This piece was composed on my Samsung Galaxy S4 telephone, using the Csound6 app for Android. This recording of the piece was made on my laptop because the telephone struggles with both rendering to audio, and writing to soundfile. The piece is interactive, and gives the performer some control over the timbres of the rich sounds in the piece.

Drone - IV - 1377971544

Ryan Muncy, baritone saxophone, Dan Nichols, recording engineer
Recorded on Without Words by Ensemble Dal Niente. Carrier Records 022, 2013.

Break for baritone saxophone & electronics

Ensemble Orchestral de Lyon (EOC)
Daniel Kawka, conductor

Milano Musica, 2018

Stades d'ombre, stades de lumiére (2018) - for ensemble

Allegretto D915

Alvin Lucier - Music for piano and slow sweep pure wave oscillators (1992)
“CIRCUITI CONTEMPORANEI” live recording @ L'Arca [laboratorio per le arti contemporanee] 17/11/2012
Piano: Rossella Rubini
Electronics: Giuseppe Silvi

Recorded with a Soundfield ST450.
B-Format to stereo (Blumlein) with HARPEX-B.
24bit96KHz

Music for piano and slow sweep pure wave oscillators

Carmine-Emanuele Cella is an internationally acclaimed composer with advanced studies in mathematics. He works, since many years, on the poetical relationships between the structured world of mathematics and the chaotic world of artistic expression, using music as a medium. His music is not based on melodies, chords or rhythms but is more about writing the sound itself. Each note and each musical figure are the components of a global sonic image, unified and physical, that reveals the tragic story of sounds.

He studied piano, computer music, composition, mathematics and philosophy, getting a PhD in composition at the Accademia S. Cecilia in Rome and a PhD in applied mathematics at Università di Bologna. From 2007, Carmine-Emanuele Cella started a collaboration with Ircam in Paris, where he has been both researcher and composer for many years. In 2008 he won the prestigious Petrassi prize for composition, from the President of the Italian Republic Giorgio Napolitano and, in 2013-2014, he has been member of Academie de France à Madrid (Casa de Velazquez). In 2015-2016 he has been a researcher in in applied mathematics at École Normale Supérieure de Paris, where he worked on machine creativity. In 2016 he won the prize Una Vita Nella Musica Giovani at Teatro La Fenice in Venice and he has been in residency at the American Academy in Rome, where he worked on his first opera premiered in June 2017 at the Kyiv National Opera.

His need for context-based music creation led him to the definition of what he calls musica hic et nunc (music here and now), a new paradigm where each performance becomes a unique epiphany that cannot be reproduced. This paradigm fostered a collaboration with the historic French ensemble Les percussions de Strasbourg, started in 2017 and culminated with the cycle of pieces called Les espanse physiques. In this cycle, the percussions are augmented with innovative technology to create new context-based interaction models between the instruments, the performers, the composer and the public.

Since January 2019, Carmine is professor in music and technology at the University of California at Berkeley, where he is also lead researcher at Center for New Music and Audio Technology (CNMAT). Since 2020, Carmine is also professor of computer music at Conservatorio G. Rossini in Pesaro. In 2022 he has been the recipient of the prestigious Traiettorie music prize for composition, with the following motivation: “for his researches in the field of Artificial Intelligence applied to musical creation, augmented reality, the definition of mathematical models for the representation of sound through deep learning techniques and machine learning methods for computer-assisted orchestration.”

Stades d'ombre, stades de lumiére (2018) - for ensemble

Carmine-Emanuele Cella

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