiku 278)

coolness—
a mountain stream splashes out
between houses

haiku by Masaoka Shiki (Translated by Janine Beichman) http://jti.lib.virginia.edu/japanese/shiki/beichman/BeiShik.utf8.html

picture by Bulb Creative https://unsplash.com/@bulbcreative

For more information visit http://www.naviarrecords.com/about/naviar-haiku

coolness

halF splasH [naviarhaiku278]

Initially a prose writer, Masaoka Shiki dedicated most of his life to haiku and is usually credited with reviving this Japanese poetic form.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”



Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 8th May 2019

haiku by Masaoka Shiki (Translated by Janine Beichman) http://jti.lib.virginia.edu/japanese/shiki/beichman/BeiShik.utf8.html

picture by Bulb Creative https://unsplash.com/@bulbcreative

Less Than Cool [naviarhaiku278 - coolness]

this track is a reflection of my growing appreciation for nature and the beauty it has shown me 

go out and see the sunrise sometime with someone you love <3

panorama

FEATURE > inverted-audio.com/feature/listen-learn-a-voyage-into-the-mind-of-lo-recordings-visionary-label-boss-jon-tye

Ahead of the release of 'Spaciousness', the top-notch forthcoming ambient compilation from London's @lo-recordings, we caught up with label boss Jon Tye to find out more about one of today's most iconic record labels.

Spaciousness

Matthewdavid's Mindflight - Ode To Flora [Lo Recordings]

Grab the full release @Beatport: http://bit.ly/2VsvHb1

Parallax: Remixed {Part I: Lucas Rossi Remixes}

Noom - Parallax {Lucas Rossi's Ambient Mix} Stripped Recordings

Jason Richardson is a Leeton-based musician and poet who’s collaborated with Naviar many times over the last few years: in 2014 his music was part of the sound installation we made for the State of Origin exhibition in London, and in 2017 we curated together the exhibition Crossing Streams in Narrandera.

Later this year Jason will be exhibiting his haiku, photographs and music as part of an exhibition at the Griffith Regional Art Gallery.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Deadline: 15th May 2019

haiku and picture by Jason Richardson http://showcasejase.blogspot.com

Water tight [naviarhaiku279 - Ripples on water]

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Takuboku Ishikawa is best remembered for his emphatic and introspective tanka: his poems were accepted by the one of the most important tanka journals of the early 20th century, “Myojo”, when he was only 16.
Takuboku Ishikawa’s two major collections of tanka, “Ichiaku no Suna” (“A Handful of Sand”) and “Kanashiki Gangu” (“Sad Toys”), came out in 1910 and 1912. “Sad Toys” was published posthumously in June 1912, two months after he died of tubercolosis at the age of 26.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th December 2019

haiku by Takuboku Ishikawa https://www.poetryfoundation.org/poets/takuboku-ishikawa

picture by Mukund Nair https://unsplash.com/@m_k_nd

Door Ajar [naviarhaiku310 - One Push of The Door, a Single Step]

A drummer and a thief

25 years of drumming experience, interested in on-line projects to collaborate.
Percussion, electronic drum programming, acoustic drums.

Less Than Cool [naviarhaiku278 - coolness]

Carlos R