Producer | Engineer | DJ
All things musical - dnb/jungle for now

Pre-order here: https://utahsaints.lnk.to/US24SC
UTAH SAINTS (Ministry Of Sound) (ffrr)(London Records)

Utah Saints have been making music, dj’ing and playing gigs around the globe since the birth of House music.

The world renowned duo have released 9 Top 40 UK hits, 4 of which hit the Top 10, and sold over 2 million records worldwide (equivalent to 800m+ streams).
Precariously walking the tightrope between genres and also between the underground and the mainstream, Utah Saints roots are in electronic dance music, having met in a club in Leeds at the beginning of the rave movement in the UK and establishing themselves as pioneers of sampling in dance music.
Alongside this success, they set up and promoted award winning and legendary club nights The Gallery and SugarBeatClub and have recorded and presented shows for BBC Radio 1, Kiss and Ministry of Sound. 
Utah Saints are still very much at the top of their game and are out dj’ing regularly each month as well as curating festival stages and putting on an eclectic range of nights. They have played alongside everyone from DJ Zinc to Justice, Zane Lowe to A-Trak, Friendly Fires to Boys Noize and U2 to Public Enemy. They have djed at over 3000 events, from underground clubs to festival mainstages.

When the pioneering DJs aren’t playing at clubs and festivals in various parts of the world, they can be found in the studio working hard on their own material and production as well as remixing other artists as varied as Bring Me The Horizon and Girls Aloud.  As well as running a successful record label, the duo have now added film scores, soundtracks, video game music and production music to their ever-expanding portfolio and are planning to release new music as Utah Saints.
Recent accolades include being listed in Rolling Stone in 2022 as one of the 200 Greatest Dance Songs of All Time with Something Good. 

The remix, Something Good 08, having been the10th most streamed track of 2008 has recently been awarded Gold status in the UK.

"Utah Saints - Legends in the game " - Zane Lowe - Apple Music 
“Two of the most clued up DJs I have ever met” iDJ magazine
“The first true Stadium House band” – The KLF
"These guys invented rave" - Annie Mac BBC Radio 1
“Dance legends” - NME

For Dj Bookings/Remixes  contact - Admin@PunkClubBeats.com

Booking inquiries: tbm2806@gmail.com

TBM has established his self as one of Bristol's most under rated DJ's in the underground scene. He prides himself with his blending skills and 3 deck mash ups that will entertain any crowd. Growing up in the local rave scene he has seen underground uk dance music evolve over the last 3 years and has kept up with the trends while still showing a unique selection and style.

Big. Bad & Heavy. 

Co-owner of Rumble in the Jungle.

Supported the likes of; A.M.C, Enei, General Levy, Black Sun Empire, Break, DLR, Bryan Gee, Born on Road & more.

Places of performance: U.K, Scotland, U.S.A, Canada, Czech Republic, Athens & Croatia 🌴

For more info and bookings email: Noisyantics@gmail.com

Producer, Audio engineer, Artist.

The Vision is Clear

Tickets - http://bit.ly/2xVFRVw
14th December | Courtyard Theatre, London

Management: terry@turbomgmt.co.uk
Bookings: laetitia@decked-out.co.uk

With hardcore support from Pete Tong, Annie Mac, Gerd Janson, Tiga and The Blessed Madonna, who correctly noted that he has “the hardest working hair in show business,” ABSOLUTE. has raised himself above the rabble of contemporary dance music with stone-cold hits “Follow ur <3’,”Ride”, “Don’t Ya Want it’, “Papi’s Pumping Piano” and an official remix of Kylie’s anthem-of-the-decade ‘Padam Padam’ that will ensure free Fuji water in his green room for the rest of his life. As the London-based DJ/producer is a virtual lock to earn the kind of clout that will allow him to scrub the internet of all biographical detail, it seems wise to revisit his early days and career-to-date while we still can. 

As a child, ABSOLUTE. was enthralled by dance music, to the extent that he took the money his father had given him to buy clothes and spent it on a single turntable. While initially furious, once his dad heard the music, he calmed down and said, “Son, that is a low-slung floor-filler, and I have no choice but to respect it.” Later, ABSOLUTE. honed his DJing skills by using the lone deck to beat-match to Pete Tong’s BBC Radio show, a fact that will take on eerie significance if you read this bio backwards. 

A teenage ABSOLUTE. found his chosen family among club kids and drag queens in East London queer spaces, eventually going on to promote and curate spaces like these himself. "For whatever reason, the people in the queer scene hadn’t found liberation in pub trivia nights held at Wetherspoons breeding pits," he says. “So they had to create their own world instead. At this point, my politics are actually less progressive than the British Airways twitter account, so things seem to be moving in the right direction."

These experiences led to ABSOLUTE. to notice that queer spaces are largely dependent on the viability of human existence. As such, his nascent activist streak led him to sample climate icon Greta Thunberg on the track “Rave Against the Machine”, despite the fact that the 40-and-over conservatives who regularly challenge Thunberg to debate and/or wrestle on social media make up a huge part of the acid house market. The track led to a collaboration with the Extinction Rebellion collective, for whom ABSOLUTE. curated the “Rave Against the Machine” queer stage at the activists’ event in London. Unfortunately, the stage was promptly shut down by police. While many of the cops had no opinion on the political message, they were reportedly pissed that the event was overshadowing an after-hours the local station had been promoting.

To the extent that there is a habitable future for anyone at all, ABSOLUTE.’s is looking bright. With official remixes for icons Fever Ray and Tony De Vit, and a mass of original music including EPs on Shall Not Fade, DJ Haus’ Hot Haus, New York Queer stalwart Chrissy’s new label Maximum Airtime, a Radio 1 Essential Mix live from Glastonbury and named 6Music ‘Mix of the Year’ by The Blessed Madonna and a recently completed fourth U.S. tour. “Whether my music helps inspire the advance of cold fusion technology or I end up DJing the Emerging Artists Stage of the Great Pacific Garbage Patch, I’m going to keep bringing the same BIG NEON ENERGY intensity to everything I do. 

So the next time someone tells you there’s no absolutes, give them a knowing grin and say, 'There’s just one, honey. Just one.’"

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