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September 2024 Artists

Oblivion Sundown: 40 Songs to take you to the end from the SoundCloud community

THE HOUR OF SHADOWS

Keith had a gentle guitar phrase and  a few words that he was playing with and shuffled it over to me for a listen to see what I made of it. The result is the song below. The conflict is in the spirituality represented by the sparks on a fire ascending, and the observation that the embers twinkle, fade and fall, silent. What is it all about if the prayers, meditations and positive thoughts just fall back to earth like the sparks? The beliefs we embrace must hit the road of reality. If they measure up to good - wonderful! But if not? The supreme irony for me is watching kids being taught to hate in a religious school class.  I was going to use the coordinating conjunction BUT to set up the point of contrast (But you can't..."). Instead, Keith preferred the AND ("And you can't...") as, in addition to all that one CAN believe, you must be aware that other things follow too. Can And Cannot. So simple. Or is it?
Free D/L - Track 9 of the new album Hold On To Someone : https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics:
We seem to want to find
A spiritual connection to space and time
An affinity for infinity and the great beyond
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence, fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

It's the lack of definition of in the twilight hours
That makes it so difficult to find our way
Past all the claims and assertions of things that cannot be proven
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

Wigmore: synths, production, lyrics, vocals
Allen: guitars, bass, music, additional vocals

Hold On (To Someone)

And You Can't

Video;
https://youtu.be/dVTVR1MrYvc

Made in #Ableton (December 2023)

Genres;
#Electronic
#Experimental
#Pop
#Rock

Warm Spaces

First, i wish you all a Sparkling & Hopefully Happy 2024 !

I hope you will enjoy the swirling sounds & rythems of this tranced out piece !

Have a great listen or whatever you do !

Peace,

Andreas

~ Tranced Progressions ~

Spiralizer & He1d1 KWe are excited to present the latest EP, "Glide," from the dynamic duo Spiralizer and Heidi K, hailing from the United Kingdom. Released under the Electric Eden Records label, this musical journey combines the vibrant energy of Dance with the innovative flair of Indi Dance. The EP features an original track, "Glide," alongside a mesmerizing remix crafted by Antti Rasi from Finland. Electric Eden Records, known for fostering cutting-edge sounds and diverse talents, proudly showcases Spiralizer and Heidi K's collaborative effort.

Spiralizer & He1d1 K - Glide [Electric Eden Records]

Lyrics/vocals : La Gazelle https://soundcloud.com/amandine-esno
Music : HyLGZ22

Je m'élève

Into Blue Skies (2019) Anthology CD3 Track 11

EACH LEVEL DEEPER feat. IPG1 & Paploviante
Vocals and Verses: IPG1
https://soundcloud.com/ipg1/each-level-deeper-vox-08-bpm
Backing Track: 
Paploviante
https://soundcloud.com/paploviante-and-friends/olympics-2024
Lillithe: adding Trumpet, Special effects, Synths, Beat and
             Production

Each Level Deeper feat. IPG1 & Paploviante

Soul Jacker.

When a child calls his guardian angel......
Copyright© Todos los derechos reservados.
Agosto 2024

Angels

SUNDOWN

A Big Thank You to https://soundcloud.com/dreamingwhileawakemusic for providing this wonderful bass and drum section. Please take a listen to his version of the song:
https://soundcloud.com/dreamingwhileawakemusic/the-tree-rough-take-1-collab-w-xian3?si=bd834c45b7a44b9aa467fadb0dc32338&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

It’s been a great honor and pleasure to collab…
The picture shows my favorite tree in my favorite park

________________________________

The Tree

You are probably
An old tree
Standing exactly 
Where you should be
Your condition…
It is ideal

You’re obviously 
An old tree
Standing exactly
Where you should be
Rooted deeply 
Down in history,

Scratching solid rock,
That’s where you stuck
Your bark 
Is notched
Tells the whole story
From the bottom to the glory

Roots and crown they radiate
Where a far too early 
Meets a far too late
And your branches spread out with might
Spreading to the light
Expand into the light…
Expanding to the light

In the threatening heat 
You provide me a retreat
Just letting me breathe
Just for a little while
In an escalating delta 
You offer me a shelter
Oh, just letting me breathe
Just for a little while

Letting me breathe

Lean on you 
For a couple of ys
And get through…
And be inspired by you
And sing my way through 	    			

Lean on you 
For a couple of ys
And get through…

The Tree (wt DWA)

Oblivion

Jon Lock: Original Music: Bass, Drums, Organ, Horns, Vocals, Lyrics
https://soundcloud.com/jon-lock-5
https://jonlock.bandcamp.com/music
The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

