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Melanie Martinez's creative drive and talents have always distinguished her from other musicians. After releasing her platinum-certified 2015 debut album, Cry Baby—which reached No. 1 on Billboard's alternative albums chart and has amassed over two billion streams worldwide —she conceived and directed a video for each song on the album. These mini-movies traced the traumas and insecurities experienced by the album's character, Cry Baby.
 
Melanie’s sophomore album and film, K-12, is another ambitious triumph. K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong—including within friendships, the physical world and romantically—even when fitting into society feels like an uphill battle.
 
To accompany the album, Martinez wrote and directed a 90-minute movie (also called K-12) that incorporates the album's music and mirrors the themes and characters introduced. Filmed on location in Budapest, Hungary, the movie focuses on Cry Baby (portrayed by Martinez) and a class of students who find themselves trapped in a horror house-like residential school. As they experience the usual grade school rites of passage—a lunch room food fight, the embarrassment of gym class, a romance with nefarious intentions, courses taught by checked-out teachers— they have to figure out a way to escape.

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Mulú is the pseudonym of Rio de Janeiro DJ and music producer Antonio Antmaper, one of the artists responsible for the renewal of Brazilian electronic music.
 
He was one of the creators of the sound signature of singer Pabllo Vittar in 2015, co-producing her debut EP “Open Bar”, mixing samba and other Brazilian rhythms with electronic beats in “minaj” and “open bar”, a work recognized as a revolution in Brazilian pop music .
 
His sound caught the attention of music researcher Hermano Viana and artists such as Zé Gonzales from the duo Tropkillaz, who invited him to their Buuum Trax label, and also international artists such as Diplo, who described Mulú as one of his favorite Brazilian artists and as a key person in the connection of the Brazilian music scenes in his program on British radio BBC.
 
Mulú remixed and released songs in partnerships ranging from the experimental by Arto Lyndsay to the popular by Wesley Safadão, passing through Elza Soares and Baiana System. He was featured in the English newspaper The Guardian who described his remix of Elza Soares's The Woman at the End of the World as “A gloriously audible salivation”.
 
In 2021, received the platinum single for 16 million plays in the streaming of her song “Meu Jeito de Amar” in partnership with Pernambuco singer Duda Beat, Lux & Tróia.
 
As a DJ, Mulú performed in several cities around the world, going through major festivals such as Tomorrowland, Electronic Daisy Carnival.

Cassiano Carvalho ✅ is following