The so-called Mariner is a mutant and can breathe under water. One day he is captured by the inhabitants of an atoll. During an attack by the Smokers, a pirate gang, he manages to escape with the help of Helen and her adopted daughter Enola. He soon discovers the true motives for the attack: the leader of the Smokers, Deacon, has it in for the little girl and believes that the tattoo on her back points the way to the legendary Dryland.

https://youtu.be/8sdRPgMPIDA ... WATCH THE VIDEO 🙏🏼🌊

At minute 2:56 the violins play a bit wrong...noticed? 😱😅

🌅 Video

Waterworld

Just a little trippy samba song inspired after biking along the Seine to the beautiful village of Samois-sur-Seine where dear Django Reinhardt finished his  days ...
Have a great WE Steph

Samba De Samois

Phocerio

The Power And The Glory

Written, Arranged, Performed, and Produced by Kyle Bolan
Art by Kyle Bolan

The Blood Of Hatred

Prismatic

Cast of characters:
Stoner Jazz--@user-911083679—Jeff—vocals, lyrics, and original stem
TexMex Shaman–@texmex-shaman–Stephen–overdriven guitar, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion
Llanpsych–@llanpsych–Tez–electric clean/effects guitar 
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass and synth           

This song originated with Jeff, who wrote a poem, which he set to a beat and a key with some very cool vocal processing. He sent it to Josh, who added the bass and the synth lines. Josh, of course, got the rest of the Eclectic Collective involved. Ken came up with a solid, distinct beat, based loosely on Josh's first take. Josh then redid his bass line to match up with Ken's drums, which is the way they seem to work best, sometimes going back and forth like that several times until they're locked in. Then, Tez and Stephen each added very distinct, supportive guitar tracks to fill it in. Tez comes through with the very Strat sounding bells ringing throughout. Stephen really shines with his textural tremolo playing throughout, as well as the rocking end. He also produced and mixed it expertly, as always. 
This is the first time the Eclectic Collective has collaborated with Jeff, although both Josh and especially Stephen (as part of the band, The Smoking Trout) have made music with him before. We really enjoyed making a song based on his vocals, and Jeff is a welcome addition to our sound anytime. We all really enjoyed making this one. We hope you enjoy listening to it.
Lyrics:

Naked Shoulders
l like the way the sun lights up
the naked shoulders of the Early morning
ln the Desert where we met-
ln the shack down by the muddy
where you said you waited
while l rambled on about the time
Youth and Sex and Beauty-
When the Real Revolution was the Music-

Slitting quietly and thinking
while the melancholy has lt's moment
letting longing linger longer than lt should
Took a little tumble ln the Bumble
when l got older
always just a little lucky
ln the middle of disaster
no longer sure lf l'm the spell or l'm the caster
only knowing that my feet are made of plaster-

Even though lt's getting late, even though lt's getting late
l'm still standing at the gate
hoping for a bit hoping for a little bite hoping for a little slice of Nlrvana Nlrvana-

Verse 2
You know lt's harder than lt looks
even though l read some books
l'm ln love with my Delusion, Naked and inviting
lt whispers sweetly ln my head and says
You're gonna live Forever, even though l'm almost dead-

Everything that came before
comes knocking at the back-stage door
demanding parts ln the production of the play-

What makes you think you have a choice?
The Director Sald
you don't have to memorize the dialogue
the script ls ln your Head--

Naked Shoulders - The Eclectic Collective and Stonerjazz

Graveyard Shift

A revision of Chordal Mixtures a piece originally uploaded in June this year.

Chordal Mixtures

Chordal Mixtures Remix 5 Nov 2023

Composed, arranged, performed, and produced by:
Carlos Vivanco

For this composition, I am using the Ukranian Dorian scale. In music, the Romanian minor scale or Ukrainian Dorian scale or altered Dorian scale is a musical scale or the fourth mode of the harmonic minor scale. It is "similar to the dorian mode, but with a tritone and variable sixth and seventh degrees". It is related to both the Freygish and Misheberak scales and is used in Jewish music, "predominant in klezmer bulgarish and doina (doyne).When the Ukrainian Dorian scale functions in the synagogue, it is a mode known as the Mi sheberach (May He Who Blessed) or Av horachamon (Compassionate Father). Arab and Greek scholars give other names to the scale: Nikriz (نكريز) and Aulos, respectively."

"The pitches of the Mi Shebeyrekh [cantorial] mode correspond roughly to a Dorian mode with a raised fourth (for example, D, E, F, G♯, A, B, C, or if Katythian Enharmonic mode of Harmonic Minor ♭4:D♭, E, F, G♯, A, B, C); alternately, it could be described as a variant of the Lydian mode, deriving instead from the harmonic minor scale, rather than from the major scale. Beregovski calls this pitch collection 'Ukrainian Dorian'."

The Ukrainian Dorian scale is used particularly extensively within Julian Cochran's music including the Romanian Dances and Mazurkas.[5] It has also been used by George Gershwin. Another example is the Bert Kaempfert tune "Sweet Maria".

Also called the Ukrainian minor scale, it is a combined type of musical scale.[citation needed] It figures prominently in Eastern European music, particularly Klezmer music, and melodies based on this scale have an exotic, romantic flavor for listeners accustomed to more typical Western scales.

A Ukrainian minor scale in the key of C would proceed as follows: C D E♭ F♯ G A B♭.
A Ukrainian minor scale in the key of B would proceed as follows: B C♯ D E♯ F♯ G♯ A.
Its step pattern is w - h - + - h - w - h - w, where w indicates a whole step, h indicates a half step, and + indicates an augmented second, which looks like a minor third on a keyboard but is notationally distinct.

Chords that may be derived from the scale based on B are Bm, C#7, D, E#dim7, F#m, G#m7b5 and Aaug. This scale is obtainable from the harmonic minor scale by starting from the fourth of that scale. Said another way, the B Ukrainian minor scale is the fourth mode of the F# harmonic minor scale. When its tonic is lowered a semitone, we obtain the Katythian Enharmonic scale, the 4th mode of the Harmonic Minor ♭4 scale:B♭ C♯ D E♯ F♯ G♯ A/C♭ D E♭ F♯ G A B♭/C D♯ E Fdouble sharp G♯ A♯ B. Chords that may be derived from the Katythian Enharmonic scale based on B♭ are Bbaug, C#6, D, Bb7, F#m, F#, Bbm, G#7sus2b5 and Aaug. Likewise, Chords that may be derived from the Katythian Enharmonic scale based on C♭ are Cbaug, D6, Eb, Cb7, Gm, G, Cbm, A7sus2b5, and Bbaug, and for the one based on C♮:Caug, D#6, E, C7, G#m, G#, Cm, A#7sus2b5, and Baug.

Future Memories

Toshtli

Mood Exhibit - Pleuvisaud Melancholia

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.