Funky as oily ass soggy french fries
Funky as stinky bass fishy pot pies  
Funky as poopy grass squishy with flies 
We be keep it funky and we shittin’ no lies 
Would it be funky if the bips didn’t bop, oh
Would it be funky if the hips didn’t hop, whoa
Would it be funky if the bass didn’t pop, no
Would I be a junky if I didn’t want it to stop, yea
He got blisters on his fingers and they starting to peel
He got two big blisters and it’s starting to get real
He gotta keep ‘em outta water if he want ’em to heal
Wear them gloves in the shower and when washing yo meal

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo’

Dip dip scoodley dip, cool whip all over my chips
Sippin’ on limp shrimp, wimps are the news skool pimps 
A plop a glop a top my new flip flop design
A crop a hops and a drop a slop for my swine 
Yo we got the flu shot that you got but we caught 
The new-dle two-dle funk crew-dle bug-adoodle  
Jibber Jabber don’t stop a hey hey hey a all day
Now come on over I’ll scoot right over and stay while Jon plays 
Funky see funky do funky spunky skunky crew
Funky rhymes funky lines funky crunky drunky times
Funky might makes funky right funky pluky dynamite 
Funky here funky there funky spunky everywhere

Wow, now that is damn funky, can you smell that bass, whew we, smells like burnt liver on hot summer day, Jon is on Fyre!

Why’s it funky when you haven’t funked for a week and then you start to itch ’n tweek 
And your knees be gettin’ soft ’n weak as the pressure reaches to a peak 
And a little bit starts to drip and leak  
That’s TMI
He got funk like pumpkins got pie 
Funk like bumpkins get by
Funk like stuck in deny
All funk like skunk ’n gettin’ high
Funkin’ til the day that we die

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo

The funk 
It be 
Booming
Out the 
Trunk a hunk a junk ol’ clunk a mine
A chunka chunka went the bass and I got a fine
Combine with my divine design, rewind inclined to be funkinsteined 
I declined, I tor’ it up in yo face 
You turned up the bass
That’s right, you could hear it all over the place 
Funky is as funky does do you has pizazz
Funky is too funky that’s true and we has en masse
Funky is what funky wants how does he slap that bass
We be keep it funky now common shake that azz
Funky like a rusty spike infection on my toe
Funky like a crusty tyke with boogies out the nose 
Funky like my musty psych with dusty old pillows 
We be make it funky ’n got the stank to show
Will it still be funky if we, what
Spayed it with some poo-pourri,  hell yea
Will it still be funky if we, what
Made it from som’in’ all bourgeoisie, hell no

That’s what I been tryin’ to tell ya, the funks gotta be made from something nasty, it’s gotta be inta something kinky, it’s gotta talk all dirty, breath be stankin’ ’n such 

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo

Yea, so what do you think Jon, you feeling that?
Oh yea
Alright, alright, alright, yo since you supplied me with that mad funky beat, I figured I’d go all mad scientist and flip what you sent me, and maybe you can lay down some of them golden vocals of yours
How’s that sound?
Sounds good

Well, the Couch King baby
Let’s turn the clock back to ’65
That’s where I like to hide out
It’s the place I really thrive
Well look out
Take your time now
This funk moves like a big fat cow
Yea, the Couch King baby
I tried to run but I could not hide
I tried to run 
But I could not find a place to hide

Funk'n Blisters

Jon Lock, Russ Sinfield, and the Couch King -Funk'n Blisters

Composed, arranged, performed, and produced by:
Carlos Vivanco

Autumn Tears

Wake Up Under Water

Evocadora canción para todos los públicos, algo más rápida y elaborada que la versión de las Piano Sessions.

Evocative song for everyone, a little faster and more elaborated than the Piano Sessions' version: https://soundcloud.com/esemanolain-ruizzo/el-rio-piano-version

Lyrics/Letra:

Nunca pude destapar un río
para ver lo que tenía dentro
de su cuerpo húmedo....

Nunca pude preguntar al río
lo que llevaba con tanta prisa,
hacia abajo, en silencio...

... y el río pasaba sin mirarme siquiera...
... siempre ocupado en su deslizarse...
... siempre sin mirar atrás a escucharme,
sin parar a contestarme,
sin parar a decirme qué llevaba dentro...

Nunca quiso responderme el río,
nunca quiso ser mi amigo
y seguía su camino...

... y el río contestaba con preguntas evasivas,
“¿A dónde vas?”, yo le decía,
“Sin parar, con tanta prisa.”
“¿A dónde vas?, ¿a dónde vas...?”

El Río (A dónde vas)

I started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.