Original music by : FPMORINSTUDIO/ Francois Pierre Morin

A Breeze of Summer

Mayan space gods part 4- stargate realignment.

Mtlsir https://soundcloud.com/user-434699157?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing and me are Glitchy dopt Phong !!

Glitchy Dot Phong - Glitchy Dot Phong

a track by Alessandra Celletti - from her album "Ultraminimal" - re-imagined by 

Marco Lucchi : synthesizer
Henrik Meierkord : cello

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settembre 2024

Alessandra Celletti - Meditative [re-imagined by Marco Lucchi & Henrik Meierkord]

Drone / ambient / post-rock / minimal / experimenting with guitar and pedals, directly recorded with a Zoom recorder (la#)

Interludio color argento

Gimmick/Spielerei

Composed, arranged, performed, and produced by:
Carlos Vivanco

Murmullo Del Viento

"Story" is a piece played on classical guitars. It's the kind of piece played in a mood, not sad and not happy, but somewhere in between, With cars outside the windows... The first version was played a bit faster. 07.10.2024

Story II Version

Jonas Brogren: keyboards & production
Andreas Stigsson: flute
Mauritz Petersson: drums
Magnus Brogren: percussion
Karl Hugosson: bass & guitar
mastering by Jon Rinneby/Sound of Wool

Buathong

ChimeraBorn

A full-length orchestral narrative told in twenty movements, blending the architecture of early counterpoint with the tension of a crime drama. Each track unfolds like a chapter in a case file: solemn organ and strings open the investigation, harpsichord patterns tick like forensic clocks, and solo lines for cello, violin, oboe, and continuo sketch the emotional terrain of detectives, witnesses, suspects, and shifting clues.

The middle movements tighten into layered fugues, sharp dances, and atmospheric recitatives as evidence accumulates and motives collide. Elegant misdirections, analytical motifs, and shadowed harmonies push the story deeper into confrontation and revelation.

The final stretch builds toward judgment: a rising passacaglia, triumphant brass, and a canon of interlocking voices. The closing fugue gathers every motif in the album, weaving them into a towering resolution where each theme finds its place in the larger design. A full dramatic arc captured entirely through acoustic instruments, structural clarity, and noir-infused gravitas.

Detective's Theme

I started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.