Love the dreamy atmosphere! Awesome track!

Rebirth tales in Adriana's room

Me & My Twin

Anomalies

Macefelter

musica letra produccion por mi
la portada la hizo @no.si.si.no (te adoro)
gracias amigues por dejarme samplearles/citarles
producido en mi pieza y en el living

funa a utena la chica revolucionaria

Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “ Japanoise ” scene. Predating the era of digital domination, there was a time where artist-run labels putting out primarily, if not exclusively, tapes were legion: Toshiji Mikawa’s own Pariah Tapes, Masami Akita’s ZSF Produkt, Koji Tano’s MSBR Records, Masaya Nakahara’s My Fiance's Lifework Productions, Akifumi Nakajima’s G.R.O.S.S., Kimihide Kusafuka’s Kinky Musik Institute, Hiroshi Hasegawa’s Endorphine Factory, Hiroshi Hashimoto’s SSSM and Maso Yamazaki’s Coquette are just a few examples from Japan alone. Masonna’s abundant productions on his own legendary and astonishing label were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for 60’s psychedelic music revisited in its own very peculiar way. Maso Yamazaki transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts became clipped bursts of overloaded sound, doubled and extended by a delay that displaced the sounds into stuttered blasts of static. These vocal sounds fuse into a rattling background of harsh metallic fuzz, which was created by frantically shaking a highly amplified box filled with coins.
All Live Recording At My Room have been released in 1989 on Coquette, and now return for the first time in astonishing vinyl format fully remastered! The tracks were recorded live, at home ,with no mixing and no overdubs. Album is full of very rough harsh noise that’s mostly made up of lots of distorted screaming. This early work is very loud, noisy, and has lots of angry energy. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Divided into two parts of fifteen minutes each that focuses an electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to these tracks.
Controlled, gorgeous, and absolutely intense, encountered with distance, Masonna’s stunning All Live Recording At My Room stands with the absolute best of its era, and outsteps a great deal more. Chaos and noise, while direct and at ease with its own voice, it’s nearly impossible to not fall in love with this record once heard. An absolute revelation, reemerging at long last. Masonna is an emblematic figure of Japanoise, who shines by a personal approach and an immediately recognizable style. A zenith in the noisy Japanese landscape.
Inside the chaos: the God of noise!
The record has been pressed on 140 gr black vinyl with full color label and sleeve. This release is not be missed, and with only 199 copies pressed you'd better grab it now!

Masonna -Untitled Extract (from All Live Recording At My Room)

Transcendental

music: Rio Black (git.,bass,synth,mix)& Dani Dark(key) - voice/lyrcs: Rio Black - 20.08.2020

Atomic Neon - Pandemia (homedemo)

Solo violin
Solo cello
Field recordings (treated)
delays and reverbs

Music inspired by this sentence by  Ursula K. Le Guin: 

“For a word to be spoken, there must be silence. Before, and after.” 

Created by DD in Greece on Friday 21st August 2020

for this junto challenge:
Disquiet Junto Project 0451: Ursula’s Silences
The Assignment: Make music inspired by a line from A Wizard of Earthsea .

Photo by DD, Kamari, Greece, Aug 2020.

@disquiet

Surrounding Silences (disquiet0451 )

Excerpt of the upcoming Sha 'ir majnun album.
Full album at https://deofol.bandcamp.com/album/-

ASSUR I

por ejemplo tu y mio
se ven muy unidas
cuando ella te golpea
lo mismo yui-chan y asuza-chan
es como si estuviera al margen
de la intimidad

y de verdad que quiero
ser parte de eso
la regla de oro es no tenerle miedo a la verguenza
que quiero ser parte de eso

la regla de oro

Piercing melodic rumble from Honey Radar's Jason Henn. Heavy VU vibes as usual, mixing experimentation with analog layers, hypnotic dissonance, and a soft Nico-ish chorus. I once called him the Madlib of garage-rock for his propensity to collage styles and sounds. This is a new release, and it features a fading solo, cool and laid back like Saturday band practice. Stream at your own pleasure.

Rebirth tales in Adriana's room

Cassettes have become extinct

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