Unmoored

Dream # 3 (Minimalism Study)

"Doomsday Clock"-Remix. Electric guitar, effect pedals, unsynchronized loops, two tube amps, wind chime, voice. All sounds, mixing and production: VSS. Original Track: https://soundcloud.com/velvetsomethingsuperdark/doomsday-clock. Image: Miniature installation, photo (VSS).

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Deeper (Doomsday Clock Remix)

More on the 673rd weekly Disquiet Junto project, Switch Back — The Assignment: Make the quiet part loud, and vice-versa — at https://disquiet.com/0673/
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Building upon my previous composition, 'omeostasi' I inverted the sonic landscape of the piece. Notes once robust were rendered delicate, and those once subtle were amplified. 
This sonic inversion was achieved by manipulating amplitude levels within the original score. 
While timbres and effects underwent transformations, the underlying structure remained intact. 
The piece was realized through the synergy of Csound, which handled sound generation, and Python, which orchestrated the note sequence.



omeostasi remix - disquiet0673

Doxa 3.. - 12:4:24, 7.20 AM

Limited C . Constructs   - 12:8:24, 9.53 AM

Layer - 12:11:24, 8.55 AM

Not So Far Away...

...from a nuclear apocalypse, and total annihilation of the human race.

Composed, arranged & recorded by Mahan 💀 Mahan @ Pahlavi Sound Studios, Los Angeles, California, USA 12/16/2024

Not So Far Away

noxpox - pimpflimp

coming to be

noxpox - two minutes to midnight

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Limited C . Constructs - 12:8:24, 9.53 AM

Anthony Cutrera Morales

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