Captivating, sound recording, percussion and guitar... excellent production, I love it-❤️🕊️🙏

like a pool of guitar sounds that I want to jump in and swim with

Beautiful piece indeed .🤗 love those guitar licks 🤗🔥👏

THERE IT IS/////DAMN////SO LOVELT GUITAR JUST SPEAKING TO ME BABY,,,SPEAKING TO ME!!!!!!!!!!!!!!!!!!!!!!

back when I was recording the John Denver song "Take Me Home, Country Roads" with the fine gentlemen in The Eclectic Collective, my 8 yr old daughter loved the song so much she began singing it ALL THE TIME. This is a quick little recording of her singing the chorus. Pretty amazingly expressive singing for a youngster if I do say so myself! 

Here's the full recording with the Eclectic Collective:
https://soundcloud.com/user-432503709/take-me-home-country-roads-eclectic-collective?si=124fd64d50bb42bca0caa9b197a975c2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Country Roads (daughter sings chorus)

Adventus 2023

DESILLUSION     (translation after the French text)
Chant : Karine 
Paroles et musique : Alain Illos 

ON SE LAISSAIT GUIDER PAR LE VENT
AU MONDE PERDU DES REVES D'ENFANT
ON REVAIT
QUE L'ARRIVÉE D'UN PERSONNAGE
QUI PARTAGERAIT SES PRINTEMPS
POURRAIT BRISER TOUS LES SERMENTS
ET QU'ON NE VERRAIT PLUS SOUVENT
LES NUAGES

ON SE LAISSAIT PORTER PAR DES ERREURS
DES MESSAGES FLOUS DE NOS RANCOEURS
ON SENTAIT
QUE LA ROUTE SERAIT COURTE MAIS BELLE
A CONDITION D'Y ACCEDER
NE FAIRE QUE DES CHOIX PERSONNEL
MONTER LES MARCHES POUR ACCEDER  
AUX NUAGES

DES FLOTS DE SENTIMENTS
DES DESILLUSIONS DES PEINES
PARFOIS UNE LUEUR SOUDAINE
NOUS PROMENE
D'UN BOUT À L'AUTRE D'UNE VIE.

Desillusion

WE LET OURSELVES BE GUIDED BY THE WIND
TO THE LOST WORLD OF CHILDHOOD DREAMS
WE REVEALED
THAT THE ARRIVAL OF A CHARACTER
WHO WOULD SHARE HER SPRINGS
COULD BREAK ALL OATHS
AND WE'D NEVER SEE
THE CLOUDS


WE'D LET OURSELVES BE CARRIED ALONG BY MISTAKES
BLURRED MESSAGES OF OUR RESENTMENTS
WE FELT
THAT THE ROAD WOULD BE SHORT BUT BEAUTIFUL
AS LONG AS WE GOT THERE
MAKING ONLY PERSONAL CHOICES
CLIMB THE STEPS TO REACH  
TO THE CLOUDS

FLOODS OF FEELINGS
DESILLUSIONS SORROWS
SOMETIMES A SUDDEN GLOW
PROMISES US
FROM ONE END OF A LIFE TO THE OTHER.

Désillusion  avec Karine

The Suite Buy & Bye

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.
  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.
  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones (Eclectic Collective)

Recording sessions from 09/06/2024 - 10/10/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, 
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Pink Predators

Composed, arranged, performed, and produced by:
Carlos Vivanco

Autumn Tears

Up And Below

This is another track in my work-in-progress album "Sleep, My Boy" (2024), to appear by the end of this year. In it, my idea is to collect only this and another already released track, "Sleep, My Boy", but each of them will have a full, electro-symphonic version as well as acoustic versions.

The track was composed in GarageBand iOS spontaneously in the early morning of 19 September 2024 and mixed and arranged in Logic Pro on 29 September 2024. It was released here on SoundCloud on 19 October 2024.

The composition was inspired by my recently-born gorgeous grandson, while he was far away from me for long, travelling with his family. Apart from this electro-symphonic version, it also has 3 "acoustic" versions - the initial one for piano and the subsequent ones, respectively, for strings and for synthesisers: I intend to post these versions too as tracks coming later in the same album.

The artwork cover for the track as well as for the album uses a photo I took on 3 July 2024 that I cropped and annotated in Mac OS Preview on 17 August 2024.

Duration: 4:19 minutes
Tempo: 124 bpm
Time Signature: 4/4
Key Signature: D

Digital instruments used, in the order of composing and recording:

1. Synthesizer - Classics - Dreams and Visions
2. Synthesizer - Classics - Evolving Shades
3. Synthesizer - Classics - Formant Flutters
4. Synthesizer - Sound Effects - Cymbal Swell
5. Piano - Steinway Grand Piano
6. Strings - String Ensemble
7. Synthesizer - Bass - Synthetic Double Bass
8. Electronic Drum Kit - Solaris
9. Arpeggiator - Synth Bells - Contemplative Bells
10. Synthesizer - Soundscape - Synthetic Chatter

Thinking of You

Futuristic Night Fever

A New Change Of Pace

Une composition collaborative entre Camille Victoire (https://www.youtube.com/watch?v=x7YCk1DmgJA) (voix) et Fardeau Losange (musique, mixage).

« Tout est construit sur le même plan,
Tout est construit sur le même plan.
Tout est construit sur le même plan,
Tout est construit sur le même plan.
 
Elle essuya précipitamment ses larmes à sa manche.
Tout est construit sur le même plan.
Un départ, un détour, un retour,
D’un automne à l’autre.

C’est toujours un jardin,
C’est toujours un jardin.

Tout est construit sur le même plan,
Tout est construit sur le même plan.

Tout est construit sur le même plan.

Tout est construit sur le même plan.
Tout est construit sur le même plan.

Tout est construit, tout est déconstruit.
Tout est construit, tout est déconstruit.

Tout est construit, tout est déconstruit.
Tout est construit, tout est déconstruit.

Tout est construit. Tout est déconstruit.
Tout est construit sur le même plan.
Tout est construit/déconstruit.


Un départ, un détour, un retour,
D’un automne à l’autre.

Elle essuya précipitamment ses larmes à sa manche.

Tout est/Tout est/Construit/Déconstruit…

C’est toujours un jardin,
C’est toujours un jardin.

Tout est construit sur le même plan. »

Visuel : Maurice Denis, "Taches de soleil sur la terrasse" (1890).
1er novembre 2°24.

C'est toujours un jardin

C'est toujours un jardin (Camille Victoire & Fardeau Losange)

Speechless

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Up And Below

Carlos Vivanco

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