Fabulous combination of instruments....delightful exotic statement...amazing sounds!

So many styles showcased in here. Beautiful work with all the various strings in this spiritual offering

Super cool soundtrack Carlos, very dramatic with a big sweeping vibe

jaw dropping as always, really great...so much mood

Lovely composition with many dynamic ideas  🧘‍♀️🙏

New video on YouTube https://youtu.be/2aUqACWrHHs

*** RISE ***

Can you see the dawn arising
Can you see the light inside your mind
Can you feel it ?
Love will never die !

Be majestic like a phoenix 
You can be as golden as the sun
You can reach it
Nothing ever really dies !

RISE 
Shine like the sun
Make real your dreams
Realize it's all just make-believe 
Take time and take space
Shape with your hands
Your life's your own
Your master plan...

The universe it has no corners
There's no boundary 
You are not alone 
Are there edges to the oceans' waves ?

So the grass it may be greener
And the rivers may run clearer
So - How'd you know -
If you can't look to the other side ?

RISE
Shine like the sun
Wishes and dreams
And watching them all come true 
You'll see
That finding your way
Is all that it takes 
If you can wait for them to be...

RISE MAJESTIC 
RISE PHOENIX
YOU CAN BELIEVE IT !

RISE 
Shine like the sun
Make real your dreams
Realize it's all just make-believe 
Take time and take space
Shape with your hands
Your life's your own
Your master plan...

Rise

Spotify: https://open.spotify.com/intl-de/album/3ROhTHrVNxzfcoLKJvhTbY
Youtube: https://www.youtube.com/watch?v=UjIFwZ_Puog


The inspiration for this track is a vision where I am not sure whether it is a faint memory from some childhood holiday or whether I have dreamt it  :
Standing on the edge of a rocky cliff, gazing out at the tumultuous ocean below. The waves crashing against the rocks with a thunderous roar, the force of the water sending a spray of mist and foam high into the air. In the distance a lone lighthouse
overlooking the scenery. A glimps of the power and majesty of nature and our own smallness in comparison. 

Composition-wise: The piece consists of three parts (@0:01, @0:59, @1:45) that always start with the same 5 note-motive but then develop into three distinct variations with different characteristics but throughout the track there is a certain sense of dramatic scenery.
The left hand is throughout the piece mostly in octave jumps (which became quite challenging condition-wise at the end of the piece) that segment the 4/4 beat into groups of 3-3-2 (the only notable exception is the part @0:35ff with its chromatic baseline).
The right hand alternates between lyric parts such as in the beginning or @0:59ff and rhythmic syncopic parts such as @2:30ff that leads to the final where the right hand preceeds the left hand by a beat to create a sense of energy.

The track has been recorded on a Roland FP-90 and mastered in Cubase by adding compressor, reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion.

Lighthouse On The Rocks (Solo Piano)

Weeping crown

Instrumental: Mike Polcari: https://soundcloud.com/mikepolcari
Mix: Garddwr Porffor: https://soundcloud.com/garddwrporffor
Vocals: Nadia Selvaggi

Billy Squier's The Stroke by Mike Polcari & Nadia Selvaggi

One Note Blue Note

Music by Jussi Welin
Alto horn by georg-boehme

Anymore (Conover/Welin)

N-Limão e Tomate

The Traveller From Nowhere.

======================

When I was a teenager I loved to write. Sometimes it was poetry, other times short stories, other times it was songs, and I even imagined their music, accepting that perhaps I would never hear them performed. Finally, he also expressed moods, experiences, concerns and desires through simple strokes.


Based on a written line, 5 years ago, I composed music about one of those texts.

Now, thanks to the collaboration of my friend Peter, his impeccable translation, diction and correction of the text, I have been able to incorporate and modify said composition, but, obviously, with text in English.

Thank you Peter, again, for your enthusiasm and help.

Lyric.

The Traveller from Nowhere

Like a whisper that drifts on the breeze. Our eyes fixed on each other,
watching time slither by. Time that ends beyond the lifespan of people and
the backdrop of their murmuring.

