MOONBOOTICA

"I can sell out Madison Square Garden masturbating." 
—Mike Tyson


MOONBOOTICA saves lives. MOONBOOTICA guarantees the fun of excess. A great gift to mankind. Without fun, this world would recede into clouds of grey. And who wants that? With MOONBOOTICA, everybody has the freedom to say no to grey. On one condition: fun has to be discovered and used to full effect, with every sinew stretched. Once you’ve got that far, things begin to relativize, delusions of grandeur seem as easy as ABC, thanks to MOONBOOTICA. The powers that be strive for greatness, growth, expansion? MOONBOOTICA rise up to the challenge twice over! Composure through relativization, at the end of the day, MOONBOOTICA always have more in the tank. This calming influence comes courtesy of the “bigger than life” mindset, the classic Funkadelic lesson succinctly stated: “Free your ass and your mind will follow.”

As a DJ and production team, MOONBOOTICA has represented maximum torsion since 1999. But endurance is merely one of the Hanseatic duo’s most distinguished qualities. Together they represent a bulwark against inconstancy and are nevertheless always ready to smash borders. Including their own. There are two of them, after all. A two-headed unity IS MOONBOOTICA, and that’s what it’s all about, IS: double-loaded, twice as focussed, twice as big. The double greatest. Even when Kowe Six or Tobi Tobsen should tread the boards alone,the format remains the same. Each of them is double MOONBOOTICA. And vice versa.

MOONBOOTICA’s unique lack of respect in the interests of wildstyle is both a virtue and a call to arms. If refinement of taste should run the risk of imploding, there’s no better tonic than a dose of MOONBOOTICA. The antithesis to light and minimal dictates. It couldn’t be any easier or more effective. A track, an album, a set – well-being is just a question of the right dose. In case of doubt: more is more. Whilst somehow, the love of a grand pose notwithstanding, remaining the same, in appearance and reality. Without resorting to trickery, ironic dissociation or in-jokes, MOONBOOTICA offer themselves up to the audience. As vulnerable as they are sure of victory, the duo has everything a good, open drama needs. Only that everything does not end up in pools of blood.   

When others reach for anabolics and pimp their track to the limiter with everything they can get their hands on, Kowe Six and Tobi Tobsen simply rely on where they came from. Style was laid in their cradle like a golden curb chain. Their musical trajectory, five albums and hundreds of shows prove as much. MOONBOOTICA is, by nature, greater than everything else. Greater than you or I. Greater than Tobi and Kowe even. At which point we finally come to the introductory quote from Mike Tyson -  but we don’t want to explain the fun of excess again. Take a look in the newspaper if you want to know how important it is. Or spend an evening with MOONBOOTICA.   



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For every request please contact:
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New album 'Ruins.' Out now. http://smarturl.it/FAK-Ruins

TV Noir ist eine Mischung aus Live-Musik, Talk, Spiel und Interaktion mit dem Publikum.

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REFERENZEN: 

Club:
Jägerhalle / Basel (CH)
Ritter Butzke / Berlin
://about blank / Berlin
Kemp / Berlin
Kultstätte Keller / Berlin
Magdalena / Berlin
Mensch Meier / Berlin
Griessmühle / Berlin
Klunkerkranich / Berlin
M.I.K.Z. / Berlin
Rosi's / Berlin
Der Weiße Hase / Berlin
Crack Bellmer / Berlin
Haus Ungarn / Berlin
Burg Schnabel / Berlin
R19 / Berlin
Czar Hagestolz / Berlin
James June / Berlin
Spindler & Klatt / Berlin
Horns & Hooves / Berlin
minimal Bar / Berlin
Trust Bar / Berlin
Die Rakete / Nürnberg
Z-Bau / Nürnberg
Badewanne / Nürnberg
Hinz x Kunz / Nürnberg
Tante Erna / München
After Six / München
Sektor Evolution / Dresden
Alte Hutfabrik / Dresden
S*dP*l / Hamburg
Druckerei im Gängeviertel / Hamburg
Design Fabrik / Hamburg
JAZ / Rostock
Helgas Stadtpalast / Rostock
Suite15 / Regensburg
Glyzerin / Augsburg
Kochakademie / Halle (Saale)
Oberdeck / Halle (Saale)

Festival:
OKSEØ Festival / Ochseninsel (DK)
Burning Beach Festival / Brombachsee
Wilde Möhre Festival / Drebkau
Stadtflucht Festival / Galenbeck
Zuckerbrot & Peitsche Open Air Festival / Regensburg
Zurück zu den Wurzeln Festival / Flughafen Pütnitz
Von Freunden Für Freunde Festival / Happurg
CSD Freiburg (Wir sind Goldkinder Truck)
Open Air to Go / Berlin

Hier findest du die "Jeden Tag ein Set" Podcast-Reihe, sowie die Sammlungen der Festivalsets. 

