Radio Far Oeste Playlist Part. I

electromusik4

Have no fear. I'll be wearing pants. As Her Majesty says, don't nobody want to see that.

Pants Optional Fridays

Schöne Aussicht

ON A PICNIC

This track has been produced as an entry for a compilation which might possibly be released someday as digital album on BandCamp. A link to it will be added here whenever it will be out. I'm grateful to the organizer for having been invited to participate, I'm sure it will be an awesome set. And it has been a honour and a pleasure for me to collaborate once again with Her (Vocal) Majesty Myrh (@myrhyum | @tariqa-kali) on this piece, which wouldn't make sense without her contribution.

Myrh : vocals & their premix
Teth Sin : electric guitars, bağlama, samplers (drums, percussions), synthesizer, vocals, sound design, final vocal arrangement/mix

Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin

We Control Your Dream

We Control Your Dream | feat. Myrh

Check out more grazy stuff form the https://soundcloud.com/mrzoltn

Funking Duck Vs MrZøltN: Haloperidol For All (free download for CC BY-NC!)

Listen the sampled, the original great piece, artist: Tutta Jew, piece: Talven Ruusu (Rose of the winter).

https://www.youtube.com/watch?v=uszzNKb7L44

Moon Nazis Took Over This Snowy White Planet But The Freckles Make You Cute. At Least In This Light.

23 - 6-2021- Portugal

Hi and welcome to the 3rd track from my new project "Then She Reaches For The Gun". Huge thanks to all the artists involved. This track features quite a few new people! Its humbling that so many people want to be part of this madness : ) 

The project’s inspiration is two fold: Firstly its a homage to some of the stuff i grew up listening to like Mr. Bungle and other noisy bastards where anything goes, and often in quick fire succession and secondly it is a chance to work with an never ending stream of talented musicians that i have known for years either in real life or via the Internet. Each track will no doubt change depending on who has sent me what. 

This track is titled Fuck Them, They Can Find Their Own Fucking Roadkill To Fuck 

 (This is a quote from Dani Kirby at rehearsal one evening last year when discussing the complex relationship between performing musicians and the general public.)

It features 

Dane Renshaw - Drums
Primaloop        - Drums/Percussion
Gonzalo Serrano - Electronic Drums
Frank Wilke - Trombone
Electro Trek - Voice
Dani Kirby - Voice
Timothy Korstad - Voice
Paul Miller - keyboards/Voice
Fake Stereo Machine - Field Recordings
Axel Weis - Guitar
TexMex Shaman - Guitar
Brendan Corey Benson - Guitar
Chicago Word Brigade - Electronica/Keyboards
Martin Pozdrowicz - Organ
Raul Mainer - Field Recordings 
Wüst - Electronica/Keyboards
Me - Bass Guitar/Noise/arrangement

If you would like to be part of this ongoing project

The process is simple, I collect a bunch of random recordings from people and then see what i can arrange from it. Nothing subtle here, just huge noisy fun : ) I am open to anyone that thinks they might like to be part of this mess. Drop me a message and i will send you my email. The only criteria is that i wont be using samples from TV/film/other music etc, so just original stuff played on instruments, field recordings, stupid drunk conversations etc. Cheers!

Fuck Them, They Can Find Their Own Fucking Roadkill To Fuck

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

New Views

New Views by Carlos Vivanco & Jason Mowry

Noise Matter

Edited and remastered version of Habala, first published in 2018. 
Made with passion and modular synths.

Habala

habala

Well. There is alot to tell about this one and i fear i could write a book, but i spare you. Haha! I've discovered the Japan Synth Pioneer Jun Fukamachi quite some time ago and while doing so, i digged every possible Album on Youtube and leeched this craft. Also had the chance to buy me a few CD's, as there are not so much out there.... rare jewels ... :)

I simply love him. His diversity and ingenousness is something i really really set as a high mark for myself. As long as i can "recall", there was music in my life and even as a child and later on as young and old teenager i loved to go fully emotional with music (like listening to Seal - Kiss from a Rose when a girl broke up with me back then, or discovering ACDC's Back in Black feeling like a little Rocker.... Nirvana and the tragedy when i heard that "Kurtl", as we would could his first name in German, just put a (wtf) shotgun in his head and pulled the trigger... )

Later on i was a pure Metalbanger and even while being one, i was listening to all of the Subgenres, and liked them, no pure black, death, trash, power, or whatsoever,...... This is something i think was always there due to being libra zodiac sign... balance... I became older and suddenly metal was not enough... so i digged everything and no matter if its eletronic, oldschool rock, experimental, classic, ambient, jazz, blues, .... and so on.... i love the variety and this brings me to all of YOU.

I had tons of cds, the napster era , the youtube extreme "following the youtube algorythm into crazy places" thing, i was in wacken as young metalbanger, listening to classic concerts, going to musicals and even watching an opera.... diversityyyyyyyyyyyyyyyy..... and now... soundcloud!!! I cannot get enough and if there would be a risk of getting a burnout from listening to all of you, id be the first, for real.

Now the song. I finished it before i even took the andrew huang online course and i am fking happy to exactly release it with the skills i had back then and i dont want to brag ... but i really cant tell you people what struck me back then... maybe this immense jun fukamachi listening and discovering alot of people on here, on the cloud, which already influences me ALOT.

I would not be at the place where i am right now, without YOU and so i dedicate Gate 138 to all of YOU. This piece is LOVE and FUN, and CRAZY and im putting a few words in CAPSLOCK, just because i CAN. HHAAHAHA.

The story behind this cover is a complete different one to tell and please dont be too hard on me because this text is already huuuuuuuuge and long! So finished the piece and i had this picture in my head. There was simply nothing i could get on the web to build it with my graphic skills, neither (not yet lol) am i able to draw it myself, so i checkt out Fiverr and looked for a special and unique artist with his very own style.... and i found him!!

John Bucknall. A young very talented artist from UK. He has as a very unique mindset and it took way longer than i wanted to... he was not very fast, but no complains here. The whole process from zero to the finished cover was just nothing i ever experienced before, and i am really happy that i did choose him and that he exactly managed to draw this stuff in his own style, but presenting that track in the way i wanted it to be with visuals. (btw we are both on the picture to discover..... heheh). You can find him here -> https://www.instagram.com/johnbucknallart

The story behind this is quite simple. You could transform the situation to any other stressed and crazy thing going on in your life. There is this little android guy and he is freaking out because he is about to miss his shuttle... he worked hard and is always flying around on business trips and hell yeah... life really treats him not so nice... haha. I feel really with him and wished he would catch the shuttle but yeah... whatever. 

Commander Fullyard out.
:)

Gate 138

"Interstellar Magnetic Song"  Album N°14

2- After a Night of 98 Earth Days,

Music composed in my studio with my small means :-) A very "Spacial" album but not only. To be discovered, to be listened to, very often with closed eyes and if possible with headphones or very good speakers :-)

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork  -  Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space 

❤️Love, 🕊️Peace, 🙏Respect

2 - After A Night Of 98 Earth Days

Doc Jay - End of an algorithm

Dichroic

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.