It seems I don't know where I'm from or where I'm going. I think and feel like
the traveller from nowhere, either crossing great distances, or, perhaps,
locked in a tiny room. Never to leave.

I imagine I am someone I am not, incarcerated and blind, ignorant of the
counting of the days, a spectator watching his own life trickle past himself,
wasted.

Thus I become a random observer from here, my place, failing to understand
with my diffuse logic all that surrounds me, and the banalities of the human
condition: evil, value, love, desires, and countless other emotions, character
traits.

Indeed, I am suffused with these emotions, emotions on which I greedily
feed, trying to comprehend, dissect and analyse the secret triggers that
generate them, all within an eternal search whose horizon is infinite. So, in
the end, when all is said and done, I realise that I know neither where I'm
from nor where I'm going... then, and only then, finally, do I grasp my destiny.

I am the one who once was somewhere, or possibly not. The one who
imagines worlds and lives but never really lives them. The nomadic one who
becomes that curious traveller from nowhere; surreal, anonymous, ethereal,
imaginary……drifting on the breeze.


====================================



13 tracks of native instruments and the Xewton forum.

4 imini Arturia tracks.

4 track flowtones synth

1 xpad track

3 tracks kv331

DAW. Music Studio 2

Hardware. ipad.

Thank you for your comments.

Paco

The Traveller From Nowhere (2023) Narrated By Peter

Composed, arranged, performed, and produced by: Carlos Vivanco

Samādhi (Pali and Sanskrit: समाधि), in Hinduism, Buddhism, Jainism, Sikhism and yogic schools, is a state of meditative consciousness. In Buddhism, it is the last of the eight elements of the Noble Eightfold Path.[web 1] In the Ashtanga Yoga tradition, it is the eighth and final limb identified in the Yoga Sutras of Patanjali.
In the oldest Buddhist sutras, on which several contemporary western Theravada teachers rely, it refers to the development of an investigative and luminous mind which is equanimous and mindful. In the yogic traditions, and the Buddhist commentarial tradition on which the Burmese Vipassana movement and the Thai Forest tradition rely, it is interpreted as a meditative absorption or trance, attained by the practice of dhyāna
Samadhi es el estado de conciencia que se alcanza cuando, durante la meditación, la persona siente que se está fundiendo con el universo. En varias tradiciones religiosas y místicas del Este de Asia ―como el hinduismo, el budismo, el jainismo, el sijismo y en el yoga― el samādhi se considera un estado de conciencia de meditación, contemplación o recogimiento en el que se siente alcanzar la unidad con lo divino.
El término sánscrito samādhi (en alfabeto devanagari: समाधि) proviene de sam o samiak: ‘completo’ y ādhi: ‘absorción [mental]’.
El objetivo último de la práctica meditativa del yoga, es el logro del samadhi.
El samadhi es un objetivo buscado tanto dentro del hinduismo como en el budismo.

Future Memories

Samadhi

All of the people throughout history
Who used the earth so thoughtlessly
Now there’s not much left for us at all
Cause our shortsighted ancestors dropped the ball

A hundred years ago the experts predicted
That we would ruin the earth
But the people persisted 
If we could turn back time and do it all again
Maybe this time the earth would be our friend

What a terrible awful mess we’ve made

The old people speak with a gleam in their eyes
Of childhood memories and clear crystal skies
They say that once the sky was blue
And children played upon the land

A hundred years ago the experts predicted
That we would ruin the earth
But the people persisted 
If we could turn back time and do it all again
Maybe this time the earth would be our friend

What a terrible awful mess we’ve made

They made such a mess such a godawful mess
I hope they at least had a good time
They lived so large off the fat of the land 
And now it’s payback time 

Our ancestors were shortsighted and now their children pay
Awakening each morning to greet the tainted day
Gazing out across an endless barren plain
No more amber waves of grain

If we could turn back time and do it all again
Maybe this time the earth would be our friend

What a terrible awful mess we’ve made

They made such a mess such a godawful mess
I hope they at least had a good time
They lived so large off the fat of the land 
And now it’s payback time

If We Could Turn Back Time

No Prayers For November (featuring Tom Waits)

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", "Syntoma", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Samadhi

Carlos Vivanco

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