Single from the new album by Zelienople frontman, Matt Christensen called "Constant Green" (June 18th, Miasmah / 300xColoured vinyl). 

As Matt himself describes: " I Had A Vision That I Could Move Anywhere" is  about how much fear does, or doesn't play in our limitations or unwillingness to do things. What is chemistry, genes and fate, and what is choice (if there is any)? In other words, this is a fantasy about free will."

Constant Green

Matt Christensen - I Had A Vision That I Could Move Anywhere

"HAVUZ I-II" CS - OUT NOW!!!

https://cloud-chamber.bandcamp.com/album/havuz-i-ii

Istanbul based audio/visual artist Koray Kantarcıoğlu releases his first tape output for Cloudchamber after 2016's Loopworks (Initially released as a tape from Wounded Wolf Press in 2016 and later issued as a vinyl from Discrepant Records.). 

Havuz (means pool in Turkish) is a two part piece made up of seamlessly mixed loops. Like his previous work, Koray manipulates samples he dug from Turkish records and tapes to create otherworldy sound textures. 
This time instead of a computer, Koray composed Havuz entirely on a minimal hardware setup with limited processing options. Result is an intimate, lo-fi sounding record. 

Album art is uses the collaborative work of Koray Kantarcıoğlu and Erdem Ergaz called Duopoly (2013), which combines the two different perceptions of form within a schematic arrangement. 

www.koraykantarcioglu.com

Composed by Koray Kantarcıoğlu 
Between 01/2021 - 05/2021 
Artwork: Erdem Ergaz & Koray Kantarcıoğlu - Duopoly (2013) 
Mastering: Ahmet Türk

Havuz I-II

Koray Kantarcıoğlu - Havuz II (edit)

Arturas Bumšteinas
So-called Space
Sloow Tapes- CS 30

Continuum-collage piece by Lithuanian composer Arturas Bumšteinas created in 2015 from incidental music sampled from various Lithuanian radio drama's from the 1950's to 2000's. A strange heady brew which juxtaposes music, sound effects, rudiments of vocal expression and various acoustic instruments among others in a compelling cut-up, reminding at times of People Like Us or Dirk Schaeffer's recent work for Peter Tscherkassky's movies. Edition of 70 copies.

Arturas Bumšteinas

https://cassandramiller.wordpress.com/2009/08/30/large-house/

(photo by Susanna Majuri used here without permission)

When I called this piece “A Large House” it was a title I thought up in a hurry, for no specific reason, and it just seemed to fit. In retrospect, it fits because this piece more than any other made me feel like an architect. I was writing something that was a large space, open, but perhaps with huge pillars holding it up. The piece is stationary, it doesn’t move, it’s grounded in one place, and maybe it even resonates like something with a lofty ceiling. As for any other connection between this piece and a large house, you are welcome to make it as you like.

A Large House

Large House (full) - Janacek Philharmonic, Peter Rundell cond., premiere (2009)

HG1801 - Hallowground.com
Buy the vinyl or digital album here: bit.ly/2xwBugg
Distributed by A-Musik and Cargo Rec.

BUY VINYL / DIGITAL

This Is Where - 1-6:0

recorded live at Huddersfield University 8th March 2018

Cassandra Miller - voice, composition
Silvia Tarozzi - violin, composition

So Close, for voice, violin and tape by Cassandra Miller, Silvia Tarozzi

Blue Chemise documents the hermetic soundworld of Australia’s Mark Gomes. “Daughters of Time” follows 2017’s brilliant full-length “Influence on Dusk,” released in micro-edition on Gomes’ own Greedy Ventilator imprint. It is an elegiac set of vignettes recorded straight to dictaphone with minimal post-production. For me these pieces function in a manner akin to Loren Connor’s evocative “airs,” conjuring poignant, intangible senses of longing and nostalgia then disappearing well before overstaying their welcome. Regarding their genesis, Gomes points to a quote from Australian artist Robert Hunter: "It's like I'm external to them. They develop their own assertion and character; their becoming finished is a thing they decide themselves. It's unexplainable." LP/Digital available 9/7/2018 via studentsofdecay.com

Daughters of Time

Isla

Quitratue

Charles Curtis: Performances & Recordings 1998-2018 3xCD (SLT-005)

Saltern presents its fifth release, Charles Curtis: Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Éliane Radigue, Alison Knowles, and Curtis. The wide-ranging scope of this release speaks not to a musical restlessness, but to a genuine spirit of inquiry, as these areas of activity for Curtis have existed concurrently in dialogue, not simply in succession, for decades. Over two hours of music by composers and artists with whom Curtis is closely associated including Éliane Radigue, Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, Morton Feldman, Anton Webern, Olivier Messiaen, Alison Knowles, Richard Maxfield, and Curtis himself. Mastered by Stephan Mathieu with liner notes by La Monte Young, Spencer Gerhardt, and Tashi Wada. Custom packaging and screen printing by Alan Sherry; edition of 500.

Performances & Recordings 1998-2018

Charles Curtis – Unfinished Song (1998)

from the 1st album "small souds" 1999.
recording of black mong of north vietnam singing, 
recorded and composed by miki yui.



Mong

Taken from the album 'The Faintest Hint' released as LP and Digital.

Large House (full) - Janacek Philharmonic, Peter Rundell cond., premiere (2009)

Cassandra Miller composer

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