Related tracks: Thought I Was Dreaming

Take 22.

This piece is a product of a few recorded tracks and lots of synths playing live via MIDI, all at the same time; which is a bit out usual for me.

I also turned a few knobs while it was being live recorded, which also adds a bit to the the whole blend of things.

Enjoy!

When It Ripples

ALPHA NOSTALGIA

CD Album and Download

Octa Cloud

Midnight Ride

Exploring Electronic feedbacks with FX, Theremin and KaosPad. With no Drums/Beats

R&N (17)

Généré par IA sur https://makebestmusic.com/fr à partir du texte de la Biographie disponible sur https://www.djyako.fr/biographie/

Biographie de Quentin PETITEVILLE alias DJ YAK'Ô V2

Produced, Rearranged, Mixed and Mastered By Kawa9

Created with Riffusion

Dancing with CHAOS

Gothic horror soundtrack:
'Devil's Music' will save us all....?

Ectoplasmic Groove

noxpox - prayer to the aliens

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little man

Lyrics:

Give it to me
Give it all to me

I need something, I need something from you
Give me something, I need something from you
Give me something that is good for me
I need something, I need something from you..

Chorus:
I need something, I need more of you
Give me something, I need more of you
I need something, I need more of you
I'm addicted, I need more of you

Give it to me
Give it all to me

I need something, I need something from you
If only I could get some more of you
I'm addicted, I need something from you
Give me something, I need something from you..

Chorus

Give it to me
Give it all to me

Chorus

Give it to me
Give it all to me

I need something, I need something from you
If only I could get some more of you
I'm addicted, I need something from you
Give me something, I need something from you..

I need something, I need more of you
Give me something, I need more of you
I need something, I need more of you
I'm addicted, I need more of you

Addicted

2025-02-25

walking on thin ice

Blues HOP-HIP-TOP 4

zbu  dole San 2

Euro Tremolo

PROGRAM NOTE

This piece, a collaboration between Yenhsing Chen and Dooree Kang, was written for the 3rd Synesthesia Show, "Differentiation" (Peabody X MICA). It contains two parts: a sculpture and a musical composition.

We delve into moments of organic dialogue among different cultures, where established identities blur and transformation brings profound ambiguity. This effort to connect inevitably creates a challenging "gray zone," an uncertainty that sparks true understanding—especially when our communication in a foreign language doesn't quite meet our intention.

Dooree's work reimagines a traditional canvas as a sculptural installation where painting, video, and space converge. By projecting fragments of her daily life in the U.S. onto creased canvas and mesh screens, she investigates the "gray zone" between cultures—an ambiguous, fluid space where misunderstanding, humor, and moments of dissonance coexist and evolve.

Yenhsing's composition explores the interplay between two domains: language and music. The composer first recreates spoken language through meticulous instrumental writing, orchestrating the pitch contour, formants, and consonants of the speaking voice using the ensemble. Subsequently, this rendered speech is developed and transformed into musical material, thereby questioning the precise boundary between language and music. The initial material comes from the transcription of the composer's voice saying, "I hope you enjoy."

PERFORMANCE

Date: October 11-18, 2025
Location: Making Space Bmore, Organized by Synesthesia Spectrum
Opening Performance Oct. 11th, Saturday, 7:00PM
synesthesia-bmore.com/event/

Conductor: Ying Lam Eva Chu
Flute: Ivan Smaltsuga
Clarinet: Renzo DeCarlo
Bassoon: Jonathan Mokry
Violin: Isabel Rushell
Viola: Seoyeon Jun
Cello: Theo Geonhoon Kim
Double bass: Sunwoo Kim
Percussion: Cherri Chen
Percussion: Michael Liu

Recording: Yoonjung Lee
Directors: Yoonjung Lee, Dooree Kang

Yenhsing CHEN Speaking on the Threshold "I Hope You Enjoy It" (2025) for large ensemble

Mi primera canción, 1990, interpretada a dúo con mi PC (bajo y percusión) y grabada con el móvil en 2012. Nada de mezclas, masterizado, corta-pegas ni trucos: considérese un directo. Ver también los dos magníficos vídeos promocionales en youtube.
My first song, 1990. Played on duet with my PC (bass & percussion), and recorded on a smartphone in 2012. Nothing about mixing, mastering, copy-pastes, nor tricks, consider it a live piece.
Please try piano version:https://soundcloud.com/esemanolain-ruizzo/que-facil-decir-piano-version
Watch also the two magnificent promotional videoclips on youtube.

Lyrics/Letra:

Qué fácil decir,
no quiero seguir.
Que fácil decir,
no quiero sufrir.

Que fácil decir,
no quiero morir.


Qué fácil hablar, 
hablar sin parar.
Qué fácil pensar:
“Esto no va a más.”

(oh, nena!)
Qué fácil cantar
si no estás aquí.

Qué fácil decir (No quiero sufrir)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

zbu dole San 2

Anthony Cutrera Morales

Recent comments

No Mates Ensemble

Nadìr

Related tracks