I can see you
and your Coke-bottle glasses
Talking blood and gases
Oxygen as it passes
It was funny
How they blew-up your eyes
And you always looked surprised
When you talked and surmised

Of the natural things
Creatures with wings
And the science of the eye
And how it dilates
And decisions made by primates

One day you said,
Please call me Micha
Gave a lecture on pica
Disorders of the poor and afflicted
I was addicted
To your mustache on my lips
Your hands on my hips

And the natural things
Creatures with wings
And the science of the eye
And how it dilates
And decisions made by primates

The day you went away
Took your Coke-bottle tears
All your gourmet beers
Said you still had years, to find yourself
But I found a garden
And I lay myself down
Watched the ants march around

With the natural things
Creatures with wings
The science of the eye
And how it dilates
And decisions made by primates
Made by primates

And decisions made by primates
Made by primates

Decisions Made by Primates

Sketch no. 5; dream

This year is the 50th anniversary of the ABC Movie of the week Trilogy of Terror- It was 3 chilling adaptions of 3 short stories written by the great sci fi author Richard Matheson. The late Karen Black ( not only a wonderful actress,she was also a great singer and songwriter) starred in all 3 of the features playing 4 characters.  As 12 year old kids of course we were the most horrified and terrified by the final story Amelia - a  story about  a demonic warrior doll that comes to life and starts attacking poor Ms. Black
here is a youtube link to Amelia the third story in the Trilogy of Terror ( 24 minutes)-https://youtu.be/hjr0ziHwraw

 Starts out pretty chill but the last 10 mins of that film were very intense for us in 1975 ..we kids couldn't sleep well for a few nights .. I wrote the song as an homage to the story/movie/Ms. Black ( she didnt really like the movie) as well as using the story as  metaphor for the demons that live in us all
my electric guitar playing scared the dog as usual
hope my silly song does not scare you too much
3 short clips from Amelia are spliced in there


Karen Black And That Creepy Doll Attack

The hunter and the hunted
The virtue and the sin
Inside of every creature
Light and dark reside in them

Zuni Hunter Fetish Doll
The puppet seeks its prey
That TV movie freaking out
Us kids back in the day

Trilogy of Terror
The duality of man
Unrestrained we let our monsters roam
On which side will you stand

The camera films a gruesome tale
Shag carpet bloody scenes
Kitchen knives and voodoo jive
A f$%ked up figurine

Karen Black
And that creepy doll attack
Wish I coulda been there
To pull it off her back
Karen Black
She ain't coming back
He who kills, all screech and shrill
Has got her mind hijacked

Break

The moral meets the message
Let fight defeat the fear
Repressed regret you can't forget
Like finger pricked by spear

She can't smother, drown or stab it
Or burn it up you see
When she locked it in a suitcase
It escaped eventually 

Take the hate from your heart
And turn it on its head
Or like the Zuni wooden doll
It hunts you down instead

Stand up against the doubters
Don't doubt the space you find
Ignore those dirty demon dolls
Who scream inside your mind

Ms. Karen Black
Why does she smile like that
Her Zuni fate, she sits in wait
Her Mama will get whacked
Karen Black
Such a creepy doll attack 
Quadruple billed her acting thrilled
My half century flashback

Karen Black
Karen Black and that creepy doll attack 
Karen Black 
Karen Black and that creepy doll attack

Karen Black & that Creepy Doll Attack

Tenor saxophones wrapped around a moog core with injections of spacey flute and beats. 
(Headphones recommended).

Pic. (possibly CERN) c/o Pinterest.

DOUBLE WIRED

Esta canción está basada en un riff de bajo que hizo mi hijo Adrián. En principio su destino era la banda que teníamos "Eléctrica Azul" y se ensayó pero no llego a generarse completamente. La retomé y compuse toda la instrumental. En cuanto a las voces, éstas son samples de uso gratuito que he generado para que se acoplaran bien al tempo y melodía de la canción. 
Para las guitarras he usado mi Duesenberg Palomo Red Sparkle.
Resto de instumentos con plugins. 
Daw: Cubase 14 Pro.
Masterizado con Izotope Ozone 11 Standard.
Gracias por escuchar.

In English:
This song is based on a bass riff my son Adrián wrote. It was originally intended for our band, "Eléctrica Azul," and it was rehearsed but never fully produced. I reworked it and composed the entire instrumental. As for the vocals, these are free samples I generated to fit the song's tempo and melody.
For the guitars, I used my Duesenberg Paloma Red Sparkle.
The rest of the instruments are plugins.
Daw: Cubase 14 Pro.
Mastered with Izotope Ozone 11 Standard.
Thanks for listening.

Canción de Adrián

Dance Hall

Nothing like a pesky raccoon to stir things up a bit… Oh, hello. Glad you dropped by. A raccoon, I named Bandit, has taken up a vacation residence under the shed here. It’s right next to the raspberry patch and apple trees. A couple nights ago, Bandit snuck into my small greenhouse, where I grow tomatoes and peppers, and made a salad of the pepper plants, munching one plant completely down to the stalk. Bandit also likes the heavy crop of choke cherries here. He also uses the back corner of the vegetable garden as a latrine, which last summer was up on the house roof. I’d awaken with a start to hear little footsteps running across the roof. Luckily no roof excursions this year. Anyway, this is a Blues song with some solo banjo. Lyrically, it has a couple of reflections about life, mortality, gardening, relationships and partner expectations, letting go of life dreams, a nod to Bandit, the wacky weather, and making peace with old age. And of course, there’s a fair amount of daydreaming going on, while plucking banjo. Hope all is going reasonably well with you, wherever you are on Earth, during this whirlwind tour we’re on. Mark

Back Porch Banjo Blues

a new track from Will, from his recent album 'This Moment'. Recorded and Produced by Mike Bryant.

Crazy In Lust

The Sailor's Tale

Con-Fusion

The Shield

Composed, arranged, performed and produced by :
Carlos Vivanco

Dreams

Sonambulo

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.