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Copie de Trial By Fury

Electro Theme  EPIC ORCHESTRAL VERSION (Spider-Man No Way Home Soundtrack) [not mine]

Lidian, Maxo-Lydian e Lydian-Dominan

A cover/mashup of the Elden Ring Main Menu Theme and Ezio's Family from Assassin's Creed + a little easter egg!

Elden Ring X Assassin's Creed [MAIN THEME ORCHESTRAL MASHUP]

Weißer Ferrari

I had the honor of updating and extending tempotastic's Roaring Titans UST she made for Spriter Mike's Roaring Titans animation! So big thanks to them for letting me do this! And a big congrats to her for reaching 1 Million views on that song! This was a lot of fun to work on, so I hope you all enjoy it!

Cover art by SpriterMike

The original (YouTube): https://www.youtube.com/watch?v=YVQEt...

The original (Soundcloud):https://soundcloud.com/tempotastic/deltarune-chapter-7-ust-the-roaring-titans

tempotastic: https://soundcloud.com/tempotastic

Spriter Mike: https://www.youtube.com/@SpriterMike

Deltarune by Toby Fox

Deltarune UST - The Roaring Titans (Official New Version)

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

* The Zenith of monsterkind.

Oh boy this cover was really fun to work at. I wanted this to feel as realistic as possible, like it was something you could imagine being actually played on guitar. This fangame is REALLY amazing, and if you haven't checked it, please do as soon as possible, it will be worth it.

My Social Media:
Twitter: https://twitter.com/hi_im_shade
Youtube: https://www.youtube.com/@hi_im_shade445

Undertale Yellow - Remedy + Retribution (Cover)

"Prepare yourself, human. For a duel against the one, the only..."
"crossbones, the starlight savior."
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Make sure to support the composers of this track! @junnboi-the-fourth @grassinio

TS!UNDERSWAP Soundtrack

TS!UNDERSWAP Soundtrack - 054 - Skeletal Showdown

written 24/02/22

revisiting a work from the earlier this month www.soundcloud.com/rhett-dahl/lydian

Lydian Revisited

10 Hours - Item Asylum Remix

Die Vögel are back.
Almost two years after their sensational debut release‚ Blaue Moschee, the arena rocking EP that’s still a permanent fixture in Sven Väth’s record bag, Die Vögel have laid another milestone in the history of club music - the Fratzengulasch EP.
Ground breaking, surreal and captivatingly timeless, this dance music doesn’t give a damn about the laws of gravity and the monotony of everyday routines. 

For some reason or another, there seems to be a sort of restricting fence around the electronic dance music scene at the moment. In true Trojan style, Die Vögel batter and ram the wall until a hole appears; a hole big enough for all the gleely squealing party people to crawl through. Out and on to freedom! It’s a brave new world and help is at hand for the weary of ear. Listen in to the dream-like canons, freely dissonant brass orchestrations and hypnotic-psychedelic beats.

The arrangements are clever, without relying on samples and tried and tested techniques. Off they stroll, Mense Reents and Jakobus Siebels, breathing in the fresh air, enjoying a clear view of a history of nocturnal dance music that goes back beyond 1986 and Chicago and is today international electronic folklore.
It was the machines that taught Die Vögel duo to play their instruments in a different way and from them the machines have learned what makes a musician tick.

That’s how songs like ‚Fratzengulasch’ come about: A tribal meditation, and a beautiful canon sung by Jakobus and Ebba Durstewitz, otherwise known as the band Ja König Ja.

Or the glorious ‚Maikäferbenzin’: There are sub binaural sounds on this track that get your brain hemispheres swinging in perfect synchronicity, on a frequency generally only experienced when in a trance. And there they’re left, swinging away until the last third of the song where an abrupt saxophone break briefly interrupts, only to deliver the listener safely back into an absolute state of bliss and felicity.

Mense and Jakobus’ brilliant Pantha du Prince remix got people wondering but even before that the question cropped up: what is this music?
DJ Koze calls it ‚Sect Funk’.
We say: Pampa style in its purest form!

Die Vögel’ album will be released at the beginning of 2012.

Die Vögel - Fratzengulasch

Composed, arranged, performed, and produced by:
Carlos Vivanco

Èr, Wǔ, Yī

Year Of The Snake

Music compose and Guitar play by Nicholai Suzuki

TEN YEARS AFTER

IBIZA style

Live looping guitar remix of Post Malone's Better Now.

Spotify - https://open.spotify.com/track/2P6dy9lIav4yrHsh8HrsTN?si=k4x9bSLBT-aM4oPaloWJyw

Youtube - https://www.youtube.com/watch?v=TTgKEgqncTU

Better Now

Better Now - Post Malone | Quist Guitar Remix (Live Loop Jam)

Nice and groovy backing track made for playing C Dorian mode - or C minor pentatonic/blues scale. From popular modal practice album 'Groovin' Through The Modes, vol. 2'. More jam tracks on http://www.jamtracksmania.com 

Download 'Groovin' Through The Modes, Vol.2' here http://goo.gl/fRZIi

Check out the album on youtube here: http://www.youtube.com/watch?v=m37y2mltNNI

Enjoy :) 

C Dorian Mode Backing Track

This jam track for C Lydian Mode comes from Groovin' Through The Modes, vol. 3 - full high quality version available on the album here: http://goo.gl/2egpx

C Lydian Mode: C D E F# G A B (C)

You can also use: A Minor Pentatonic/E Minor Pentatonic - and try out B Minor pentatonic too... great fun :) 

Chords:   II:   C    I    D/C    :II     

More jam tracks and practice tips at http://www.jamtracksmania.com

Enjoy!

Quist 

http://www.quistorama.com 
http://twitter.com/QuistTweet
http://www.facebook.com/Quistguitar
http://www.facebook.com/jamtracksmania

PS. The Youtube version of this jam track is right here: http://www.youtube.com/watch?v=smbZ8s_6G98 :)

C Lydian Backing Track

Duel of the Fates (Epic Cover) - Samuel Kim

Breakfast in the Hut

The Lambert Reinterpretation

Wohlfühlen

J.B.Y.

Star Wars Duel Of The Fates X Kai's Theme, EPIC SAMURAI VERSION, by Samuel Kim

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.