Label: Carnalist
Artists: @cafardfx @dwysedd @gauthier_music @nekro-tffv @a-pravus @rectoryd @sekulahr @dslopeu
Title: Convergence VA
Catalog No: CARNV001
Artwork: Tugrul Salci
Mastering: Charles Accarisi
Format: Digital
Release Date: 26 Feb 2021

Tracklist :
Slope Unit - Grinding Like Nobody
Cafard - Acidopholis
Sekulahr - Temporizing
Gauthier - Body Whispers
Rectør - Where Is Home?
Dwysedd - 1826
Pravus - Tongue Twister
Nekro TFFV - Kalvin Clein

Convergence VA

Pre-Order

Convergence VA | Snippets [CARNV001]

@carnalist
@fena-collective
@dim-petals

Crafting boundary-pushing rhythms,
Resonating from the underground.

for promo & booking:
burnthecitizen@gmail.com

PRV mix & mastering inquiries:
https://prvsoundlab.framer.ai
https://soundbetter.com/profiles/632247-prv

Originally from Poland, Slope Unit has debuted over a decade ago in the infamous club [M]etro Club back in his hometown, Białystok.
Record-digging routines together with dedication to the rhythm drew his attention towards the wider aspect of sonic experimentation which pushed him to start producing his own material.
After a few years of relentless mixing in Warsaw, he was looking for a more suitable place to unfold his musical journey, and London turned out to be the location.
Hardware synthesizers were suddenly overshadowed by eurorack's universe, what was recycled later on for his recently released EP's on Modular Underground and Totentanz Recordings.
He is a part of the Based On Lies showcase together with his partner in crime - Joanna (T A K A) discovered back in 2016 by Dazed & Confused and endorsed by Revive Festival 2019.
Now returning to DJing, Slope Unit constantly amazes us with the immense energy of his sets and his uncompromising selections, claiming that pushing musical boundaries is his call of duty.

 
RA: 
https://residentadvisor.net/DJ/slopeunit
Facebook:
https://facebook.com/dslopeu
Discogs:
https://www.discogs.com/artist/6997089-Slope-Unit
Instagram:
https://instagram.com/slopeunit

"You simply cannot pinpoint the moment in history when Techno established itself as a new genre in dance music. Not anymore, anyway. Go ahead and try telling the story “the migration of the bassdrum”. You’ll realise quickly that all you get is a very pale picture, watered down by not-to-be-trusted records of oral history from the cities which played a major role in Techno. Historic developments are overshadowed by local characteristics and gossip."  - René Pawlowitz

http://carnalist.art

residents:
@a-pravus
@ermisemel
@jedranaline
@gunseli-2
@lethargic_a