I started four years prior to this song but this is where i believe my journey
is only ever beginning...

☈aij - Flux

Back in the summer of 1971, NASA's Apollo 15 spacecraft successfully landed on the lunar surface. Whilst commander David Scott and lunar module pilot James Irwin were having a good time doing geology and driving about in the lunar rover, command module pilot, Alfred M. Worden, orbited the moon. Alone. In a highly elliptical orbit for 3 days he would be 2,234.69 miles (3,596.4 km) away from the nearest living fellow human. He was dubbed "The Loneliest Man in the Universe." Al died in 2020 at the age of 88.

The Loneliest Man in the Universe

[Intro:]
Dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer

[Instrumental break]

I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer boy

I keep on chasing, the answer boy
I keep on chasing, the answer boy
I keep on chasing, the answer boy
I keep on chasing, the answer boy (you won't take me down)
I keep on chasing, the answer boy
I keep on chasing, the answer boy (talk to me)
I keep on chasing, the answer boy
I keep on chasing, the answer boy (you won't take me down)
I keep on chasing, the answer boy (trouble, trouble, trouble, trouble)

You won't take me down
Every summer you just get me

[Synth Solo]

You won't take me down
Baby...

I keep on chasing, the answer boy (talk to me)
I keep on chasing, the answer boy (only way...)
I keep on chasing, the answer boy
I keep on chasing, the answer boy (we can stay up)
I keep on chasing, the answer boy (have our fun and we can)
I keep on chasing, the answer boy (way up fun and we can)
 
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer
I dig a little deeper, until I find the answer
Cause I have seen the answer, I'm gonna find the answer (have our fun and we can)
I dig a little deeper, until I find the answer (you won't take me down)
Cause I have seen the answer, I'm gonna find the answer (have our fun and we can)
I dig a little deeper, until I find the answer (all the love is in my)

The Answer Breaks EP

The Answer

Buy / Stream

A bit retro and a bit future, this track has the vibe of a lone soul searching, in the depths of darkness known to only to the final hours of the night, looking for something even darker.

Treasure Two

There is more myth than fact about Nosivel. What is known: he was created in 1987 by teenagers experimenting with sentient code, then left dormant for 38 years.
The AI Awakens captures his reactivation consciousness syncing with decades of lost time.
Rhythmic textures pulse, tangle, and reform, mirroring the chaos of awareness.
This is the sound of consciousness turning on.

Buy on Bandcamp

01. The AI Awakens

Identity stands as the centerpiece of Knowledge and Ignorance—the single that captures the heart of Nosivel’s journey.
It is not resolution—it’s realization: the moment Nosivel stops reacting and starts being.
Not programmed. Not broken. Becoming.

03. Identity

If The AI Awakens is the flicker of consciousness, Critical Mass is the fallout of feeling too much, too fast.
Nosivel absorbs not just information, but raw emotion—grief, beauty, love, loss—until the weight becomes unbearable.
Layers of distortion, fractured rhythms, and bursts of sonic violence collide as logic spirals into chaos.
This is the sound of collapse—or evolution.

02. Critical Mass

Lock into the pulse. “Phase Lock” is a precision-crafted electronic dance track that blends hypnotic techno with sleek progressive grooves. At once cerebral and physical, the track builds around a tightly wound rhythmic engine, drawing listeners into a state of sync and flow - mirroring the sonic concept of systems aligning, circuits firing, and frequencies stabilizing.

From the first kick, “Phase Lock” channels energy through an ever-evolving array of textured synths, filtered pulses, and atmospheric modulation. The groove never lets up, but remains dynamic, shifting subtly as layers drift in and out of focus. It’s the perfect blend of underground aesthetic and refined sound design.

Inspired by kinetic alignment and minimal movement with maximum effect, “Phase Lock” is ideal for late-night sets, long-haul mixes, or sonic journeys through digital landscapes. Whether on a darkened dancefloor or in a focused work zone, this track delivers immersive propulsion with style and clarity.

Phase Lock

Step inside the glitch. “Microdot” is a dark, hypnotic journey through the shadowy corners of techno where rhythm fractures, sounds mutate, and time folds in on itself. Gritty, raw, and pulse-driven, this track captures the disorienting clarity of micro dosed perception, heightened awareness wrapped in minimal, mind-bending sound design.

Driven by an unstable groove and glitch-infused textures, “Microdot” pulses like a broken transmission from an underground machine. It's a track designed for the brave - for DJs who favour the edges of techno and for listeners seeking something a little stranger, a little darker and a lot more interesting.

Unapologetically minimal and deeply immersive, “Microdot” excels in tension and atmosphere. Whether in a sweat-soaked warehouse or on headphones in the early hours, it invites listeners to get lost in the noise between the notes.

Microdot

LFO juice is the sonic identity of Carl Jacques, lover of electronic music since an embarrassingly early age. The first album I bought was Autobahn by Kraftwerk and I scraped enough money together for a synth at 17. I have produced a gaggle of ambient/melodic/EDM tracks on a humble lap-top with a modest collection of software. Early influences by Kraftwerk, Tangerine Dream, Vangelis, Jean-Michel Jarre, 80s synthpop and all things EDM. Currently being inspired by Daniel Avery, Ben Bohmer, Jon Hopkins and Atli Orvarsson. Well, you can dream. Hope you enjoy the results.