The sonic epilogue to Fionnlagh's debut album, 'What Came Before'. Featuring original material and remixes from ambient heavyweights: Warmth, Powlos, Hilyard, Anwalter, Logic Moon and Seabuckthorn.

Download here: https://bit.ly/3hdecqL
'What Came Before' vinyl here: https://bit.ly/2SZvdsi

What Came After

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Fionnlagh - Bj2x8i8l2e0f7s1 (Warmth Remix)

Ein Track im Rahmen des Projekts "Gemeine Stadt" von der Berliner Landeszentrale für politische Bildung in Kooperation mit Sabrina Dittus & metroZones e.V.

Das Tempo dieses Tracks entspricht einem entspannten Spaziergang durch die Stadt – mit Kopfnicken und dicken Kopfhörern. Ausgangsmaterial sind eigene Field-Recordings des Straßenverkehrs von Bangalore, Südindien. Motoren von Tuctucs, den dreirädrigen Rikschas der Stadt, knattern im langsamen Zweitakt und wurden so geschnitten, dass sie den Beat rhythmisch begleiten. Wir hören die Stimmen von Straßenverkäufern, einem Muezzin und Vögeln in den Bäumen am Straßenrand. Der Beat steht mit beiden Füßen fest auf dem Asphalt und hält die Kakophonie lässig an der Hand.

https://soundcloud.com/andiotto

Foto: Andi Otto

Andi Otto: Pedestrian Masala

layered handpan, mallet harp, jaw harp, sheet metal, and throat singing sampled on my iphone with blocs wave app

rainbow double

An instrumental odyssey through the cosmos of cinematic pomposity. 12 tracks that take epic film scores way too seriously (and not seriously enough). Maximum drama for minimum stakes. Heroes journey to refrigerators, civilizations fall by coin toss, and everyday moments become climactic scenes. Experimental compositions with an absurd arsenal of instruments. Downtempo meditation meets uptempo chaos, all wrapped in satirical grandeur. © 2025 Legenki.

Cosmonaut Forgot to Turn Off the Iron

Opalescent (Remastered)

Grace

From "A Forward-Facing Review".
Composed, performed, recorded and produced by Philipp Rumsch between February and July 2017.
Mastered by Markus @ Abendroth Mastering.

„A Forward-Facing Review“ is one of his works resulting from a one-year study period at „Rytmisk Musikkonservatorium“ in Copenhagen. In contrast to his previous work, Rumsch is responsible for both composition and sound design / mixing. Inspired by composers like Morton Feldman, Giacinto Scelsi and Elaine Radique and by the music of William Basinski, Tim Hecker, Brian Eno and Ben Frost, Rumsch draws up concepts to approach electro-acoustic music with pianistic elements. By only using acoustic and electronic keyboard instruments like piano, fender rhodes and various synthesizers, Rumsch first created the sounds for his composition in order to manipulate and edit them on the computer.

"A Forward-Facing Review" is a twenty-minute long concept composition with two parts exploring in two different ways a various amount of sounds as well as their gradual modulation. "Part II" is the more minimalistic chapter of this composition. An almost constant number of elements creates a sonic composition, which rests in itself. Thus development emerges through a gradual modulation of a few parameters. Philipp Rumsch invites the listener to accept subtle developments and offers the possibility to immerse into a difficile and diverse soundscape. 

Danish artists Anders Bach and August Rosenbaum as well as Icelandic composer, sound designer and multiinstrumentalist Valgeir Sigurðsson supported Rumsch in producing „A Forward-Facing Review“.

A Forward-Facing Review - Part II

Big Up To All People In The World

Asta Hiroki - Hiding Place (Feat. Lylli) [Moth Equals Remix] is taken from the single 'Hiding Place' out 14.6.19 via Jalapeno Records.

Buy/Stream: AstaHiroki.lnk.to/HidingPlace

Hiding Place

Hiding Place (Feat. Lylli) [Moth Equals Remix]

Wildarms - Acceptance (Octo Octa Remix)

Alternative pop label based in Los Angeles.

info@cascine.us

Wildarms - Acceptance (Octo Octa Remix)

CASCINE