Dopes to Infinity | Monster Magnet Interpretation

BreaK the Frame 4

Studio Composing in the  21st Century

caught in comfort

Ein kleiner Ausflug in die wunderbare Welt der deutschen Sprichwörter und Redewendungen....

Das Haar in der Suppe (106 bpm)

Das Haar in der Suppe,
es muss gefunden werden...., Such!

Die Stecknadel im Heuhaufen..., Such!
...muss gefunden werden!

Das Licht am Ende des Tunnels,
wer hat es bloß angelassen..., Such!




Das Haar in der Suppe

The choice to name this electronic music production September is a nod to the focused effort and foundational work that defined this period. The past month has been dedicated almost entirely to learning, experimenting, and intensely developing new production techniques and complex sound design skills. This track, therefore, represents the culmination of that progress—a sonic stepping stone and the essential blueprint for all my future music.

Produced in the
ARAPA Music Studio
Sydney - Australia

30.9.2025

September

Luiza - voice, Adam - electric guitar, Michał - drums.

TurboCzipsy - "Mona Czipsa Turbo" Jam.

Starts with Roland Gaia alone, then Two Behringer 2600 for sequencing and Roland gaia for a very slow melodic line. Third part is Yamaha P-200  piano, run by a pre-recorded sequence from Korg sq-25, also connected one CRAVE. Fourth part, one Behringer 2600
on sample and hold and Roland Gaia for string, and thats it.

Recorded with weeks in between.  

Føtter

Neurons

to listen or not to listen

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Studio Composing in the 21st Century

Anthony Cutrera Morales