Calm & Steady series

- short tracks
- dance music
- tracks uploaded: anywhere between 10/2019 and 10/2020,
mostly in Summer of 2020, with the following (older) exception:
. . - Yasin Hazim "Misfortunes" (16): 10/2015 - 10/2016 (?).

The other series (short tracks) so far are:
- "Hard-Fast-or-Nasty" (more intense/abrasive)
- "MiddleLane", and "Superdance" (the middle, or ambivalence)
- "Funky-Dub-Trap" (self explanatory)
- "Fantaisies" (for professional dancers only)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: *
. . A) MiddleLane, Superdance
and
. . B) all other series
* Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap".

HK_Calm-&-Steady_tracks_23

I plan on releasing this officially in a few weeks. However, I've been sitting on this (and a lot of other music) for a while and I NEED to start putting music out. So I hope you enjoy this Early Preview of FM/AM :)

104.5 StarBeat FM [8:20 a.m.]

Instagram: https://www.instagram.com/yasin__hazim/
Resident Advisor: www.residentadvisor.net/dj/yasin
Spotify: https://open.spotify.com/artist/1zQG3HG2ikVmCzRetpDS5k
Facebook: https://www.facebook.com/yasinsounds
http://hypem.com/artist/Yasin

Misfortunes

Experimental trio Giraffe crystalize time on ‘Desert Haze’, their new LP on Marionette. Giraffe is the musical project of Sascha Demand (guitar), Juergen Hall (keys), and Charly Schoeppner (percussion). With only a couple of releases to date on the wonderful Meakusma imprint, little is known about Giraffe.  After letting go of other artistic projects, the trio now focuses solely on Giraffe by continuously searching for and finding their own unique language.

Sascha, Juergen and Charly have quite diverse musical backgrounds, though morphing into Giraffe they tower into one single composer. Their music is a critical statement, not in a political sense but rather an artistic one. The trio is mindful about what it means to create and how to position themselves as artists nowadays and in no way are concerned with the constant hassle of being en vogue and short-lived trends - affirming their rather rare and stoic artistic stance, an expression that has developed ever so naturally and refreshingly honest to witness.

On Desert Haze, they’ve created a vibrant and minimalistic tribal sound that feels inspired by the Saharan traditional music of the Tuareg, Jazz, and German psychedelic krautrock. Giraffe themselves list the radical music of the Viennese School (Schoenberg along with his pupils Berg and Webern) as well as the Köln School with its early electronic experiments as their main influence and inspiration. More precisely the composition process and the organization of musical material within space and time, where a conceptual and intellectual approach melds with an experimental yet expressive sound searching method.

Side A focuses on the trios studio work; it is built around tone color and pitch analysis of resonating prepared guitar sounds. Through a unique mixture of free improvisation and a serialism "rule set”, Giraffe develop instrumental layers and structures to form their tracks. Side B sees Giraffe playing more freely with a reduced setup - representative of what you may hear when listening to the trio live.

Desert Haze, along with its track-titles, showcases an almost mimetic approach to art. The haptic music grabs the listener not as a passive recipient but as an active resonant body to vibrate through. One can almost feel the Elements, pressure and heat forming a diamond, hypnotic overtones ringing through windy caves, shamanistic rhythms conjuring up mysterious and ancient landscapes - where the constant cycle of sedimentation and erosion reveals structures of fragile beauty - always gentle to the hand’s touch and the mind’s eye. 
Desert Haze will be released on vinyl and digitally end of October 2019. The Artwork by Benjamin Kilchhofer may very well be the entrance to the entombed sounds we hear on this album. Thanks Sascha, Juergen and Charly!

05 Pressure

Black Foam ☕

Four fresh, effective and spaced out cuts from label-head Black Lotus.
‘Poems Against the Empire’ is a radical statement regarding bizarre times.
Pressed with love! Play it loud!

All tracks written and produced by Black Lotus in 2020 — Berlin.
Mastering by Riemann — Berlin.
Artwork by Black Lotus & Yuto Yamada.

Poems Against the Empire (Original Mix)

part 4 of ERREUR TACTIQUE, a 2020 compilation by Bruit Blanc XYZ
tape & digital : bruitblancmaintenant.bandcamp.com/album/erreur-tactique

Erreur tactique

Cowbell estupido

04 - Camposs - Cowbell estupido

Kaleidoskop is a multicoloured journey through ethnic-electronic sounds created by various artists.