Die täglich präsentierten Sets findest du auf www.JedenTagEinSet.de

Bitte sendet uns eure Sets via Facebook oder Instagram.
(Bannerfoto: Felix Huth)

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

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www.nick-curly.de

"Space and Time" LP - OUT NOW!
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Promo & Remix requests to:
DM here on SC or IG: @iambeatamines / augneraudio(at)gmail.com

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BEATAMINES
Biography

10 years of dancing he decided he to start cutting music for his dance crew. And that is how it all began…from Daft Punk to Kraftwerk, Pascal explored all kinds of electronic music styles, in which he has the possibility to express himself with tracks like „How Never“ or „Swaggin“.

During the first two years, in which he established Beatamines, he created a large amount of tracks. By 2009, his first EP’s were published. In 2010, he performed his first national gigs. A first milestone was reached in the year 2011, when the first Album “in Motion” was published on Damm Records (2 * 12” Vinyl & Digital). The Album was repressed 3 times and reached #2 best album in Raveline Jahrespoll. Now even the biggest Labels had heard of Beatamines and his amazing talent : Keno Records, Stil Vor Talent, Katermukke, Moonbootique, and Lauter Unfug,… In 2013 Pascal had the honour of reinterpreting “The Planets” together with the Dortmund Philharmonics and Gustav Holst. He also wowed the crowds at the Fusion Festival, playing it twice in 2013 and 2016. Pascal next Big Strike was his 2nd Longplayer “Echoes” it was released on Einmusik’s own imprint Einmusika Recordings.

In 2016 Pascal started as A&R for the label Lauter Unfug which brought him directly to Luxembourg’s club, Studio 21, where he has now his own Residency with the `rememberthevibe` parties. In the past few months Pascal has been playing regularly at clubs such as Watergate, Kater Blau and Ritter Butzke Berlin. In 2018 he is celebrating a decade of his Project Beatamines.

Beatamines doesn’t just like to play with the same old CDJ’s when playing live, but also incorporates hybrid sets, with drum machines and synthesizers on stage. Pascal packs the groove of summer love into his music, underlined with fat baselines, pregnant claps and chunky melodies. If you get the chance to catch him live you really are in for a spectacle.

When Pascal is not gigging, he is hard at work mixing and mastering for Artists all around the globe, and on occasion; cutting hair for fellow DJ’s and friends!

11.11.2025 „Space and Time“ – The New Studio Album by Beatamines With his fifth studio album, Space and Time, Beatamines takes a bold step further on his journey into the vastness of electronic music. This adventure invites the listener into a soundscape where space and time know no boundaries, and where the true journey is the connection to oneself. The album merges melodic house and techno sounds brought to life by warm basslines, driving synths, and atmospheric pianos. Here, acoustic elements blend seamlessly with Beatamines' own vocals, creating a unique, cinematic experience.
In collaboration with his partner, many of the song ideas were born in intimate studio sessions – a creative fusion of music, love, and personal expression. The themes of "space" and "time" run like a red thread throughout the work, inspired by the notion of merging in different timeframes and places, teleporting, and venturing deep into the soul.
Space and Time is not just an album, but an invitation to explore – a call to meet oneself in a new dimension and to be taken on a spiritual journey through sound. The visual aesthetics of the album are defined by holographic elements, where warm, glowing tones of pink, turquoise, and gold come together to evoke the mystique of space and time. Coupled with a fresh, 90-minute live set, Beatamines sets a new standard for live experiences, showing how he continues to evolve as both an artist and producer.

Welcome to Rainbow Valley, the home of all Matt Corby stuff.

New single 'Know It All' out now
https://MattCorby.lnk.to/KnowItAll

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