¡Esta conga no es una anguila! 

Believe me; I should know. We've been sharing a room for weeks!

This Conga Ain't No Eel

method: created across multiple platforms: audacity, samplitude, polyend tracker mini (the 'breathing' sound is actually an extremely slowed down percussive instrument from the tracker's firmware)
narration: a nightmare, it is just a nightmare, do not worry 
image: based on a photograph taken at Naturkundemuseum Leipzig, originally showing the sketch of an excavation site

poem / copyright jo richter:

I can hear it breathing
it seems to be catching up
items somehow disappearing
despite the latch, despite the strap

shattercone

shattercone - the first verse

Once Upon


Image source:
https://e360.yale.edu/features/forgotten-landscapes-bringing-back-the-rich-grasslands-of-the-southeast

Once Upon

I just made a good remix for https://soundcloud.com/frawstakwa?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing, Enjoy !

Frawstakwa - Lemme Show Whats Happening (Mr Menator DnB Remix)

E- NO. 3

I Will Bake Your Cakes (with Sneak Past Demons)

Rocktober track/day 13!
Just something not too complicated,  atmosphere was most important.
This will be part of my Book of Spells series! Practical sadness.

***

Qui penserait à quelque chose comme ça ?
De nuages ​​rouges au-dessus de la terre.
La mer est noire, les vagues jaunes.
L'herbe semble morte.
Et où sont les insectes ?
Les fruits pourrissent, les animaux sont partis.
Ce n'est plus notre monde.

***

Who would think of something like that?
Red clouds over the earth,
the sea is black, the waves yellow.
The grass looks dead.
And where are the insects?
The fruits are rotting, the animals are gone.
This is not our world anymore.

13 Qui Penserait (À Quelque Chose Comme Ça)

"Bract" from new the album "Seeds"
https://placement.bandcamp.com/album/seeds
Love -  I've always shied away from the four letter word. Maybe it was the schmaltz of popular music, but I'd had enough of "moon in June" love songs before I was old enough to buy recordings - and I guess, it's taken me until now to get over it!

However this album is undeniably about being "in love". That's human love, but it also touches on the love of things, the love of ideas and my enduring love, of places. All these loves are genuine - and because of this, it was very easy to be inspired by them.

The musical driving force was what I guess you'd call intuition.
I did not plan this album. I just went along thinking "I want this track to feel like this" and then let it happen...

Bract

Quadrantime Spoofedon

Invitation To Rock'n'Roll

Project 165 - 9:23:25, 8.22 PM.wav

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

E- NO. 3

Anthony Cutrera Morales

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