Download WAV etc.: https://barbarellamusica.bandcamp.com/album/kaleidoskop-vol-1-v-a

Cover Art: @barriokatz

Artist: https://soundcloud.com/yusufthelemone

You can download the compilation for free. But you can earn some extra karma-points, if you decide to give something, because all incomes will go to the non profit organization VIVA CON AGUA, a network of people and organisations commited to establish access to clean drinking water and basic sanitation for all humans worldwide.

Download

Yusuf Lemone - Shamaniac Feat. Die Kirschen

SUPPORT THE ARTISTS TOO!

SC: @barbarella_dd
FB: https://www.facebook.com/barbarelladd

Bandcamp

Barbarella - Quente

Track by ARNWA\
Bandcamp\ https://aranwa.bandcamp.com/releases
Facebook\ fb.com/arnwamayu
Instagram\ https://www.instagram.com/arnwa_/
Soundcloud\ https://soundcloud.com/arnwa

Being able to be assumed as the most radical humankind's intervention in the landscape, the city is generically a cluster of buildings, processes and people. According to United Nations, almost two-thirds of the world's population will live in cities by 2050. Thus, cities are the places where people live most of the time, but they should not be understood only as material urban heritage, otherwise, where would the driving forces coming from solidarity social relations fit in? Modestly, we took the theme of cities as an incentive to venture into the real world experiences and to celebrate the label's fifth year anniversary date. The compilation maintains the weekly release format and has three sub-themes: 'manhã' (morning), 'tarde' (afternoon) and 'noite' (night). Each one bringing the interpretations of the artists to the different situations of the city as the activities unfold during a whole day.

To a limited extent, humans depend on cities for the civilizing process. The space where people move, whether by car or on foot, is the dizzying essence of all this cultural dimension that allows the humanization of cities. It is the space where we meet, where we dream, where we sit, where we talk, where we express ourselves collectively. Stage for everyday life and also for funerals, processions, demonstrations, big parties. The joys and pains are inside the houses but they also have their projections flying over the cities, stimulating diverse movements towards the union of contrasting communities. Therefore, the compilation's intentions are focused on the nuances between Urbanism, Anthropology, Urban Sociology and any themes that we have omitted here for lack of words or knowledge.

Relaxed, alert, zombified, energized or 'just want to hide under the blanket'? Ignoring mornings in which you’re sick or otherwise abnormal, what are your typical mornings like? Some people wake up energy-wise, excited to start their day. Others like to ease into their day more gradually, although they still maintain their mind racing into the future. Some people just left work due to their nighttime jobs. This all involves a gigantic spectrum of circumstances but undoubtedly everyone approaches their morning differently. Therefore, it was also expected that the package of tracks would have been upright under several stanzas, after all, multiplexing it's all about our annual compilation MUX. 

It sounds like the music that plays when I (blank).

Credits\
Artwork\ Bruno Blancato

Master\ Murillo Faleiros 
https://soundcloud.com/mandruvamusic
murillofaleiros@hotmail.com

__free_download

ARNWA — Arquitetos

Track by Sebastian Gabriel\
Facebook\ fb.com/sebastiangabriel.live
Mixcloud\ https://www.mixcloud.com/Sebastian_Gabriel/
Soundcloud\ https://soundcloud.com/sebastiangabriel_live
-
-
Being able to be assumed as the most radical humankind's intervention in the landscape, the city is generically a cluster of buildings, processes and people. According to United Nations, almost two-thirds of the world's population will live in cities by 2050. Thus, cities are the places where people live most of the time, but they should not be understood only as material urban heritage, otherwise, where would the driving forces coming from solidarity social relations fit in? Modestly, we took the theme of cities as an incentive to venture into the real world experiences and to celebrate the label's fifth year anniversary date. The compilation maintains the weekly release format and has three sub-themes: 'manhã' (morning), 'tarde' (afternoon) and 'noite' (night). Each one bringing the interpretations of the artists to the different situations of the city as the activities unfold during a whole day.

