First track from sub-Saharan- with Axel Weiss- Bass, synth, Guitars & Art:https://soundcloud.com/axelweis
Released on Spotify Nov 21-2024
https://open.spotify.com/album/5VIH6CQTsvmD3MH9HoYcDH?utm_campaign=website&utm_medium=Email+&utm_source=SendGrid

Fei Zhou

young grasses -
not yet bent
in any direction

Kaga no Chiyo-jo (1703–1775) was a haiku poet discovered by Kagami Shiko at a very young age. She became a Buddhist nun at 52 and wrote around 1,900 haiku in her lifetime. A highlight of her poetry career was presenting haiku to a Korean delegation in 1763, one of the first cultural exchanges of this kind.

Haiku by Kaga no Chiyo

Picture by Kateryna Viderska

as soggy neutrons - naviarhaiku608

Refrain

Creelot Hittingem

Studio Composing in the  21st Century

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Endless Time "
credit : 

date : 1-02.20225 and 19-09-2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

daily video :
https://www.youtube.com/shorts/0j1XpySvBD0

The Infinite Monkey Theorem Music Test

‘a divinis’
Wastes & Sequences.
2022 live performance.

Chaotic music engineering franchise.

Tools :
Marbles.
- Loquelic Iteritas Percido > Sisters > Desmodus Versio.
Ochd, Sinc Defero.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Screamalodon Tropilabia [wastes & sequences]

PILZE

https://shanyio.bandcamp.com/album/of-the-waters-a-apelor
Dan Zibarov - voice 
Claire Deak - voice, drone organ 
Thomas Almádi - percussion
Shanyio - ceramic/metal bowls, dulcimer, distorted zither, fluier, electronics, photo

Part2 - excerpt from the album Of the Waters / A Apelor

WHAT  A  WORLD

Lí Ban

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Studio Composing in the 21st Century

Anthony Cutrera Morales