Dj Gladys-Sound(Graffik108 Lina)

un ricordo di mia madre v v v OLÈ

Related tracks: Axis Of Symmetry

Rain (remix by McV)

Follow Me Tonight  (Dark Edit by Rømeø Nøcturnø)

"All you do" get me into trouble.
Electronic music with vocals
https://open.spotify.com/album/3Mv1U8iTUMEq6rYPvSDYnH?si=nobSm42HQMagzywII1zyUw

All You Do

Music & Lyrics - Rafael Sáez

Moldavian strings - Olga Balan
Guitars - Manolo 'El Greñas'
Produced by S3RG3Y
Vocals produced by - Manolo 'El Greñas'

Blood on Sand

The Rose Theatre existed for only 17 years before its demolition in 1604. In the days of Shakespeare's tragedies this was surely a sad tale indeed. 
With 22 theatres in London at the end of the Tudor dynasty these bawdy wooden palaces were situated on the rough southern side of the Thames where cock fighting and bear baiting were also prevalent attractions. The remains of the Rose Theatre's foundations were discovered during recent redevelopment and are now a much heralded visitor attraction.

Track: Recorders / Soprano Sax / Flutes / Tenor Sax / Clarinet / Beats

Pic (c/o Pinterest): A re-imagining of the Rose Theatre on the south bank of the Thames (near the Globe Theatre) in cross section.

Tudor Rose Blues

A lot of Tension and Rhythm by Linn Drums
Enjoy!

Qua Qua Linn

Lyrics:

Axis of symmetry dividing what’s the same
Coincidentally both sides are what’s to blame
And if you find you can’t make heads or tails of
Just flip the coin and see it’s all of the above  

Don’t ask me what it is that makes us susceptible
To the divisive plan, we are so gullible
More money, more people, but nothing’s ever done
We’ve hit a critical point, now tell me who has won

Perpetual disease is human ignorance
Don’t dare step out of line, they’ve got your finger prints
Hatred of your neighbour will keep you all in line
Distraction from the truth will be our suicide

Pointlessly hating your fellow man out of pride
Instead realize that they could be on your side
The real enemy will be brought to their knee
Only if we can get past what we disagree

Playing both sides of it was their plan from day one
What’s happened in the past is only what’s to come
I get the feeling that it’s already too late
Broken apart and directionless is our fate   

Hate and blame your neighbour because of the hat he wears
Pretend he’s your enemy, see how well it fairs
In time they’ll have you fight a pointless civil war
It’s only ever meant to keep you dumb and poor

Civil unrest is just the symptom, not the source
They’re more than happy to let anger take it’s course
Hatred for thy brother and thy sister burns inside
Safely tucked away, the real culprit sits and hides

Axis Of Symmetry

Composed, arranged, performed, and produced by:
Carlos Vivanco

Autumn Tears

Sand And Dust

Money for Charon.

Between 2016 and 2017 I composed some melodies inspired by Greek mythology.

Of all of them, only one remains on my blog here: Pegasus wings 

https://on.soundcloud.com/c7uzivsvy4BQzD536

I am encouraged to publish another one inspired by the ferryman who takes souls to the underworld after dying...paying a coin.

The figure of the protagonist himself makes the music somewhat dark, an effect achieved with a synthesizer from the DRC app that I have not used many times.

Cover art by Sabrinabelle (Pixabay)
1 DRC track
18 Tracks (Native instrument MS2 and forum Xewton)
Hardware iPad (Only)
DAW. Music studio 2

Mix in………yes…….my car 🚘

Thank you all for listening and comments

Paco.

Money For Charon (Original 2017)

Going Out Of My Mind

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Nimbus (2022) Anthology CD1 Track 12

Heavy Horns 145 BPM

memory of her ( for my mother )

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth
TexMex Shaman -- @texmex-shaman –Stephen– sitar and mastering
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
Mistermark – @user-432503709 – Mark – talking drum, jaw harp
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved.

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections.

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections.

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege (by David Marconi, featuring Elpiverse, Ron Lewis & The Eclectic Collective)

time is different when you have a strict schedule

I started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.