To a limited extent, humans depend on cities for the civilizing process. The space where people move, whether by car or on foot, is the dizzying essence of all this cultural dimension that allows the humanization of cities. It is the space where we meet, where we dream, where we sit, where we talk, where we express ourselves collectively. Stage for everyday life and also for funerals, processions, demonstrations, big parties. The joys and pains are inside the houses but they also have their projections flying over the cities, stimulating diverse movements towards the union of contrasting communities. Therefore, the compilation's intentions are focused on the nuances between Urbanism, Anthropology, Urban Sociology and any themes that we have omitted here for lack of words or knowledge.

On sunny, rainy or even cloud-covered days, the afternoon period is when the cities are going full steam ahead with their activities. As the day unfolds in several speeds the mood obviously shifts, so the cities. Regardless of whether we are aware or not, we are all in some kind of spatial transaction and, even with the famous sleepiness after lunch, the afternoon period is characterized by a more pronounced people-environment interaction. Then, with its daily-dose-of-sunlight easygoing tracks, this second part sets the connection between morning and night periods, mixing sinusoidal musical choices. From the beginning of the drowsy afternoon to the end of the afternoon rewarding, thoughtful, and so the breeze blows, the first star came out, and nobody knows what to expect.
-
-
Credits\
Artwork\ Bruno Blancato 

Master\ Murillo Faleiros 
https://soundcloud.com/mandruvamusic
murillofaleiros@hotmail.com

MUX vol.5 [tarde]

_free_download

Sebastian Gabriel — Far Away

Track by Kútus\
Facebook\ fb.com/kutussound
Instagram\ www.instagram.com/kutus_sound/
Soundcloud\ soundcloud.com/kutus-sound
-
-
Being able to be assumed as the most radical humankind's intervention in the landscape, the city is generically a cluster of buildings, processes and people. According to United Nations, almost two-thirds of the world's population will live in cities by 2050. Thus, cities are the places where people live most of the time, but they should not be understood only as material urban heritage, otherwise, where would the driving forces coming from solidarity social relations fit in? Modestly, we took the theme of cities as an incentive to venture into the real world experiences and to celebrate the label's fifth year anniversary date. The compilation maintains the weekly release format and has three sub-themes: 'manhã' (morning), 'tarde' (afternoon) and 'noite' (night). Each one bringing the interpretations of the artists to the different situations of the city as the activities unfold during a whole day.

To a limited extent, humans depend on cities for the civilizing process. The space where people move, whether by car or on foot, is the dizzying essence of all this cultural dimension that allows the humanization of cities. It is the space where we meet, where we dream, where we sit, where we talk, where we express ourselves collectively. Stage for everyday life and also for funerals, processions, demonstrations, big parties. The joys and pains are inside the houses but they also have their projections flying over the cities, stimulating diverse movements towards the union of contrasting communities. Therefore, the compilation's intentions are focused on the nuances between Urbanism, Anthropology, Urban Sociology and any themes that we have omitted here for lack of words or knowledge.

When getting the chance to get away from the hectic race of the day, nighttime is the right time for some and in the cities is a judgment free-zone. Perceptive, mysterious; darkness gives people a way to hide from the prying eyes of others, even if at home or in the urban fabric. Also, gives people an intense desire to walk out, hanging out and nightclubbing as a form of escapism from everyday life. During the late night, the city is quiet with a stillness in the air. Without all the bustle and noise, occasional silence, lullabies to the tired eyes. We rest our heads in pillows every night, sometimes with regrets and sometimes proud to do what we have done. Meanwhile, in homeopathic doses, the city weaves under the influence of dreams a tangle of pressing real life responsibilities that need to be fulfilled before the morning sun rises. Dream, baby dream!
-
-
Credits\
Artwork\ Bruno Blancato 

Master\ Murillo Faleiros 
https://soundcloud.com/mandruvamusic
murillofaleiros@hotmail.com

FREE

Kútus  — Dream States

Born and raised in the vibrant metropolis Sao Paulo, Bruno Tintin a.k.a. 'T in ...' began spinning records fifteen years ago. It’s easy to fall into the single-genre trap when DJing, which certainly was not a problem for the Brazilian DJ, since with all this time of career he has moved through several musical styles. Then, for the past four years, he has been channeling his energies and intentions and thus consolidating himself in the Brazilian downtempo scene both as a DJ and as an event producer at Quack — artistic nucleus from Sao Paulo focused on chill out/low beat/downtempo ambiance.

