Massive pans-spread on those drums. Makes for a huge open space. I like the hypnotic horn melody too. :)

Oooh, I really like this section... the unusual pattern change. Feels like someone rethinking their course on the spot. Beautiful space, Carlos. :)

ha, don't take this the wrong way, but the title of this piece and your previous one, 'Green City' sound to me like they should be swapped with each other for teh music they go with. (that's just totally the influence the music has on my as I listen to it, and I don't mean that in a negative way at all. I love both these pieces!! So original.

man....this vibe is very cool....I cannot even start to describe your sound....very authentic and original....great sonics and sounds....nice bro

great use of different instruments, such an orig comp

Composed, arranged, performed, and produced by:
Carlos Vivanco

At The End Of The Blue Sky

Infinite Station

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

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