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A modern melodic house style track at 122BPM.

Who Could Sleep?

Fluh

bs edm

Metaside - Grid Search (WIP)

Enter the neon-soaked shadows of a future undone. “Identification Division” is a cinematic electronic dance track that pulses with dark energy and cyberpunk soul. Inspired by the world of Blade Runner, this 118 BPM composition fuses haunting synthscapes with propulsive rhythms, evoking scenes of rain-slicked streets, lost identities, and AI dreams.

With its analogue warmth and retro-futuristic atmosphere, “Identification Division” balances tension and groove, inviting listeners into a dystopian city where machines breathe and memory is currency. It’s both danceable and introspective - equally at home in a midnight set or a concept playlist exploring the human condition through sound.

The track builds with layers of synth arpeggios, industrial textures, and a brooding bassline that drives forward like a replicant on the run. This is music for movement, for reflection, for drifting through urban mazes and digital minds.

Perfect for dark clubs, immersive DJ sets, or sci-fi-inspired audio-visuals, “Identification Division” is more than a track - it’s a scene from a film yet to be made.

Identification Division

LFO juice is the sonic identity of Carl Jacques, lover of electronic music since an embarrassingly early age. The first album I bought was Autobahn by Kraftwerk and I scraped enough money together for a rubbish synth as a teenager (without advice from The Human League.)

Anyway, I present to you a gaggle of ambient/melodic/EDM tracks produced on a humble lap-top with a modest collection of software. Early influences by Kraftwerk, Tangerine Dream, Vangelis, Jean-Michel Jarre, 80s synthpop, Underworld, The Chemical Brothers, Orbital, Leftfield and all things EDM. Currently being inspired by Daniel Avery, Ben Bohmer, Jon Hopkins and Atli Orvarsson. Well, you can dream. 

If you like anything then spread the word; If not then I'm Ed Sheeran's alter-ego. I made that last bit up in case his lawyers are reading, which I doubt very much.