Related tracks: T O M O R R O W

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

FULL SONG NOW AVAILABLE HERE:
https://soundcloud.com/mystictapedeck/the-feathered-crown

We often do some quite elaborate percussion ensembles within our songs which can get a little buried under everything else we do. The aim of this release is to highlight some of the more interesting percussion passages in our songs, before you hear the songs themselves. 

Just thought it might be fun to feature these. 

This one has a drum kit, tabla, tambourine, finger bells, finger snaps and claps, and some crowd sound samples.

The Feathered Crown (Percussion Excerpt)

"A Quiet Room" is played on a Jeff Bamburg FSC guitar. Carpathian Spruce/Macassar Ebony, DADGAD tuning. A short tune which gradually "earned" its title as I made my way through composing this piece. Recorded Feb/2025. Thanks to all who might have a listen to this new track!

A QUIET ROOM

T O M O R R O W

AMA on Insta: www.instagram.com/alexmusicart/
on Twitter: mobile.twitter.com/AMAAlexMagicArt
YouTube: www.youtube.com/user/alexmagicartworks/videos
HEARTHIS.AT all AMA Tracks: hearthis.at/alexmusicart/

Created Arranged Produced by
AMA - Alex Music Art - Alex Magic Art Productions
2025 All rights reserved.

T O M O R R O W

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

NO FUSS // Short Musical Story Why Excitement Is Not Worth It …
@docfritz // Soundscapes, Music, Rhythm Design, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @ OESJ 
© 2025 // All Rights Reserved

NO FUSS

“This is to support the global Ehlers-Danlos Awareness Month campaign in May. The song title is inspired by the Ehlers-Danlos Society’s ‘Light It Up” Challenge whereby landmarks and buildings are lit up in orange to raise awareness. Please repost and spread the word - this is very important to me. Please head over to ehlers-danlos.com to support and learn more. Thank you.”

light it up. (For Ehlers-Danlos Awareness Month - MAY 2025)

1,2,3,4
If I could handle the pain as half as you do
I could be a better person 
I could be like you
Some days are dark 
Some days are better
Let’s light it up
Light it together 

Let’s go

Light it up
Spread the word 
Not all pain is seen
Your voice is heard
Shine your lights around the world
Light it up
Light it up, yeah

There’s complexity
Time to make it better
With unity we can get an answer 
An impossibility becoming probable 
Time to change it and make it possible

Ehlers-Danlos Syndrome is painful all the time
Your joints hurt because of how unstable they are 
Your muscles are working twice as hard to make up for unstable joints 
Most people live with daily pain that is somewhere between 5 to 10 on the pain scale 

Up light it up 
Up light it up 
Up light it

Light it up
Your voice is heard

© heart house and the new kindness. 2025

Written, performed*, recorded, produced and mixed by heart house and the new kindness. 
*Spoken word performed by Queen Van Wife And Mamma 
Mastered by DOLBY

light it up. w/ QUEEN VAN WIFE AND MAMMA (for Ehlers-Danlos Awareness Month - MAY 2025)

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

Greg Hurley: Composition / Arrangement, Lyrics, Vocals, Slide guitar, Guitars, Keys, Bass and Drum programming, mix and mastering

Lyrics: Till It's Gone

I was young and full of fire, 
never thought I'd ever tire
Didn’t know the time would fly
and leave me wondering why
Now that I’m old and all alone
you don’t know what you have till it’s gone 

I chased the dollar every day
didn’t take the time to play
With my kids, my wife, my kin
now I see where I’ve been
They’re all grown and far away
you don’t know what you have till it’s gone

I’ve lived life through highs and lows
Seen love and loss in equal rows
Don’t let regret become your song
Hold tight to joy before it’s done
But now I know what matters most 
You don’t know what you have till it’s gone

So hear me now while you’re young
don’t let your life be unsung
Cherish every moment bright
hold your loved ones really tight
For one day you’ll look back and see
you don’t know what you have till it’s gone, Yeah


Till it's Gone

Catching a ride on the bus
Strangest people sitting way too close to me
Ride is free, I can’t complain
Air conditioned going where I need to be

Don’t get to decide who’s sitting next to me
Don’t get to decide if they’re gonna talk to me
But I have no doubt I’ll smell them

Scheduled stop on 22nd street
Corner where I wait to see what’s gonna be
Transfer to Speedway Boulevard
Closer to the median where I hold my own

Don’t get to decide who’s sitting next to me
Don’t get to decide if they’re gonna talk to me
But I have no doubt I’ll smell them

Watch I pull a fast one
No one knows more than me

Whole day worth of sun and heat
Take a ride and cool it off ’til I get my fix
Someone always contribute
Some voluntarily and others not so much

Don’t get to decide who’s sitting next to me
Don’t get to decide if they’re gonna talk to me
But I have no doubt I’ll smell them

Watch I pull a fast one
No one knows more than me


No One Knows More Than Me

Stomp on that

Writer : Gerry Goffin \ Composer : Michael Masser \ ISWC : T-802.082.764-0 
Publisher : Prince Street Music - Lauren Wesey Music - Universal Music Publishing
Released : August 13 1985
__________________________________________________________________

While waiting for my next cover... I found this cover from 30 years ago at the bottom of my drawers... I had the voice and the breath!...😊 But that was before! 😄 Now you have to lower it at least a tone or even two.
__________________________________________________________________

I love this song (I'm a Whitney Houston fan); it's thanks to this song that made her famous worldwide. She had a unique tone, a crystal clear voice.
--------------------------------------------------------------------------------------------------------------

Arrangement : Phong
Vocal : Anh
Album : 1995
__________________________________________________________________

Saving All My Love For You - Cover (Whitney Houston)

Original by The Beatles (1970)
I used a piano backing track on this

I have been sick, and my voice is not completely healed yet, but it is what it is :)

Let It Be (Cover)

Pierre and JC Bordetti productions (c) 05/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.
Many thanks to Anne-Lise for this beautiful photo of the island of Lanzarote.

Instrumental Jazz Fusion

Luminous cave

Luminous Cave

Credits:
Andre (noxpox) ..... synths, bass, arrangement, production, mix and artwork
https://soundcloud.com/noxpox20?ref=clipboard&p=i&c=0&si=BCD677A0CE2548FAA4872A48F38E6454&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing 

Artur (Surfers like Us) ..... composition, guitar and arrangement 

Hi Everyone!
We both invite you all to listen to our brand new track! Andre added his bass and two synths to my guitar part I recorded in real time with a clean sound! Since the vibe of the track reminds us of the atmosphere of Morocco we decided to call it „Marrakech”. 
So we invite you to surf the streets of the city of Marrakech.
We hope you enjoy our exotic journey! 
Have fun!!! 😎🏄🏼‍♂️
—————————————
Please listen to how well Andre handles the bass (synths are his specialty!) This cool guy plays with his heart and feels the vibe of the music! I am honored to play with such people. This goes for all my collaborators!
—————————————
Many thanks for listening and any support! 😎
Artur

Surfin’ Marrakech (w/Noxpox)

Once, Twice - Remastered

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Next drop is Today at 11pm

https://emsclothing.printify.me / merchandise SHOP

Facts about me: A voice actor over here i only work well with high pitch and low girl pitch I can't do characters like SpongeBob but I can switch my own voice ❤️❤️🌹🌹

Stomp on that

Emma Valentine

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