Prime project ensemble, conductor: Antonio Politano

The piece takes inspiration from the following short poem by the author:

Le forme della solitudine

Come una fila d'ulivi,
accasciata sul declivio
dell'esistenza.
Così un tardivo pensiero,
nell'autunno del nostro nulla.

Le forme della solitudine (2013) - for Paetzold flutes

Madrigal for five voices on a poem by Salvatore Quasimodo.

Text: 

Ali oscillano in fioco cielo,
labili: il cuore trasmigra
ed io son gerbido,

e i giorni una maceria.

(from "Oboe sommerso")

La Dolce Maniera, vocal ensemble
Conductor: Luigi Gaggero

Live recorded in july 2013


Ali oscillano in fioco cielo (2013( - for vocal ensemble

Ensemble Orchestral de Lyon (EOC)
Daniel Kawka, conductor

Milano Musica, 2018

Stades d'ombre, stades de lumiére (2018) - for ensemble

Ensemble Orchestral de Lyon (EOC)
Daniel Kawka, conductor
Reina Sofia, Madrid, 2014

La memoire de l'eau (2014) - for ensemble

First performance: Florence, Teatro Verdi, september 2015 
Orchestra regionale della Toscana - conductor: Marco Angius

All Of Sudden (2015) - for orchestra

First performance: Seoul Art Center, 14 september 2011; Ensemble TIMF, conductor: Soo-Yeoul Choi
 

The Manhattan distance (2010) - orchestra

Come occhi che videro deserti (2010) - synthesized sounds

Entirely written using Csound (no other tools) :)

La vana aurora (2001) - synthesized sounds

electronic soundtrack for the footage "Renoir" by M. De Simone

Renoir (2010) - synthesized sounds

First performance: Paris - Centre Pompidou (Grande Salle), 25 june 2012; Orchestre Philharmonique de Radio France; conductor: Leo Hussain

Già s'ottenebra il giorno (2012) - orchestra

Improvviso statico (2012) - for alto sax e live electronics

First performance: 7 june 2013, Orchestre Philarmonique de Radio France - conductor: Jukka-Pekka Saraste, Salle Pleyel (Paris)

Reflets de l'ombre - large orchestra and electronics (2013)

Carmine-Emanuele Cella is an internationally acclaimed composer with advanced studies in mathematics. He works, since many years, on the poetical relationships between the structured world of mathematics and the chaotic world of artistic expression, using music as a medium. His music is not based on melodies, chords or rhythms but is more about writing the sound itself. Each note and each musical figure are the components of a global sonic image, unified and physical, that reveals the tragic story of sounds.

He studied piano, computer music, composition, mathematics and philosophy, getting a PhD in composition at the Accademia S. Cecilia in Rome and a PhD in applied mathematics at Università di Bologna. From 2007, Carmine-Emanuele Cella started a collaboration with Ircam in Paris, where he has been both researcher and composer for many years. In 2008 he won the prestigious Petrassi prize for composition, from the President of the Italian Republic Giorgio Napolitano and, in 2013-2014, he has been member of Academie de France à Madrid (Casa de Velazquez). In 2015-2016 he has been a researcher in in applied mathematics at École Normale Supérieure de Paris, where he worked on machine creativity. In 2016 he won the prize Una Vita Nella Musica Giovani at Teatro La Fenice in Venice and he has been in residency at the American Academy in Rome, where he worked on his first opera premiered in June 2017 at the Kyiv National Opera.

His need for context-based music creation led him to the definition of what he calls musica hic et nunc (music here and now), a new paradigm where each performance becomes a unique epiphany that cannot be reproduced. This paradigm fostered a collaboration with the historic French ensemble Les percussions de Strasbourg, started in 2017 and culminated with the cycle of pieces called Les espanse physiques. In this cycle, the percussions are augmented with innovative technology to create new context-based interaction models between the instruments, the performers, the composer and the public.

Since January 2019, Carmine is professor in music and technology at the University of California at Berkeley, where he is also lead researcher at Center for New Music and Audio Technology (CNMAT). Since 2020, Carmine is also professor of computer music at Conservatorio G. Rossini in Pesaro. In 2022 he has been the recipient of the prestigious Traiettorie music prize for composition, with the following motivation: “for his researches in the field of Artificial Intelligence applied to musical creation, augmented reality, the definition of mathematical models for the representation of sound through deep learning techniques and machine learning methods for computer-assisted orchestration.”

Carmine-Emanuele Cella

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