NYTE EEGLE

TIM HAHN-PAUL SWOMLEY

Thank you VERY much for supporting our music. It means more to us than you could possibly know...especially after so many years of NE music being private. -- thank you.

Oritan é músico com especialidade em percussão. Estudou bateria com Marcelo Frias, do grupo Secos e Molhados, com Vitor Bub do Trio Butiá, com Eduardo Vidili, do Felixfônica e atualmente na Orquestra experimental do IFSC no âmbito erudito (no violino e na percussão).

Como baterista, atua no cenário musical em diferentes trabalhos.
Já foi baterista na banda Compasso Aberto, que patrocinada pela petrobrás desenvolve um trabalho em torno dos ritmos brasileiros como o lundu, o baião, o maxixe e o frevo.

Participou também do grupo de pesquisa LAAVA na UDESC, grupo que se dedica a luthieria e realiza tocatas abertas.

Com Eva Figueiredo e Aníbal formaram a banda Regra Três.

De coração movido a emoção musicalizou com Borandá Trio de música brasileira com Eva Figueiredo no clarinete e voz e com o Paulo Tarso no violão.

Fez parte da formação antiga da banda TemPero Verde que com o pé de serra esquentava os corações de quem embala no baião, xote, galope e frevo.

Acreditou na banda 7 apoio e uma bananeira e ainda acredita na sua formação com músicas próprias de poéticas composições.

Trabalhou na Batuka Groove como vendedor por anos e lá mantinha contato com música em tempo integral onde surgiu a banda Filhos do Caniço - cover de Raimundos - entre colegas de trabalho da própria empresa de instrumentos musicais.

Já levou música para Brasília. Por lá teve o prazer em tocar com Carolina Nóbrega e Lucas Soledade.

Ensaios e apresentação com a banda Raiz Sonora que Nanashara e Zezo o convidaram.

Tocou Jazz em diversos lugares com diversos amigos.

Atualmente é técnico de som, baterista free lancer e baterista fixo da banda autoral Insumos Ovoides.

Está sempre disponível a convites para manipular o som e/ou tocar em shows e apresentações diversas por esse mundo.

My name is Casey, I'm a singer/songwriter from North Carolina. I've been playing guitar since I was seven, and writing since I was around twelve. 
My goal is to become a successful musician and to have my music help people the way so many songs have helped me.
Songwriters like Elliott Smith, Conor Oberst, and the Söderberg sisters have been a huge inspiration for me and have held me to the edge of reality countless times.
I try to write songs the way my heroes have, all of them really meaning something to me.


BRAD WOLF - St. Petersburg, FL

songwriter, vocals / lyrics, guitars, bass

also singer for soundcloud.com/DRASTIK-KATZ
&amp; guitarist for soundcloud.com/ImminentRIOT

thank you very much for checking out my page, and music.

------------------------------------------------------------

** <a href="http://soundcloud.com/drastik-katz" rel="nofollow" target="_blank">ÐRÀS†IK KÀ†Z</a> **

our new band entity, 
combining
<a href="http://soundcloud.com/the-big-brad-wolf" rel="nofollow" target="_blank">The Big Brad Wolf</a> &amp; <a href="http://soundcloud.com/nyte-eegle" rel="nofollow" target="_blank">NYTE EEGLE</a>

I'm Kenneth Stewart. Please call me Ken. Thanks for reading. I'd say I'm a bit of a ‘renaissance man’. If I'm playing, it usually has strings. If I'm in the role of curator or composer, a background in performance becomes useful in other ways.

In a previous utterance, music assisted by physical interfaces and sound processing played heavily on my work, however once I finished school my desire to stay behind the desk dwindled. I took to acoustic genres. I'd say for a couple of years I became fascinated with the subtle differences between Jazz and Bluegrass, yet the vast differences in the harmony, sets and motifs specifically in Old-Time and New Acoustic show that what you hear is not always what you expect.

Using the instruments I play I seek to explore the roots of the music that happens around me here in Durham, NC.

The scholarly study of composition prepared me by to use the tools of a composer to develop musical ideas far beyond my own. I took to standards as experimental tools for learning how to create works with rich, melodious textures and romantic harmony.

I'd like to think that the time away from school helped me enhance my original obsession with weaving into my work an underpinning of the ambient electronic music and that of the avant-garde. Or my insistence a perversion for unusual sounds and peculiar timbres somehow coalescing into something familiar and hopeful.

While I do musical research that engages concepts of instrument modification and design and his non-compositional creative work of signal processing (linear and digital) and the hacking and modifications of electronic and acoustic musical instruments and their electronic effects, sometimes what's necessary is putting that all away and singing a simple song.

As a quasi-alumnus member of the Slippage Lab formerly at Duke University now at Northwestern, under the directorship of professor Thomas DeFrantz. Most of my time with Slippage was when I was a graduate student at Duke..
Some other things of note: I was one of Gordon Epperson's final cello students. Nancy Green, and protege, Nelvimar Neves and two summer festivals of lessons and masterclasses as a teenager with Brinton Averil Smith and countless lessons via conversation with colleagues. 

My composition mentors, whom shaped my vision for music creation: Daniel Asia, Pierre Jalbert, Durham’s Scott Lindroth and as well as a summer in Berlin with Samuel Adler; ditto on the colleagues.

Ph.D. from Duke University, and additional degrees from Rice University, The University of Arizona and Pima College in Tucson, AZ.
KennethDStewart.com

Once were 6Squid Records. Now Sun Harmonics. Proud to release new music with zero commercial viability.

A writing and producing collaboration between Jean Michel 'Kiki' Aublette, Colm Ennis & Kathy Brown

thanks for stopping by. Im a Dj from Portugal more sets coming soon.

CaseyBrown is following