Bruno's DJ sets often savour an eclectic mix of several references. So, this 190th edition spots one hour of heavily distorted synths, percussion and psychedelia and was kindly awarded by the DJ, being his live performance at the party 'Quack & MataDensa' early this year in July. With ritualistic inspiration and ambiance, 'T in ...' shows off a selection that reflects a certain introspection already inherent in the post-pandemic period but also clearly outlines on the other hand that sometimes 'when life hurts, music is a lifesaver dancer'. 
—
T in ...\
Booking\ brunotintin13@gmail.com
Soundcloud\ https://soundcloud.com/brunotintindj

Quack\
Facebook\ fb.com/ColetivoQuack/
Soundcloud\ https://soundcloud.com/quackcoletivo
—
Tracklist\ 
01\ Dan Bay — Ich Rette Die Zeit
02\ Dan Bay — Himmel Und Sonne
03\ Fortunato — Sharihotsu  
04\ Dolph — What the Fog
05\ KUSHT — Twilight 43
06\ KUSHT — Glossolalia
07\ KUSHT — Pyramids
08\ Ibu Selva — Membrana (Pigmalião Remix)
09\ Marco Tegui — Maymantataq Kanki
10\ ÜNAM — Psylocibin Is Your Friend

IST 190\T in ...

María Sabina Magdalena García was a Mazatec sabia, or curandera, who lived in Huautla de Jiménez, a town in the Sierra Mazateca area of the Mexican state of Oaxaca in southern Mexico. Her healing sacred mushroom ceremonies, called veladas, were based on the use of psilocybin mushrooms, such as Psilocybe cyanescens. María Sabina was the first contemporary Mexican curandera, or sabia (one who knows" to allow Westerners to participate in the healing ritual known as the velada. All participants in the ritual ingested psilocybin mushroom as a sacrament to open the gates of the mind. The velada is seen as a purification and a communion with the sacred.
The voice of this edit is taken from the documentary "Maria Sabina Huatla" by Jimenez Oaxaca. The documentary is about Maria's life, a very wise Shaman. It shows her life and how she threated people from all around the world (including The Beatles) with magic mushrooms and her knowledge of them. MOP took the words from the documentary and "covers" them with amazing music delivering a pure rollin Shamanic beauty!

https://soundcloud.com/m_o_p

SHNGEDITS44 Yo Los Llamo Niños Santos (MOP Edit)FREE D/L

FREE DOWNLOAD <3
-----------------------------
@mandruvamusic & @da-iguana - Fatty Funky Bird 
[BIO0018] _ "Simbiose (VA)" by Mandruvá
We live and depend on each other to build us and build around us together. So it is in all of nature and its breadth. We are surrounded by these interdependent relationships, many of which we don';t even know, are called Symbiosis.
In a biological concept, “Symbiosis” portrays dependency relations for survival between two different species, being then a permanent association.
Reflecting for us, human beings, we can then think about the importance of preserving each and every environment, in which it contains millions of these relationships that are destroyed and killed every day. And it affects us directly.
Let&#39;s celebrate life! On November 16th, Murillo Faleiros&#39; birthday (@mandruvamusic) is celebrated.
Start / end of a cycle, one more lap around the sun, celebration of victories, defeats, learnings, knowledge and experiences. Especially in the troubled year of 2020, the idea arises to start a new project: a compilation among artist friends. And in this first edition,it will be in celebration of that special day.
Artists / Producers: Mandruvá / Da Iguana / Salguero / Juliano Gomez / Pérola Branca / Anatta / Dallanoras / el.llorón / PEDRADA, O legítimo / Forest Louche / _moru / Imersivo / Ojo Negro / Mauricio Avila / Yako Ma / Alef Nun / Kika Deeke / Guterres /
H2O
Curatorship, production, mastering: @mandruvamusic
Label: Biome Rec
Art: À la Gabs

FREE DOWNLOAD

Premiere | Mandruvá & Da Iguana - Fatty Funky Bird

soundcloud.com/barbarella_dd
https://barbarellamusica.bandcamp.com/track/verde-metapop-4
cover by soundcloud.com/chkkba

m e t a p o p # 4 - Barbarella

soundcloud.com/beatjay
[ːːː download ? contact the artist ːːː]
cover by soundcloud.com/chkkba

m e t a p o p # 5 - Nacho Pitchu

Brazilian podcast-curatorship channel

If you want to get in touch\
casacaos@live.com\

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

ARNWA — Arquitetos

Casa Caos

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